Surgical strategies for adenocarcinoma of esophagogastric junction under the era of mini-invasive surgery / 中华消化外科杂志

With the continuous update and improvement of minimally invasive techni-ques, laparoscopic and robotic surgeries have increased significantly for the surgical treatment of adenocarcinoma of esophagogastric junction (AEG). Due to the anatomical particularity and biolo-gical characteristics of Siewert type Ⅱ AEG, surgical approach, the range of resection, lymph node dissection and digestive tract reconstruction cannot be unified at present, which is also the contro-versy between gastrointestinal surgery and thoracic surgery. Laparoscopic minimally invasive techni-que may be more conducive to lower mediastinal lymph node dissection. Laparoscopic surgery of AEG after neoadjuvant chemotherapy is safe and feasible. Robotic surgery may be the direction of minimally invasive surgery in the future. The authors mainly investigate strategies of minimally invasive surgery for the surgical treatment of AEG, and look forward to more clinical trials on Siewert type Ⅱ AEG surgery to guide surgical treatment.

Formações discursivas sobre homossexualidade e família homoparental em telenovelas brasileiras / Discursive formations on homosexuality and homoparenthood in brazilian soap opera / Formaciones discursivas sobre homosexualidad y familia homoparental en telenovelas brasileñas

Na história da televisão brasileira, a novela é um produto popular que adquiriu características próprias e incorporou uma série de personagens homossexuais. O objetivo deste estudo foi analisar as formações discursivas sobre homossexualidade e família homoparental em telenovelas brasileiras veiculadas em horário nobre. Foi realizada pesquisa qualitativa e estabelecidos critérios para composição do corpus a partir de cenas de três telenovelas da década de 2010, que performavam personagens homossexuais ao longo de toda a trama. As cenas selecionadas foram transladadas/transcritas. Os dados foram analisados conforme o referencial teórico dos estudos queer e dos estudos culturais. A análise demonstrou que a representação de personagens homossexuais nas novelas se apoia largamente em clichês. Se, por um lado, houve considerável incremento e diversificação dessas representações, o mesmo não ocorreu com a visibilidade em relação à família homoparental. Nota-se, assim, que a telenovela pode operar como potente instrumento de normalização e regulação das sexualidades e desejos.(AU)

The soap opera is a popular product within the history of Brazilian television, which acquired its own features and incorporated a series of homosexual characters. This article aims to analyze discursive formations on homosexuality and homoparenthood in prime time Brazilian soap operas. This qualitative research was conducted with scenes of three 2010s soap operas that include homosexual characters throughout their plot. Selected scenes were translated/transcribed and analyzed in the light of queer studies and cultural studies. The results indicate that these serial programs heavily rely on stereotypes for representing homosexual characters. Despite the considerable increase and diversification in the representation of gay characters, the same did not occur with the visibility of homoparenthood. Thus, soap operas can be a powerful instrument of normalization and regulation of sexualities and desires.(AU)

En la historia de la televisión brasileña, la telenovela es un producto popular, que adquirió características propias e incorporó una serie de personajes homosexuales. Este artículo pretende analizar las formaciones discursivas sobre homosexualidad y familia homoparental en telenovelas brasileñas, vehiculadas en la hora de mayor audiencia. Se realizó una investigación cualitativa y se estableció criterios para la composición del corpus a partir de escenas de tres telenovelas de la década de 2010 que tuvieran personajes gais en la trama. Las escenas seleccionadas fueron trasladadas/transcritas. Los datos se analizaron conforme el referencial teórico de los estudios queer y de estudios culturales. El análisis demostró que la representación de personajes homosexuales en las telenovelas se apoya ampliamente en clichés. Por un lado, hubo considerable aumento y diversificación de las representaciones de personajes gais, por otro, lo mismo no ocurrió con la visibilización de la familia homoparental. Se observa que la telenovela puede ser potente instrumento de normalización y regulación de las sexualidades y los deseos.(AU)

Telenovela como estratégia de educação nutricional no âmbito de uma política pública de acesso à alimentação adequada e saudável / Soap opera as a food and nutritional education strategy in the context of a public policy to promote access to adequate healthy food / Telenovela como estrategia de educación alimentaria y nutricional en el ámbito de una política pública de acceso a la alimentación adecuada y saludable

O presente estudo objetivou analisar a telenovela "O caminho do meio" como estratégia de educação alimentar nutricional e a sua relação com os processos de aprendizagem inventiva e com a produção de novos modos de subjetivação. Trata-se de um estudo com abordagem qualitativa, com 15 frequentadores de um restaurante popular, por meio de: (1) visualização da telenovela "O caminho do meio", com duração de 46 minutos; e (2) entrevista individual realizada com um roteiro previamente estruturado. Após gravação, transcrição e análise de conteúdo dos discursos emergiram três categorias: (1) a telenovela e as experiências de vida dos frequentadores do restaurante popular; (2) a telenovela: cenas, personagens e mensagem; (3) novas percepções e tendências relacionadas à alimentação e ao estilo de vida. A experimentação com a telenovela forneceu uma aprendizagem inventiva e a produção de novos modos de subjetivação. (AU)

