Abolition as Durational Performance: Mutual Aid Aesthetics in Chicago's Southeast Asian Neighborhood

ABSTRACT

Responses to rising anti-Asian violence during the COVID-19 pandemic prompted multiple, often conflicting, actions including calls to defund the police, calls for more police, bystander interventions, and the exploitation of violence to promote influencers' brands. In Chicago's "Argyle" Uptown neighborhood, an area known as a Southeast Asian refugee business district, Asian Americans and local white government officials promoting liberal multiculturalist urban renewal projects used the news after the Atlanta spa shooting to advance their plans for gentrification and increased policing. How do we understand the colliding narratives of racial antagonisms, racial solidarities, and the genocidal logics of urban renewal, as they emerge at the intersection of settler colonialism and the afterlife of slavery? How is this question complicated by the entwined issues of refugee resettlement and multiculturalist solutions to anti-Asian violence? In this article, I argue abolition as durational performance offers an embodied, performance studies based analytic and methodology for the study and praxis of abolition. Abolition as durational performance centers the creation of life-affirming institutions, relations, and spaces while navigating the histories and bodily impacts of white supremacy, anti-Blackness, native genocide, and US liberal war on refugee resettlement as it is enacted through urban renewal and redevelopment projects. I focus on Axis Lab, a community-based arts and architecture organization based in Chicago, which launched its mutual aid and public arts project in June 2020. This is an abolitionist project inspired by the Black Panther breakfast and political education programs.