" Cântico dos cânticos, quântico dos quânticos": as relações dialógicas entre artes, ciências contemporâneas e saúde no álbum Quanta, de Gilberto Gil / " Cântico dos cânticos, quântico dos quânticos: " dialogical relationships between art, contemporary science, and health in the album Quanta by Gilberto Gil

Resumo O trabalho apresenta uma análise metalinguística de canções que compõem o álbum Quanta, de Gilberto Gil, explicitando as relações dialógicas que o enunciado artístico pode estabelecer com as ciências contemporâneas e com uma visão de saúde. Para tanto, é feita uma breve apresentação sobre o quadro teórico-metodológico a ser utilizado, a metalinguística de Bakhtin, e, a partir dele, são estabelecidos três eixos de análise, privilegiando a concepção de ciência, de física quântica e de saúde e cura presentes no álbum e evidenciando as complexas relações entre arte, física e saúde.

Abstract This article presents a metalinguistic analysis of the songs comprising the album Quanta by Gilberto Gil, highlighting the dialogical relationships that artistic endeavors can establish between contemporary science and a vision of health. This involves a brief introduction of the theoretical/methodological framework and Bakhtin's metalinguistics, followed by the establishment of three different analytical threads that follow the concepts of science, quantum physics, and health and healing which are present in the album, depicting the complex relationships between art, physics and health.

Memórias póstumas da loucura mulata: as apropriações de Machado de Assis sob o corte patológico / Posthumous memoirs of mulatto insanity: a pathological interpretation of Machado de Assis's appropriations

Resumo Estudos para identificar eventuais relações entre a criação artística e a psicopatologia - desde o século XIX, na Europa - influenciaram o pensamento brasileiro acerca desse tema. O objetivo deste artigo, sob a óptica da história das ciências da saúde, consistiu em analisar as perspectivas, ao longo do século XX, segundo as quais as doenças neurológicas e psiquiátricas de Machado de Assis foram determinantes na criação e no conteúdo de suas produções literárias. A partir de um referencial teórico e metodológico baseado em Bakhtin, verificou-se que muitos autores consideraram a epilepsia de Machado de Assis o principal elemento responsável por seu ato criador, o que permitiu revisar a apropriação de diferentes teorias psiquiátricas no Brasil, assim como diversos conceitos teóricos.

Abstract Studies to identify possible relations between artistic creation and psychopathology (starting in nineteenth-century Europe) have influenced Brazilian thought on this topic. The objective of this article, from the perspective of the history of health sciences, is to analyze viewpoints throughout the twentieth century which considered the neurological and psychiatric diseases of Machado de Assis as fundamental to the development and content of his literary work. A theoretical and methodological reading based on Bakhtin found that many authors considered Machado de Assis's epilepsy to be the main reason behind his creativity, which allowed a review of the appropriation of different psychiatric theories in Brazil, as well as various theoretical concepts.

Os significados da "Sinfonia do café": uma releitura da canção de Humberto Teixeira / The meanings of the "Coffee Symphony:" a retelling of the song by Humberto Teixeira

Resumo O artigo toma como objeto central de investigação a letra da canção "Sinfonia do café", composta em 1944 por Humberto Teixeira, procurando analisá-la sob uma perspectiva sócio-histórica e linguística. A análise buscou suporte teórico na filosofia da linguagem de Mikhail Bakhtin, em particular, suas concepções de "enunciação" e "interação verbal". A partir da relação intersubjetiva entre locutor e interlocutor, buscamos identificar possíveis significações da canção e do tema central abordado (café) no contexto de sua criação. A análise evidenciou a função político-ideológica que o gênero musical samba-exaltação exerceu no Estado Novo. Naquele contexto, café e samba-exaltação foram os principais produtos de exportação (agrícola e musical) que deveriam expressar a grandiosidade econômica e cultural brasileira.