This study analyzed the soap opera "O caminho do meio" (The Middle Way) as a food and nutritional education strategy and its relation with inventive learning and the production of new modes of subjectivation. We conducted a qualitative study with 15 people who eat at a "popular restaurant" involving the following: (1) Watching the soap opera "O caminho do meio", which lasts 46 minutes; and (2) Individual interviews administered using a previously prepared guide. Three thematic categories emerged after recording, transcribing and analyzing the content of the interviews: (1) "The soap opera and the life experiences of the respondents"; (2) "The soap opera: scenes, characters and message"; and (3) "New perceptions and trends related to eating and lifestyle. The experimentation with the soap opera stimulated inventive learning and the production of new modes of subjectivation. (AU)

El objetivo del presente estudio fue analizar la telenovela "O caminho do meio" como estrategia de educación alimentaria y nutricional y su relación con los procesos de aprendizaje inventivo y con la producción de nuevos modos de subjetivación. Se trata de un estudio con abordaje cualitativo, con 15 frecuentadores de un restaurante popular, por medio de: (1) Visionado de la telenovela "O caminho do meio", con duración de 46 minutos; y (2) Entrevista individual realizada a partir de un guion previamente estructurado. Después de la grabación, de la transcripción y del análisis de contenido de los discursos surgieron 3 categorías: (1) "La telenovela y las experiencias de vida de los frecuentadores del restaurante popular"; (2) "La telenovela: escenas, personajes y mensaje" (3) "Nuevas percepciones y tendencias relacionadas a la alimentación y al estilo de vida". La experimentación con la telenovela proporcionó un aprendizaje inventivo y la producción de nuevos modos de subjetivación. (AU)

A encenação da violência obstétrica: (dis)junções entre ficção e realidade / The representation of obstetric violence: (dis)junctions between fiction and reality / La representación de la violencia obstétrica: (dis)yuncións entre ficción y realidad

Este artigo se propõe a analisar cenas de parto exibidas em telenovelas brasileiras, criteriosamente selecionadas, com o objetivo de identificar as representações de diferentes formas de violência obstétrica, explícitas ou veladas. Para tanto, optamos por dois métodos complementares: a análise de conteúdo e a análise de imagens em movimento. Como resultado, identificamos três eixos que abarcam as diferentes expressões midiatizadas da violência contra a parturiente: violência pela situação, violência pelo abandono e violência direta. Na discussão, pontuamos consonâncias e dissonâncias entre ficção e realidade, além da falta de problematização acerca do tema, o que, de forma sintomática, contribui para a sua naturalização.

This article proposes to analyze scenes of childbirth broadcasted by Brazilian soap operas, carefully selected, aiming to identify the representation of different forms of obstetric violence, explicit or veiled. Therefore, we selected two complementary methods: the content analysis and the analysis of moving images. As a result, we have identified three axes that include the different expressions of the violence against the parturient by the media: violence by situation, violence by abandonment and direct violence. Through the discussion, we pointed consonances and dissonances between fiction and reality, as well as the lack of problematization regarding the theme, which, symptomatically, contributes to its naturalization.

Este artículo se propone a analizar escenas de parto exhibidas en telenovelas brasileñas, criteriosamente seleccionadas, con el objetivo de identificar las representaciones de diferentes formas de violencia obstétrica, explicitas o veladas. Para eso, optamos por dos métodos complementares: el análisis de contenido y el análisis de imágenes en movimiento. Como resultado, identificamos tres ejes que abarcan las diversas expresiones mediatizadas de la violencia contra la parturiente: violencia por la situación, violencia por abandono y violencia directa. En la discusión, puntuamos consonancias y disonancias entre ficción y realidad, además de la falta de problematización acerca del tema, lo que, de forma sintomática, contribuye para su naturalización.

A construção de personagens homossexuais em telenovelas a partir do cômico / The construction of homosexual characters in soap operas from the comic / La construcción de personajes homosexuales en telenovelas a partir del cómico / La construction de personnages homosexuels dans les feuilletons en utilisant de la comédie

O presente estudo teve por objetivo analisar de que modo aspectos cômicos presentes na performance de personagens homossexuais masculinos convencionam formações discursivas sobre homossexualidade em telenovelas brasileiras. O corpus do estudo contemplou personagens de novelas da faixa das 21h da Rede Globo, a saber, Félix (Amor à vida) e Téo Pereira (Império). A partir de depuração de 30 cenas previamente selecionadas de cada telenovela, foram eleitas e transcritas 15 de cada uma, totalizando 30 cenas. O corpus foi analisado segundo referenciais dos estudos culturais latino-americanos e dos estudos queer. Foram discutidos o arco de desenvolvimento de cada personagem e o papel da comicidade na construção de sua sexualidade, bem como de que modo as formações discursivas presentes nas telenovelas reiteram depreciações morais historicamente atribuídas aos homossexuais. Ainda que possam ser genericamente enquadrados no grupo dos personagens homossexuais constantemente defenestrados, Félix e Téo Pereira apresentam aspectos intersticiais entre a abjeção e a assimilação à lógica familista, recurso utilizado pela cultura da mídia a fim de pasteurizar as diferenças no âmbito das relações de gênero e da sexualidade.

