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El cadáver humano en el arte y la bioética: la Pietà Rondanini de Miguel Ángel / The human corpse in arts and bioethics: Michelangelo´s Pietà Rondanini
Figueroa, Gustavo.
  • Figueroa, Gustavo; Universidad de Valparaíso. Escuela de Medicina. Departamento de Psiquiatría. CL
Rev. méd. Chile ; 144(2): 241-246, feb. 2016. ilus, tab
Article in Spanish | LILACS | ID: lil-779492
ABSTRACT
According to bioethics, life is a fundamental but not an absolute good. Therefore the value of a person resides in being alive, no matter in which state such person is. The concept of brain death is legally and ethically accepted as the definition of death. In artworks, human beings are revealed as they are. Michelangelo’s Pietà Rondanini captures and captures what a human corpse is, in its most intimate appearance. The artist boldly reveals its essence.
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Full text: Available Index: LILACS (Americas) Main subject: Art / Cadaver / Bioethical Issues / Famous Persons Limits: Humans Language: Spanish Journal: Rev. méd. Chile Journal subject: Medicine Year: 2016 Type: Article Affiliation country: Chile Institution/Affiliation country: Universidad de Valparaíso/CL

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Full text: Available Index: LILACS (Americas) Main subject: Art / Cadaver / Bioethical Issues / Famous Persons Limits: Humans Language: Spanish Journal: Rev. méd. Chile Journal subject: Medicine Year: 2016 Type: Article Affiliation country: Chile Institution/Affiliation country: Universidad de Valparaíso/CL