ABSTRACT
Este artigo se propõe a analisar a representação e repercussão do estupro na minissérie brasileira Justiça (2016), produzida e exibida pela Rede Globo e de autoria de Manuela Dias. O artigo discute o papel que a representação tem na construção do imaginário coletivo em relação a esse crime, abordando a noção de cultura do estupro, o modo como o crime de estupro é representado na mídia, bem como os mitos perpetuados pelas abordagens feitas. A presente pesquisa apresenta então três momentos de análise: 1) análise da representação do estupro na série; 2) análise da repercussão de tal representação; 3) análise da presença ou ausência dos chamados mitos da cultura do estupro na trama de Justiça.
This article aims to analyze the representation and repercussion of rape in the Brazilian miniseries Justiça (2016), produced and aired by Rede Globo and written by Manuela Dias. The article discusses the role that representation plays in the construction of the collective imagination concerning this crime, addressing the notion of rape culture, the way this crime is represented in the media, as well as the myths perpetuated by the approaches made. This research then presents three moments of analysis: 1) analysis of the representation of rape in the series; 2) analysis of the repercussion of such representation; 3) analyzes the presence or absence of the so-called myths of the culture of rape in the plot of Justiça.
Este artículo tiene como objetivo analizar la representación y repercusión de la violación en la miniserie brasileña Justiça (2016), producida y televisada por Rede Globo y escrita por Manuela Dias. El artículo discute el papel que juega la representación en la construcción del imaginario colectivo en relación a este delito, abordando la noción de cultura de la violación, la forma en que el delito de violación es representado en los medios de comunicación, así como los mitos perpetuados por los enfoques adoptados. A continuación, la presente investigación presenta tres momentos de análisis: 1) análisis de la representación de la violación en la serie; 2) análisis de la repercusión de dicha representación; 3) análisis de la presencia o ausencia de los llamados mitos de la cultura de la violación en la trama de Justiça.
Subject(s)
Humans , Rape , Violence Against Women , Fictional Works as Topic , Sex Offenses , Communications Media , Crime Victims , Justice Administration System , NarrationABSTRACT
The present study analyzed, from the perspective of social constructionism, funk songs with a broad media repercussion and significant sharing in streaming services, with lyrics that refer to sexual violence: Baile de Favela and Malandramente. The study was carried out through dialogic analysis and followed by the development of a dialogic map. The results point to the construction of the perfect victim, which trivializes sexual violence by blaming the victim. It also erotizes childhood in the construction of victims and perpetrators, whose puerility is mocked by vulgarizing sexual violence and the exaltation of collective rape, exploring possibilities of sexual relations permeated by gender violence. The findings reveal an alarming scenario. Despite the important role that funk plays as an emancipatory cultural practice, the meanings of sexual violence in the lyrics of the songs exposed the development of conflicting relationships between genders as a social norm.(AU)