This study aimed to analyze how comic aspects present in the performance of male homosexual characters convince discursive formations about homosexuality in Brazilian soap operas. The corpus of the study included characters from 9 p.m. soap operas from Rede Globo, namely, Felix (Amor à Vida) and Téo Pereira (Império). From the debugging of 30 previously selected scenes from each soap opera, 15 were chosen and transcribed, totaling 30 scenes. The corpus was analyzed according to Latin American cultural and queer studies. The arc of development of each character and the role of the comic in the construction of their sexuality were discussed, as well as how the discursive formations present in soap operas reiterate the moral depreciation historically attributed to homosexuals. Although they can be generically framed within the group of constantly defenestrated homosexual characters, Félix and Téo Pereira present interstitial aspects between abjection and assimilation to the familial logic, a resource used by media culture to pasteurize differences within gender and of sexuality.

El presente trabajo tuvo el objetivo de analizar de qué modo aspectos cómicos presentes en el rendimiento de personajes homosexuales masculinos combinan formaciones discursivas sobre homosexualidad en telenovelas brasileñas. El corpus del trabajo consideró personajes de novelas transmitidas a las 21hs, de la Red Globo, a saber, Félix (Amor a la vida) y Teo Pereira (Imperio). A partir de la depuración de 30 escenas previamente seleccionadas de cada telenovela, fueron escogidas y transcriptas 15 de cada una, totalizando 30 escenas. El corpus fue analizado según referencias de trabajos latino-americanos y de los estudios queer. Fueron discutidos el arco de desarrollo de cada personaje y la función de la comicidad en la construcción de su sexualidad, también de qué modo las formaciones discursivas presentes en las telenovelas reiteran depreciaciones morales históricamente atribuidas a los homosexuales. Aunque puedan ser genéricamente encuadrados en el grupo de los personajes homosexuales constantemente marginados, Félix y Teo Pereira presentan aspectos intersticiales entre la degradación y la asimilación a la lógica familista, recurso utilizado por la cultura de los medios con el fin de pasteurizar las diferencias en el ámbito de las relaciones de género y de la sexualidad.

La présente étude a l'objectif à analyser comment les aspects comiques présents dans la performance de personnages homosexuels masculins construisent des conventions discursives sur l'homosexualité dans des feuilletons brésiliens. Le corpus de l'étude comprend des personnages des feuilletons de la soirée chez Rede Globo, à savoir Felix (Amor à Vida) et Téo Pereira (Império). Après l'épuration de 30 scènes sélectionnées préalablement de chaque feuilleton, on en a sélectionné et transcrit 15 de chacun. À la fin, on a eu 30 scènes. Le corpus a été analysé selon les études culturelles latino-américaines et les études queer. L'arc de développement de chaque personnage et le rôle de la comédie dans la construction de leur sexualité ont été discutés, ainsi que la manière comment les formations discursives présentes dans les feuilletons réitèrent la dépréciation morale historiquement attribuée aux homosexuels. Bien qu'ils puissent s'insérer de manière générique dans le groupe de personnages homosexuels constamment mis à l'écart, Félix et Téo Pereira présentent des aspects interstitiels entre l'abjection et l'assimilation à la logique familialiste, une ressource utilisée par la culture médiatique pour pasteuriser les différences dans le contexte des relations de genre et de la sexualité.

Audience engagement through university programmes: A case study of opera in Bilbao / Envolvimento do público através de programas universitários: Um estudo de caso de ópera em Bilbao / Desarrollo de audiencias através de programas universitarios: Estudio de caso de la ópera en Bilbao / Engagement du public à travers les programmes universitaires: Une étude de cas de l'opéra à Bilbao

The purpose of this research was to explore how university programmes for older adults can contribute to the engagement of cultural audiences. To achieve this aim, a qualitative research approach was employed. The university programme for older adults called "Enjoy the arts", organised by the University of Deusto (Bilbao, Spain), was taken as a case study and an analysis of in-depth interviews with 10 participating students was conducted. We focused our interviews on the opera experiences of our interviewees before and after participating in the university programme, and aimed to capture the following changes produced: (a) changes in the duration of the opera experience; (b) changes in the intensity of the opera experience; and (c) changes in the individual. We conclude that university programmes for older adults can contribute to the engagement of cultural audiences by facilitating a path to the enjoyment of cultural experiences, transforming them into high-quality arts experiences. Due to the limited number of interviews, this paper should be considered as an exploratory research that could inspire cultural managers in their practice or that could be the seed for an advanced research.

O objetivo desta pesquisa é explorar como programas universitários para adultos mais velhos podem contribuir para o envolvimento do público cultural. Para alcançar esse objetivo, foi utilizada uma abordagem de pesquisa qualitativa. O programa universitário para idosos denominado "Disfruta las artes", organizado pela Universidade de Deusto (Bilbao, Espanha), foi realizado como estudo de caso, e foram realizadas dez entrevistas em profundidade com alunos participantes. As entrevistas focaram as experiências de ópera dos entrevistados antes e depois de participar do programa universitário. Os resultados da análise revelaram as seguintes alterações: (a) alterações na duração da experiência de ópera; (b) alterações na intensidade da experiência de ópera; e (c) alterações no indivíduo. Conclui-se que os programas universitários para adultos mais velhos podem contribuir para o envolvilmento do público cultural, facilitando uma via para o usofruto das experiências culturais, transformando-as em experiências artísticas de alta qualidade. Apesar desta análise, tendo em conta o limitado número de entrevistas, ser considerada meramente exploratória, os resultados nela obtidos poderão ser bastante úteis aos profissionais do setor cultural e inspirar análises mais aprofundadas no futuro.

