Exploring the art and experiences of painters with epilepsy / Explorando a arte e as experiências de pintores com epilepsia

This narrative review addresses the world of artists who linked their creative journeys alongside their battles with epilepsy, a neurological condition engineered by recurrent epileptic seizures, with multifaceted implications in biopsychosocial domains. By examining the lives and works of celebrated artists such as Vincent Van Gogh and contemporary painters, particularly those possibly affected by epilepsy, a narrative transcends clinical elucidations, investigating historical contexts, artistic expressions, and therapeutic interventions. The focus is on uncovering the transformative influence of engaging in artistic activities for individuals struggling with epilepsy. It investigates the profound impact of artistic pursuits on people affected by epilepsy, showing the resilience of the human spirit in harnessing adversity as a source of creativity. This exploration illuminates the potential of art, not only as a means of self-expression, but also as a therapeutic medium in the setting of epilepsy and associated neurorehabilitation.

Esta revisão narrativa aborda o mundo dos artistas que associaram as suas jornadas criativas paralelamente às suas batalhas contra a epilepsia, uma condição neurológica caracterizada por ataques epilépticos recorrentes, com implicações multifacetadas em domínios biopsicossociais. Ao examinar as vidas e obras de artistas célebres como Vincent Van Gogh e pintores contemporâneos, particularmente aqueles possivelmente afetados pela epilepsia, a narrativa transcende as elucidações clínicas, investigando contextos históricos, expressão artística e intervenções terapêuticas. O foco está em desvendar a influência transformadora do envolvimento em atividades artísticas para indivíduos que lutam contra a epilepsia. Ele investiga o profundo impacto das atividades artísticas nas pessoas afetadas pela epilepsia, mostrando a resiliência do espírito humano ao aproveitar a adversidade como uma fonte de criatividade. Esta exploração ilumina o potencial da arte, não apenas como meio de autoexpressão, mas também como meio terapêutico no cenário da epilepsia e da neurorreabilitação associada.

Intervención fonoaudiológica en artistas: hacia una mirada completa de intervención vocal / Voice Therapy Intervention on artists: towards a complete look at vocal intervention

Hoy en día el conocimiento avanza a pasos agigantados. Cada vez hay más fonoau-diólogos en diversas áreas de la profesión. Llama la atención de muchos el área ar-tística, pues es un área poco explorada y amplia. Este artículo tiene el objetivo de reflexionar sobre la intervención vocal en artistas (cantantes, actores y otros). Su im-plementación debe comprender una mirada completa de la persona: voz, fisiología, fisiopatología, emociones, rol, aspectos médicos, farmacológicos y características in-dividuales. Esto promueve la adherencia de un profesional de la voz a su área de conocimiento y genera un espacio de sanidad, exploración y libertad artística en términos actuales, incluso en medio de una pandemia

Nowadays the knowledge is advancing by leaps and bounds. The number of Speech Pathologists in different areas of the profession has increased. The artistic area calls the attention of many, because it is a hardly explored and wide area. This article aims to reflect on vocal intervention on artists (singers, actors and others). Its imple-mentation should include a thorough overview of the person: voice, physiology, phy-siopathology, emotions, role, medical and pharmacological aspects and individual characteristics. This promotes the adhesion of a voice professional to their area of its own knowledge, thus allowing a space for healing, exploration and artistic freedom in current terms, even in the midst of a pandemic

Depressive symptoms among dance artists in South Korea: balance between self- and social identity on job value

BACKGROUND: The balance between self- and social identity on job value of Korean dance artists, considered as performing artists, was measured to investigate the relationship between balance and depressive symptoms. METHODS: Data of 139 dance artists were analyzed for depressive symptoms assessed by their responses to questionnaires from the Center for Epidemiologic Studies Depression (CESD) translated into Korean. The balance score of each aspect of social identity compared to that of self-identity on job value was measured and classified as lower, equal, or higher. Following a graphical approach, we performed locally weighted scatterplot smoothing algorithm, simple linear regression, and quadric equation regression. RESULTS: The mean of CESD was highest in the higher balance group and lowest in the lower balance group. There was a linear relationship between balance score and CESD regarding specific audience, unspecified audience, and unspecified public. Balance score showed no association with other aspects of social identity. In the balance score range of 1 or higher, it was associated with CESD with respect to artist colleague, unspecified audience, and unspecified public. CONCLUSIONS: Dance artists should maintain a balance between self- and social identity in job value to prevent depressive symptoms.

Exercícios etnográficos como atividades em espaço público: Terapia Ocupacional Social no fazer da arte, da cultura e da política / Ethnographic exercises as activities in public space: Social Occupational Therapy in art, culture and politics

Discutem-se os exercícios etnográficos − realizados em propostas do Projeto Metuia/USP, entre 2007 e 2013 − como atividade capaz de potencializar o reconhecimento do saber composto, plural e, por vezes, contraditório, mas produzido criativamente no fazer intelectual e social, na interação entre estudantes, terapeutas ocupacionais, pesquisadores e pessoas em situação de rua. Parte-se da necessidade de se desenvolver a compreensão sobre as atividades significativas de artistas que trabalham nos espaços públicos da cidade de São Paulo, pois persiste uma pluralidade de significados que a rua adquire em meio a disputas de interesses e tensões culturais, mas, também, de interconexões e criatividade. A vida itinerante e as características dos espaços de sociabilidade, aliadas às reflexões da antropologia urbana e da pesquisa etnográfica, favoreceram o ensino teórico-prático em ações territoriais dialógicas da terapia ocupacional social. Este artigo é resultado de reflexões construídas a partir da pesquisa Circuitos e práticas religiosas nas trajetórias de vida de adultos em situação de rua na cidade de São Paulo, associado ao projeto de extensão universitária vinculada ao Projeto Metuia/Terapia Ocupacional/USP, denominado Ponto de encontro e cultura: redes sociais, cultura e terapia ocupacional social. Conclui-se, por um lado, que há necessidade da reflexão renovada sobre o lugar do terapeuta ocupacional, considerando as assimetrias das relações na construção do conhecimento. Por outro lado, indica-se que as atividades produzidas em relações dialógicas adquirem sentidos partilhados apenas quando desenhadas na experiência da diferença, em propostas coerentes com sua plasticidade própria e no bojo de contextos sociais e culturais específicos.

Ethnographic exercises are discussed - as proposed by the Metuia Project/ USP between 2007 and 2013 - as an activity able to enhance the recognition of the compound, plural and sometimes contradictory knowledge, but produced creatively in the intellectual and social do, in the interaction among students, occupational therapists, researchers and homeless people. It starts from the need to develop an understanding of the significant activities of artists working in the public spaces in São Paulo, as it persists as a plurality of meanings that the street acquires amid disputes of interests and cultural tensions, but also interconnections and creativity. The itinerant life and social areas' characteristics, combined with reflections of urban anthropology and ethnographic research favored the theoretical and practical teaching in dialogic territorial shares of social occupational therapy. This article is the result of reflections built from the research Circuits and religious practices in life trajectories of adult homeless people in city of São Paulo, associated with university extension project linked to Metuia Project/USP, called Point meeting and culture: social networks, culture and social occupational therapy. In conclusion, on the one hand, there is need for renewed reflection about the occupational therapist's place, considering the asymmetries of the relations in the construction of knowledge. On the other hand, it indicates that the produced activities, necessarily, in dialogical relations, only share meanings when inserted into the experience of the difference in consistent proposals with its own plasticity and in the middle of specific social and cultural contexts.