Michelangelos art on the Sistine Chapel ceiling: sacred representation or anatomy lessons?
Braz. j. morphol. sci
;
30(1): 43-48, 2013. ilus
Artículo
en Inglés
| LILACS
| ID: lil-699330
ABSTRACT
The Renaissance was a period of extensive scientific and cultural production, which occurred between the fourteenth and sixteenth centuries. One of the exponents of this artistic period was the poet, architect, sculptor and painter Michelangelo Buonarroti, who was born and lived in Italy between 1475 and 1564. Among his best known artworks are the frescoes painted on the Sistine Chapel ceiling. Currently, there is discussion if the paintings are only representations made from the sacred guidance of the church at the time, or if there are other meanings hidden in the images. From this context, we analyzed studies that associated the frescoes painted on the Sistine Chapel ceiling with anatomical structures hidden in the images, taking into account their significance, importance, and if these structures are not simply an imaginative interpretation of the researchers. This study was performed aiming to complement the work published by Ellwanger, Mohr and Campos (2012) in this journal.
Texto completo:
Disponible
Índice:
LILACS (Américas)
Asunto principal:
Pinturas
/
Anatomía Artística
/
Ilustración Médica
/
Medicina en las Artes
Límite:
Femenino
/
Humanos
/
Masculino
Idioma:
Inglés
Revista:
Braz. j. morphol. sci
Asunto de la revista:
Anatomía
Año:
2013
Tipo del documento:
Artículo
País de afiliación:
Brasil
Institución/País de afiliación:
University of Santa Cruz do Sul/BR
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