El propósito de esta investigación fue explorar cómo los programas universitarios para personas mayores pueden contribuir al desarrollo de audiencias culturales. Para alcanzar este objetivo, se empleó un enfoque cualitativo, tomando como estudio de caso "Disfruta las artes", un programa universitario para personas mayores organizado por la Universidad de Deusto (Bilbao, España). Se llevaron a cabo 10 entrevistas en profundidad con estudiantes participantes, que se centraron en el relato de la experiencia operística de los entrevistados antes y después de participar en el programa universitario. El análisis posterior reveló los siguientes cambios producidos: (a) cambios en la duración de la experiencia operística; (b) cambios en la intensidad de la experiencia operística; y (c) cambios en el individuo. El artículo concluye que los programas universitarios para personas mayores pueden contribuir al desarrollo de públicos al facilitar el camino hacia el disfrute de las experiencias culturales, transformándolas en experiencias artísticas de alta calidad. Esta investigación es de naturaleza exploratoria debido al número limitado de entrevistas realizadas. A pesar de ello, puede resultar de gran interés para la práctica diaria de los profesionales culturales o para inspirar una futura investigación de mayor alcance.

Le but de cette recherche était d'explorer comment les programmes universitaires pour les personnes âgées pouvaient contribuer au développement des audiences culturelles. Pour atteindre cet objectif, une approche qualitative a été utilisée. Le programme universitaire pour personnes agées «Disfruta las artes¼, organisé par l'Université de Deusto (Bilbao, Espagne), a été utilisé comme étude de cas et 10 entretiens approfondis ont été menés avec les étudiants participants. Les entretiens ont porté sur les expériences à l'opéra des interviewés avant et après leur participation au programme universitaire, et l'analyse a révélé les changements suivants: (a) des changements dans la durée de l'expérience de l'opéra; (b) des changements dans l'intensité de l'expérience de l'opéra; et (c) des changements à niveau indiviuel. L'article conclut que les programmes universitaires pour personnes agées peuvent contribuer à l'engagement des audiences culturelles pour simplifier le chemin vers le plaisir des expériences culturelles, les transformant en expériences artistiques de haute qualité. A cause du nombre limité d'interviews, cela devrait être considéré comme une recherche exploratoire qui pourrait inspirer les gestionnaires culturels dans leur pratique ou qui pourrait être le début d'une recherche avancée.

Merchandising Social como uma Estratégia de Intervenção em Metacontingências: Análise de uma Obra de Ficção Televisiva sobre o Controle do Tráfico de Pessoas no Brasil / Social Merchandising as an Intervention Strategy in Metacontingencies: Analysis of a Work of Television Fiction about the Control of Human Trafficking in Brazil

RESUMO Estudos de fenômenos culturais, a partir da Análise do Comportamento, contribuem para o planejamento cultural ao utilizar estratégias como o merchandising social. O objetivo desta pesquisa foi analisar metacontingências, a partir de um tema social com forte impacto - tráfico de pessoas - em uma novela brasileira de grande audiência: Salve Jorge. As cenas relativas ao tema foram descritas em termos de contingências, classificadas em sete metacontingências, as quais foram apresentadas em alta frequência no transcorrer dos capítulos. O impacto da novela foi observado no aumento da frequência de notícias sobre tráfico de pessoas em seis jornais, além de denúncias registradas nos períodos anterior, simultâneo e posterior à exibição de Salve Jorge. As notícias são indicadores do efeito positivo da obra de ficção sobre o reconhecimento e definição de "tráfico de pessoas", o que contribuei para a frequência de denúncias em órgãos competentes e a implementação das intervenções.

ABSTRACT Behavior-analytic studies of cultural phenomena can contribute to cultural planning by using strategies such as social merchandising. The goal of this research was to analyze metacontingencies based on a social theme of great impact - human trafficking - in a Brazilian soap opera (Salve Jorge) with a large audience. Scenes related to the theme were described in terms of contingencies, classified in seven metacontingencies, which were presented in high frequency throughout the chapters. The impact of the soap opera was observed in the increased frequency of news about human trafficking in six newspapers as well as complaints registered in the periods before, simultaneous and after the exhibition of Salve Jorge. The news is indicative of the positive effect of a work of fiction on the recognition and definition of "human trafficking", which also contributes to a higher frequency of complaints and interventions implemented by competent agencies.

