ABSTRACT
El articulo curiosidades en medicina aborda los orígenes de la inserción de la fotografía en la medicina, primero con Joseph Nicephore Niepce y la heliografia que, junto con Louis Jacques Daguerre obtuvieron imágenes fotográficas.
The article discusses the medical curiosities insertion origins of photography in medicine, first with Joseph Nicephore Niepce and heliographic which, together with Louis Jacques Daguerre obtained photographic images.
Subject(s)
Humans , History, 19th Century , History, 20th Century , Photograph/history , History of MedicineABSTRACT
Analisa a proposta político-social do Exército para a nação brasileira na década de 1910. Articula o momento de modernização do Exército com o contexto de avaliação crítica do regime republicano e valorização da corporação militar nos jogos de poder. O método de análise consistiu no cruzamento das fotografias da Guerra do Contestado com os discursos militaristas presentes nos livros escritos por oficiais do Exército, nos artigos publicados na imprensa carioca e nos discursos proferidos por Olavo Bilac em prol do sorteio militar. Foi identificado o desejo do Exército de ligar sertão e litoral, e de adotar a caserna como espaço privilegiado para a formação de cidadãos.
The article analyzes the Army's political and social proposal for the Brazilian nation in the 1910s. It considers the Army's climate of modernization in conjunction with the prevailing context of critical evaluation of the republican regime and greater recognition of the role of the armed forces in power games. The analytical method was to cross-reference photographs from the Contestado campaign with militarist discourses found in books authored by Army officers, in articles published in the Rio de Janeiro press, and in Olavo Bilac's speeches in favor of a draft lottery. It was found that the Army wanted to link the hinterlands to the coast and to adopt the barracks as a prime space for forming citizens.
Subject(s)
Humans , History, 20th Century , Warfare/history , Photograph/history , Military Personnel , Brazil , History, 20th CenturyABSTRACT
Pretende-se explorar contradições e confluências entre o meio (fotográfico) e a imagem do índio brasileiro sob uma perspectiva histórica da fotografia brasileira. A imagem do índio nessa fotografia manifesta-se em três momentos distintos. Na fase inicial, no lugar do exótico, contraditório ao sentido moderno da fotografia durante o Segundo Império. Na segunda fase, as fronteiras entre o etnográfico e o nacional se diluem, nos primeiros cinquenta anos do século XX, a exemplo da Comissão Rondon/Seção de Estudos do SPI e do fotojornalismo moderno no Brasil da revista O Cruzeiro. No terceiro momento, as manifestações de uma etnopoética das fotografias de Claudia Andujar fazem meio e imagem se fundirem como lugar etnográfico na arte contemporânea.
The article explores contradictions and convergences between a medium (photography) and the image of the Brazilian Indian from the perspective of the history of Brazilian photography. During the first of three distinct moments, the image of the Indian was of someone exotic, in contradiction with the modern meaning of photography under the Second Empire. During the second moment, in the first fifty years of the twentieth century, the boundaries between ethnography and Brazil as a nation were blurred, as exemplified by the Rondon Commission/Indian Protection Bureau's Research Section (Serviço de Proteção ao Índio) and Brazil's modern photojournalism, as found in the magazine Cruzeiro. During the third moment, the expressions of an ethno-poetry present in the photographs of Cláudia Andujar can be seen to blend medium and image as an ethnographic space in contemporary art.
Subject(s)
Humans , History, 19th Century , History, 20th Century , Journalism , Photograph/history , Indigenous Peoples , History, 19th Century , History, 20th Century , Anthropology, CulturalABSTRACT
Se hace una remembranza sumaria de la evolución de Acimed, a modo de conmemoración del aniversario 15 de su puesta en circulación, donde se razona su significación para la historia de la Bibliotecología y las Ciencias de la Información. Se fundamentan los objetivos de esta revista a través del tiempo y se brindan detalles acerca de los cambios que ha sufrido desde el punto de vista formal. Se presenta un índice analítico, en el cual se registra todo su contenido, con las referencias de los trabajos atesorados en sus páginas durante sus tres primeros lustros y donde se incluyen los nombres de sus autores y los asuntos por ellos abordados. Con este inventario se trata además de posibilitar que las presentes y las futuras generaciones de profesionales de la actividad biblioteco-informativa del mundo dispongan de una útil obra de referencia, donde se hace constar cómo se ha difundido en esta publicación el desarrollo de la disciplina y el papel desempeñado al efecto por sus colegas cubanos durante los últimos ocho años del siglo XX y los primeros siete del XXI.
A review of the evolution of Acimed is made, as a way to mark the 15th anniversary of its publication. Its significance for the history of Library Science and Information Science is dealt with. The objectives of this journal through time are explained, and details are offered about the changes ocurred from the formal point of view. An analytical index is presented, in which all the contents are registered together with the references of the works treasured in its pages during its first fifteen years, including the names of all authors and the topics they worked on. This inventory is aimed at making possible that the present and future generations of professionals of the library-informative activity all over the world have a useful reference work, that shows how the development of this discipline has been disseminated in this publication, as well as the role played by the Cuban colleagues in the last eight years of the XX century and the first seven years of the XXI century.