ABSTRACT
Resumen La música provoca respuestas emocionales que se ven reflejadas en los cambios fisiológicos y cognitivos de los oyentes. Es una temática de estudio en común entre distintas disciplinas como la psicología de la música, la musicoterapia, la antropología de la música y la la neuropsicología, entre otras. Entender de qué manera la música puede incidir en el estado de ánimo de las personas permite contribuir al conocimiento sobre el efecto comportamental y a la creación de nuevas técnicas orientadas para regular las emociones mediante la música. Teniendo en cuenta estos antecedentes, se realizó un estudio con el propósito de evaluar el efecto de la percepción de una pieza musical con características activantes (grupo experimental) versus ruido blanco (grupo control) como modulador del estado de ánimo, desde la perspectiva de las neurociencias, contando con la participación de adultos de entre 18 a 40 años. La inducción emocional de los participantes se realizó a través de la observación de imágenes con valencia emocional negativa. Posteriormente, y bajo una distribución al azar, un grupo de voluntarios escuchó la pieza musical activante y otro grupo escuchó el ruido blanco; ambos estímulos auditivos duraron 3 minutos. Se evaluó el estado emocional antes y después de la percepción auditiva. Los resultados analizados a través de pruebas no paramétricas (test de Wilcoxon) indicaron que la música con características activantes moduló emociones de tristeza y ansiedad, disminuyéndolas significativamente. Estos hallazgos sugieren que la percepción musical presenta potencialidades para la reducción del estrés, así como la ansiedad, brindando evidencia desde un enfoque neurocognitivo.
Abstract Music, from its several possibilities, induces emotional responses, which are reflected in the physiological and cognitive changes of the listeners, this is a thematic of study in common among different disciplines: music psychology, music therapy, music anthropology, neuropsychology, among others. At the neuroanatomical level, neuroimaging studies have shown that music can modulate the activity of limbic and paralimbic structures, that is, structures that are especially involved in the initiation, generation, maintenance, completion and modulation of emotions. Being able to understand how music can affect the mood of people allow us to contribute to the creation of new techniques oriented to emotional regulation through music. The current study was develop with the aim of evaluating the effect of perception of a musical piece, with activating characteristics (experimental group) vs. white noise (control group), as mood modulator, from a neurosientific perspective. Participated 29 young adults (55 % man), between 18 to 40 years old (. = 22.07, SD = .43), with no presence of neurological diseases or amusia, nor consumption of medications at the time of the study. The selection of the musical piece with activating characteristics was evaluated in a preliminary study, which counted with the participation of 24 young adults, who valued three pieces of music in terms of valence (emotion that the piece generated) and arousal (activation level). The 3 pieces were: "Tika Tika Walk" by Carlos D'alessio; "Leafmen" by Danny Elfman and "Define Dancing" by Thomas Newman. From this preliminary study, the activating stimulus that would be used for emotional modulation was selected ("Leafmen" by Danny Elfman). The emotional induction of the participants was carried out through the observation of 24 images with negative emotional valence (extracted from International Affective Picture System). About procedure, the study consisted of a single session of activity, divided into the following five phases: (1) information phase: participants signed the informed consent and completed the socio demographic questionnaire, (2) emotional induction phase: participants observed 24 negative images, and they had to rate each image from 0 to 10 (not arousing/emotional at all to highly arousing/emotional), (3) pre- measurement phase: participants completed a scale of mood, instrument used to measure transient moods, (4) perception phase: under a random distribution, a group of volunteers listened the activating music piece and another group listened the white noise (both for 3 minutes), and finally (5) post-measurement phase: participants completed a scale of mood after music or white noise perception. We analyzed the assumptions of normality and homogeneity of the sample using the statistics of Levenne and Shapiro Wilk. The results analyzed through non-parametric tests (Wilcoxon test, with a . value of .05). In the pre- measurement of mood, no significant differences were found between groups. Results of post- measurement phase indicated that music with activating characteristics, modulated the emotions of sadness and anxiety, decreasing them significantly. The results obtained indicate that music, specifically selected, aided as a modulator of emotions. It is important not to generalize the results obtained to the whole population, in this sense and thinking in future research, it would be necessary to expand the sample to a larger ., as well as to investigate this effect in other samples. The results obtained allow to open new paths in terms of the intrinsic qualities of music and its elements to promote relief of anxiety and stress, regulate moods and, promote motivation or enable the development of mechanisms to adapt to situations new and/or traumatic. Finally, it could be assumed that music constitutes an effective stimulus to modulate emotional responses, which are reflected in the mood changes of the listeners.