Opera medicinalia. El primer libro de medicina del continente americano escrito por el Dr. Francisco Bravo e impreso en 1570 en la capital novohispana / Opera medicinalia. The first book of medicine at American continent written by Dr. Francisco Bravo and printed in 1570 at Novohispana capital

Resumen: Opera medicinalia fue el primer libro de medicina en América. Fue escrito por el Dr. Francisco Bravo e impreso por Pedro Ocharte en la capital novohispana en 1570. La obra está constituida por cuatro libros que cubren temas de interés de esa época, como el tabardillo (tifo), el tratamiento de la pleuresía, los días decretorios y el último dedicado exclusivamente a la zarzaparrilla, en éste se diferencia la variante americana prevalente en México (Smilax medica) de la Europea (Smilax aspera). Incluye interesantes ilustraciones de las que destacan capitulares eróticas, imágenes de las dos especies de zarzaparrilla y un diagrama rudimentario de la vena ácigos. Opera medicinalia fue uno de los más importantes libros de medicina de la Nueva España en el siglo XVI, que fue escrito y dirigido para médicos latinistas. De los tres originales que han sobrevivido a nuestros días, uno se encuentra en la biblioteca José María Lafragua de la Benemérita Universidad Autónoma de Puebla. El objetivo de este trabajo es dar a conocer a todos los interesados esta joya bibliográfica, describir sus características y honrar la memoria del Dr. Francisco Bravo.

Abstract: Opera medicinalia was the first medical text printed in America, specifically in the capital of New Spain. It was written by Dr. Francisco Bravo and printed by Pedro Ocharte in 1570. The book is composed of four treatises, covering medical topics such as tabardillo (tifo), pleuresy treatment, decretory days and medical herbs focused in sasparilla root (Smilax medica), which was prevalent in Mexico differentiating it from its European variant (Smilax aspera). It includes erotic capitular letters, sasparilla illustrations and a rudimentary diagram of the human acygoz vein. It was one of the most important medicine books in Mexico in the 16th century, written and directed for Latinist physicians. Of the three existing originals, one is currently in the library Jose Maria Lafragua of the Meritorious Autonomous University of Puebla. The aim of this paper is to describe Opera medicinalia and to recognize to its author, Francisco Bravo.

Observation and comparison of the efficacy of three kinds of operational method for treatment of thoraco- lumbar fractures / 实用医学杂志

Objective To compare treatment and efficacy of thoracolumbar fractures by using three different screw fixations:traditional approach,the vertebral side clearance into the road and percutaneous pedicle. Methods A total of 82 single segmental thoracic lumbar fractures cases hospitalized from March 2011 to March 2014 ,with male 67 cases ,female 15 cases ,and average age(33.7+/-12.5)years old. Patients were randomly divided into three groups:traditional approach group (n = 23),operation through paraspinal muscle gap group (n = 30),percutaneous group(n = 29). These following indicators will be compared in three groups:duration of operation ,intraoperative blood loss ,intraoperative fluoroscopy time ,postoperative flow ,VAS scores before and after operation and Oswestry disability index , difference of spinal sagittal position Cobb′s Angle. Results Compared with the traditional approach group ,operation through paraspinal muscle gap group and percu-taneous group have obvious advantages in duration of operation,intraoperative blood loss,postoperative flow,VAS scores before and after operation ,the Oswestry disability index. Additionally ,above mentioned three surgical methods could recover kyphosis deformity ,and there was no statistically significant difference among three groups (P > 0.05). Conclusion In the treatment of monosegmental thoracolumbar fractures ,compared with traditional approach ,operation through paraspinal muscle gap and percutaneous pedicle screw internal fixation have more advantages which includes fewer trauma,less bleeding,faster recovery and lower incidence of postoperative low back pain.

Regulation of autophagy by store-operated calcium channel in arterial smooth muscle cells / 中国药理学通报

Aim To investigate the effect of store-oper-ated calcium channel( SOCC) on autophagy in rat arte-rial smooth muscle cells A7 R5 . Methods Lentiviruses containing STIM1 or Orai1 gene were packaged in 293 T cells and then were used to infect rat arterial smooth muscle cells A7 R5 . The expression levels of STIM1 , Orai1 and Beclin 1 , a critical autophagy-regu-lating protein, of lentivirus-infected A7R5 cells, were detected by Western-blot. Autophagy in lentivirus-in-fected A7 R5 cells was induced by starvation or rapamy-cin, an inhibitor of mammalian target of rapamycin ( mTOR ) . Autophagy marker LC3 of these cells was detected by Western-blot. Results The constructions of vector pLV-STIM1 and pLV-Orai1 were confirmed by restriction enzymes digestion analysis. Compared with the control group, expressions of STIM1 or Orai1 protein was significantly increased after lentivirusLV-STIM1 and LV-Orai1infection, whereas the expressions of autophagy related protein Beclin-1 were down-regu-lated. Starvation or rapamycin stimulated A7R5 auto-phagy but overexpression of STIM1 or Orai1 significant-ly inhibited starvation or rapamycin induced autoph-agy. Conclusion Overexpression of store-operated calcium channel components STIM1 and/or Orai1 in rat arterial smooth muscle cells A7 R5 inhibit autoph-agy. This mechanism might contribute to the develop-ment of pulmonary arterial hypertension.