Abstract This article focuses on the lyrics of "Sinfonia do café" ("Coffee Symphony"), a song composed in 1944 by Humberto Teixeira, and attempts to analyze it from a linguistic and socio-historical perspective. The theoretical foundation of this analysis is Mikhail Bakhtin's philosophy of language, particularly his understanding of enunciation and verbal interaction. Based on the intersubjective relationship between speaker and interlocutor, we look for potential meanings in this composition and the main topic (coffee) within the context of its creation. This analysis shows the role played by the musical genre known as samba-exaltação during the New State period. Within this context, coffee and samba-exaltação were the main exports (agricultural and musical) that were intended to express the splendor of Brazilian economics and culture.

História, memória e narrativa: a revelação do quem nas histórias orais dos habitantes do Córrego dos Januários / History, memory and narrative: the disclosure of who are you? in the oral story-telling of the inhabitants of Córrego dos Januários

O objetivo deste artigo é relatar uma pesquisa sobre as histórias de vida e as memórias dos habitantes de um pequeno povoado, situado na região leste de Minas Gerais, Brasil. Utilizando a "história oral" como estratégia metodológica e tendo como referência teórica o pensamento de Hannah Arendt, Walter Benjamin e Mikhail Bakhtin, os conceitos história, memória e narrativa são aqui analisados a partir das práticas discursivas entre a pesquisadora e os habitantes do Córrego dos Januários. Os resultados deste trabalho contribuem para a compreensão da ação e do discurso dos homens como condição do exercício da ética e da política na vida prática e, consequentemente, colocam em destaque a importância da experiência singular e a presença única de cada pessoa no mundo. A revelação da pergunta "quem és?", apresentada por Hanna Arendt em sua obra A condição humana, é aqui analisada a partir dos relatos das histórias de vida dos sujeitos envolvidos.

The purpose of this article is reporting a research on stories of the life and memories of the inhabitants of a small village in the east region of Minas Gerais, Brazil. Using as methodological strategy the "oral story-telling", and as theoretical references the works and studies by Hannah Arendt, Walter Benjamin and Mikhail Bakhtin, the concepts history, memory and narrative are here analyzed based on the discursive practices between the researcher and the inhabitants of Córrego dos Januários. The results of this work contribute to the comprehension of action and discourse of men as a condition to the exercise of ethics and politics in practical life and, consequently, bring out the importance of singular experience and the unique presence of each and every person in the world. The disclosure of the question "Who are you", introduced by Hannah Arendt in her work The Human Condition, is here analyzed from the point of view of the life stories of the individuals involved.

The Scenes of Doctor-Patient meeting in the Contemporary Korean Novels: chiefly on the basis of Doctor's Reading on Patients / 의사학

"Medicine as an art" implies that there is something in medicine beyond the limit of science The practice of medicine is far more than the simple application of scientific principles to a particular biologic aberration The communication between a doctor and a patient is the core component of medical practice but little attention has been generally drawn to it. This study shows three types of doctor's reading on 'patient' as an alternative model to see the doctor-patient communication on the basis of the concept of 'patient as a text' and Bakhtin's narrative theory They are monologic dialogic and discontinuous readings In the monologic reading the doctor has one-sidedly the whole power in communication and it reflects only the doctor's point of view The doctor mainly concerns for the disease and its treatment In the dialogic reading the power of doctor-patient is shared and their views are reflected each other The doctor should consider the patient as a human and understand his social and psychological surroundings If the patient refuses to be treated especially in the case of terminal cancer patient he has nothing to do with his doctor Therefore the discontinuous reading can be applied and in result no communication takes place between them. To evaluate the proposed types of the doctor's reading on patient the three types can be applied to the scene of doctor-patient meeting in the novels The meetings of lieutenant Sung and medical officers in Sending Back by Jung-In Suh are in accordance with the type of monologic reading In Wan-Seo Park's Three Days in the Fall the type of dialogic reading can be applied to that of the doctor I's lives with her patients In Yong-Moon Chun's The Days of Dead Doctors the type of discontinuous reading can be applied to the events between Haeng-Oh Kim and doctors in ICU And the 3 parts of The Heavens of Your Own by Chung-Joon Yi all of reading types can be equal to those of the hero whose figure and relationship with Sorok Island have changed throughout the work. The doctors should have abundant experiences of life to make the dialogic reading possible The dialogic reading can be realized in its true sense only if they see the patient not as a disease but as a man and only if they make efforts to understand his circumstances