ABSTRACT
A lo largo de este trabajo, se revisaron las principales investigaciones que dan cuenta del efecto del entrenamiento musical tanto del cerebro adulto como en desarrollo. La música realiza demandas únicas al sistema nervioso. Esto llamó la atención de muchos investigadores provocando, en los últimos años, un incremento en las investigaciones en relación a la temática. Este aumento se vio beneficiado por el surgimiento de nuevas técnicas de neuroimagen y que posiciona a la música como una herramienta de investigación de la cognición humana y los mecanismos cerebrales superiores. La percepción y la producción musical son funciones particulares del cerebro humano que dependen de una amplia red neural córtico-subcortical distribuida en ambos hemisferios cerebrales y cerebelo. Los hallazgos en relación al tema indicarían que se encuentran diferencias tanto en la estructura como en el funcionamiento de los cerebros de adultos y de niños debido al entrenamiento musical, y que esto tiene más relevancia que las propiedades innatas de los sujetos. Existe una plasticidad cerebral que se debe a procesos adaptativos fruto de la estimulación ambiental.
The main research about the effect of musical training in adult and childhood brain was revised in this work. The music realizes unique demands to our nervous system. This call the attention of several researchers causing, in the past years, an enhancement of the exploration about this topic; this increment was beneft for the emergence of new neuroimaging techniques, the music positioned as an investigation tool of human cognition and superior brain mechanisms. The musical perception and production are specific functions of the human brain that depend of a wide cortical-subcortical neural net distributed across both hemi-spheres and cerebellum. The main findings in this area indicated structural and functional differences in the adult and child brain due to musical training, and this is more relevant that innate properties of the subject. There is brain plasticity due to adaptive processes product of the environmental stimulation.
ABSTRACT
Este trabalho objetivou verificar o desempenho de homens e mulheres em uma tarefa de discriminação perceptiva de sons e o efeito de aprendizagem anterior sobre esta discriminação. O experimento foi realizado com 17 homens e 17 mulheres, submetidos individualmente a uma sessão de coleta de dados composta de questionário padronizado e de teste de discriminação com vinte tentativas gravadas em um CD-ROM. A análise estatística dos dados indicou diferenças de desempenho entre pessoas com e sem experiência musical prévia [F(1,33)=14,69, p<0,001]. Embora não significativo, as mulheres apresentaram melhor desempenho no grupo sem experiência prévia, e no grupo com experiência, os homens apresentaram melhor desempenho. Os dados indicam que, embora haja diferenças sexuais na percepção sonora, a experiência parece ser o fator mais importante neste tipo de discriminação.
The aim of this study was to verify the performances of men and women in a discriminative test of sound harmonics perception, and the effect of prior learning on this discrimination. The experiment was conducted using 17 men and 17 women, who were individually submitted to an experimental session with a standard questionnaire and a sound perception test comprising 20 attempts recorded on a CD-ROM. The statistical analysis of the data shows that subjects, both with and without experience of learning a musical instrument, have a difference in performance in the test [F(1.33) = 14.69, p<0.001]. Though not significant, women displayed a better performance in the group without learning, and in the group with experience, men showed better performance. The data show that, though there may be differences between the genders in terms of sound perception, previous experience is ostensibly the most important factor in this type of discrimination.