Telenovela como estratégia de educação alimentar e nutricional para frequentadores de restaurantes populares de Belo Horizonte - MG / The soap opera as a strategy of dietary and nutritional education for frequenters of community restaurants in Belo Horizonte - MG

Este estudo teve como objetivo analisar a telenovela “O caminho do meio” como estratégia de educação alimentar nutricional e a sua relação com os processos de aprendizagem inventiva e com a produção de novos modos de subjetivação em frequentadores de um restaurante popular de Belo Horizonte. Trata-se de um estudo descritivo com abordagem qualitativa, desenvolvido com 15 frequentadores, de ambos os sexos, adultos e idosos, de um restaurante popular, situado no Distrito Sanitário Barreiro, no município de Belo Horizonte - MG. A pesquisa incluiu duas etapas: (1) Visualização da telenovela “O caminho do meio”, com duração de 46 minutos, pelos participantes; e (2) Entrevista individual realizada pela pesquisadora a partir de um roteiro previamente estruturado, aplicado após a telenovela. Os depoimentos foram gravados, transcritos e posteriormente, analisados, por meio da técnica da análise de conteúdo temático - categorial, proposta por Bardin. A telenovela constitui um instrumento que proporciona uma narrativa dramatizada com personagens que fazem parte da realidade cotidiana. A telenovela foi escolhida como uma experiência estética, pois esta se caracteriza por marcar e afetar o sujeito pela intensidade das sensações e emoções que é capaz de produzir. Após a análise de conteúdo das entrevistas semiestruturadas realizadas emergiram 3 categorias, quais sejam: (1) “A telenovela e as experiências de vida dos frequentadores do restaurante popular”; (2) “A telenovela: cenas, personagens e mensagem” (3) “Novas percepções e tendências relacionadas à alimentação e ao estilo de vida”. Pode-se afirmar que a experimentação com a telenovela foi capaz de engendrar (1) os processos de memória involuntária e sobreposição de sensações que possibilitaram a reconstrução e recriação de experiências passadas e de saberes instituídos; (2) os processos de identificação com os personagens e de percepção subtrativa voltada para a transformação das cenas que permitiram a afirmação...

This study aimed to analyze the soap opera "The middle way" as a strategy of dietary and nutritional education and its relationship with the learning process and producing of new modes of subjectivation in the frequenters of a community restaurant in Belo Horizonte. It is a descriptive study with qualitative approach. It was developed with 15 frequenters of a community restaurant located in the Barreiro Sanitary District, in Belo Horizonte - MG, the participants were of both gender, adults and elderly. The research included two steps: (1) watching the soap opera "The middle way" with duration of 46 minutes, by the participants, and (2) individual interview conducted by the researcher, utilizing an instrument previously structured, applied to the participants after the soap opera. The interviews were recorded, transcribed, and afterwards, analyzed through the technique of Categorical Content Analysis proposed by Bardin. The soap opera is a tool that provides a dramatized narrative with characters that are part of the daily reality. The soap opera was chosen as an aesthetic experience, once it is characterized for influencing and affecting the subjects by the intensity of feelings and emotions that it is able to produce. After the analysis of the content of the semi-structured interviews, it emerged three categories: (1) "The soap opera and the life experiences from the frequenters of restaurant"; (2) "The soap opera: scenes, characters and message"; (3) "New perceptions and tendencies related to the feeding and lifestyle". It can be affirmed that the experimentation with the soap opera was able to engender (1) The processes of involuntary memory and superposition of sensations that allowed the reconstructing and recreating of previous experiences and the knowledge already instituted; (2) The processes of identification with the characters and the subtractive perception facing to the transformation of the scenes that allowed the affirmation of singular...

Variegated Exertion in Bengali Drama : Dramatist Manmatha Roy.

Renowned critic Narayan Choudhury called Manmatha Roy as a perfect successor of Dinabandhu Mitra. It's true that after Rabindranath Tagore, the anti-imperialist tradition in drama was bear by Manmatha Roy alone and the consummation of his social judgment in this regard was really taken for an instant. Dramatist Utpal Dutta has also mentioned that Roy was able to reach from classic to modernity in Bengali Drama from the judgment of our hearts. In the real sense, Manmatha Roy himself was an era in Modern Bengali Drama. For nearly eighty years, he wrote and worked. He was the creator of Bengali one act play also. In 'Karagar' and 'Mahabharati' he was hard enough to hit the British ruler against their inhumane rule. In 'Mirkasim', 'Ashok', 'Chand Saudagar' and many other plays he has showed the same attitude of patriotism towards country. Following the intensity of his dramatic movement, when he was on a hunger strike in Presidency jail, Rabindranath redeem him and said ' Give up hunger strike, our literature claims you.' In this paper I have expressed myself for a judgement from the tradition to modernity of various playwrights as well as Manmatha Roy and tried to promote the episode, which is nearly compatible with modern trend in Bengali Drama of today and that is one of our most important legacy and excellence.

Quando as paixões se encontram: o futebol em Irmãos Coragem (Janete Clair, 1970/1971) / The meeting of two passions: soccer in Irmãos Coragem (Janete Clair, 1970/1971)

Este estudo tem por objetivo discutir as representações do futebol em Irmãos Coragem, escrita por Janete Clair, dirigida por Daniel Filho e Milton Gonçalves, exibida pela Rede Globo nos anos de 1970 e 1971, a primeira vez em que, no Brasil, a modalidade ocupou espaço relevante na ficção dramatúrgica televisiva. Para alcance do objetivo, trabalha-se com a versão compacta da telenovela, recém-lançada em DVD. Espera-se lançar um olhar sobre a presença do futebol em um momento-chave da história recente do país: em um dos períodos mais tensos do regime de exceção que se iniciara em 1964, a seleção brasileira sagrou-se tricampeã na Copa do Mundo do México, tornando-se detentora da Taça Jules Rimet..

Considering that the Brazilian soap operas build narratives about the nation and incorporate social issues, this study aimed to discuss the representation of soccer in Irmãos Coragem, written by Janet Clair, directed by Daniel Filho and Milton Gonçalves, broadcasted by Globo in 1970 and 1971, the first time in Brazil that the sport took up considerable space in television fiction. To reach the objective, we worked with the compact version of the soap opera. It was expected to take a look at the presence of soccer in a key moment of the country's recent history: in one of the tensest periods of the regime that had begun in 1964, the Brazilian national team has won the Mexico World Cup, becoming the holder of the Jules Rimet Trophy.

Entre corpo e linguagem: a voz na ópera / Between body and language: the voice in opera

Este texto analisa a voz no canto lírico e a sua relação com o corpo e a linguagem no interior da clínica psicanalítica. Quando a voz se presta ao canto, tal como na ópera, ela parece se desprender da forte presença do simbólico mundo da linguagem para tocar no corpo. Faz ecoar um real do corpo que não cessa de não se inscrever, em que a palavra perde sua conexão com o simbólico para se tornar pura voz, desprovida da lei significante. Na ópera, o que está em cena é uma voz que não é puramente linguagem, tal como na fala, nem mesmo aquela do corpo como puro som, mas uma voz que aponta para o "realinguagem" da clínica psicanalítica.

This text analyzes the voice in opera singing and its relationship with the body and language within the interior of the psychoanalytic practice. When the voice is used for singing, such as opera singing, it seems to abandon the strong presence of the symbolic world of language, to touch the body. It echoes a reality of the body that does not stop not inscribing itself, where the words loose their connections with the symbolic order to become pure voice devoid of the law of meaning. In opera, what is in scene is a voice that is not merely language, such as speech, nor a body voice as pure sound, but a voice that points to the "realanguage" of the psychoanalytic practice.

Surgical patients' needs and actual utilization of community nursing services / 中国实用护理杂志

Objective To investigate the surgical patients' needs of community nursing services and actual utilization within one week of out hospital. Methods Sampled 257 adults surgical patients from certain general hospital, interviewed them by self-designed queostionnair to know their needs of community nursing services and actual utilization within one week after out of hospital. Results There were 96% pa-tients required community nursing services at the point of discharge. The content of services needs included dise ases cares, health teaching and prevention services. Different moded of community nursing cares were required. The actual utilization rate within one week was 16.5%, there were 54.5% and 63.6% of patients received wound care and medication administration separately, which were mainly provided by center visit. Conclusions There is a contradiction between the needs and actual utilization of com-munity nursing services. It is meaningful to enhance the utilization rate, extend the content and perfect the modes of community nursing services so as to satisfy discharged surgical patients' needs.

Repertórios sobre lesbianidade na mídia televisiva: desestabilização de modelos hegemônicos / Repertoires on lesbianity in television media: destabilization of hegemonic models?

Este artigo objetiva apresentar uma análise discursiva da telenovela Senhora do Destino (Rede Globo, 2004-2005). A postura construcionista, aliada a uma leitura feminista, permitiu compreender a noção de lesbianidade como uma construção social na qual os discursos e a linguagem empregados variam segundo o contexto social e histórico específico. O foco de análise se deu a partir das práticas discursivas, entendidas como linguagem em ação, sempre múltiplas, situadas e dialógicas. Os resultados desta pesquisa apontam para um duplo efeito na introdução da temática lesbianidade na novela. Se, de um lado, o processo de assimilação da categoria lésbica provoca uma maior "familiarização" na sociedade, bem como a circulação de códigos/modelos propiciam a legitimação de relações afetivo-sexuais entre pessoas do mesmo sexo, de outro, o modo como ocorrem os processos de legitimação/aceitação não propicia uma desestabilização de normas sociais e de modelos hegemônicos.

This article aims to present a discursive analysis of the soap opera Senhora do Destino (Rede Globo, 2004-2005). The constructionist perspective together with a feminist reading allowed to understand the notion of lesbianity as a social construction in which the discourses and the language adopted vary according to the social and historical context. The analysis was centered on discursive practices, understood as language in action, always multiple, situated and dialogical versions of conversation. The results of this research suggest parallel effects of the introduction of the issue of lesbianity in the soap opera. On one hand, the process of assimilation of the lesbian category provokes a broader "familiarity" in society, as well as the presence of codes/models that allow the legitimacy of same sex relations. On the other hand, the legitimizing/acceptance processes occur in ways that do not provoke the destabilization of social norms and hegemonic models.

Oui, mais il faut parier. Fidelidade e dúvida no Memorial de Aires

O artigo investiga o papel desempenhado pelo Fidelio de Beethoven no Memorial de Aires de Machado de Assis. Nesse romance extraordinário, o conselheiro Aires evita condenar uma mulher que, entretanto, o seu enganoso diário terminará pondo sob suspeita. Na ópera, Leonora nada esconde, porque abaixo de sua máscara não há nada senão sua lealdade ao marido aprisionado. Machado de Assis, contudo, inicia sua trama num cemitério, onde o marido agora é morto. A importante questão que daí resta é: o que fazer se a fidelidade se refere a um objeto que, seja ele o amado, seja o referente literário, não existe mais?

This article investigates the role played by Beethoven's Fidelio in Machado de Assis' Memorial de Aires. In this extraordinary novel, Counselor Aires avoids condemning a woman who, nevertheless, is put under suspicion by his treacherous diary. In the opera, Leonora hides nothing, because behind her mask there is nothing but loyalty to her imprisoned husband. Machado de Assis, however, begins his novel in a cemetery, where the beloved husband is buried. The main question that is left is: What to do if fidelity refers to an object, be it the beloved or a literary referent, that does not exist any longer?.

Clinical analysis of female occult breast cancer with axillary neck node metastasis and literature reviews / 中国医师进修杂志

Objective To investigate the characteristic,diagnosis,clinical staging, treatment and clinical prognosis of occult breast carcinoma (OBC). Method Forty-six cases of OBC were analyzed retrospectively with the clinical and follow-up information that were confirmed by postoperative pathologic diagnosis from November 1981 to November 2005. Results All patients showed axillary node enlargement as the first sign and were operated.The operation included axillary node excision in 2 patients,radical mastec-tomy or modified radical mastectomy in 44 patients. Forty-five cases got follow-up for 1-22 years,33 cases had existed 3 years,18 cases had existed 5 years,8 cases had existed 10 years. Conclusions For axillary mass which causes are uncertain ,the possibility of OBC should be considered .Meanwhile excision and pathological examination is necessary.The metastatic histological structure and immunohistochemical index of the axillary nodes usually provide important clue for the source of this tumor.Radical or modified mastectomy is the best method, and pest-operative chemotherapy and/or radiotherapy should be done. It has been showed that targeted therapy is very important to breast cancer with C-erbB-2 positive recently.To the cases that neck lymphatic metastasis is M4G3 positive by immunohistochemical examination and no primary focus clinically, the diagnosis of OBC should be considered. The cases without primary focus have better prognosis than those with primary focus.

Otros ensayos sobre psicoanálisis y música / Other essays on psychoanalysis and music

Diferentes comentaristas tienen en común la insistencia de considerar dos óperas, Elektra, de Richard Strauss, y Erwartung, de Arnold Schõnberg, como vinculadas al psicoanálisis. Se examina los posibles motivos de tal atribución, demostrándose su poca consistencia. El interés metodológico del procedimiento es describir con mayor precisión el campo psicoanalítico y evitar extrapolaciones (según las indicaciones propuestas por Sigmund Freud en El análisis silvestre).

Experience of Transvaginal Bladder Neck Suspension by Raz and Vaginal Wall Sling Operation for Female Stress Urinary Incontinence and Coexisting Cystocele / 대한비뇨기과학회지

Transvaginal bladder neck suspension(TVBNS) by Raz is an acceptable procedure for the treatment of stress urinary incontinence(SUI) with high cure rate, operative simplicity, short hospitalization and little morbidity. We had treated 89 patients of stress urinary incontinence with or without cystocele. Age of the patients ranged from 28 to 78 years(mean 47.7) and mean parity was 2.9. According to the symptom grading by Stamey, Grade 1 was 18.0%(16), Grade II was 79.8%(71) and Grade III was 2. 2%(2). Coexisting cystocele were 8 cases. TVBNS by Raz were undertaken for the 82 patients of Grade I and II SUI and also with coexisting Grade 1 cystocele, 4-corner bladder neck suspension were undertaken for the 3 patients of SUI with coexisting Grade II cystocele, and TVBNS with cystocele repair were undertaken for the 2 patients of SU with coexisting Grade III cystocele. For the 2 patients of total incontinence, vaginal wall sling operation were undertaken. Mean operation time for the cases treated by Raz procedures was 56.3+/-12.3 min.; whereas it was 98.3+/-25.3 min. for the cases with coexisting cystocele. Intra or post-operation blood transfusion was performed in 7 cases. Mean duration of hospital stay after Raz procedures were 4.5+/-0.9 days and 7.3+/-1.9 days for the treated by cystocele repair. Mean interval for returning to normal voiding after operation were 11.9+/-3.0 days after Raz procedures and 22.3+/-4.3 days after the correction of coexisting cystocele. Residual urine at discharge was less than 100 ml in 54 cases(60.7%). After the mean followup of 3.5 months, urinary incontinence was disappeared completely in 83 cases(93.3%). For the 2 cases of total incontinence, symptoms were disappeared completely after the vaginal wall sling operation. Complications included persistent voiding difficulty in 3 patients(improved after suspension take down in 2 cases and following up in 1 case), recurrence of urinary incontinence in 3 cases(which was disappeared by periurethral injection of collagen in 2 cases), frequency in 16 cases(improved by medication), bladder stone in 1 case(treated by cystolithorapaxy), and dyspareunia in 1 case. Conclusively, it could be suggested that the Raz procedures and vaginal wall sling operation are reliable techniques or the treatment of SUI and cystocele with little morbidity and high cure rate.