Lexical stress representation in spoken word recognition.

According to a popular model of speech production, stress is underspecified in the lexicon, that is, it is specified only for words with stress patterns other than the default, termed the "default metrics" assumption. Alternatively, stress may be fully specified in the lexicon as part of every lexical representation. In the current study the two accounts are tested in the perceptual domain using behavioral and eye-tracking data in Greek. In a first experiment, cross-modal fragment priming was used in a lexical-decision task. According to default metrics, priming should occur for targets with antepenultimate- or final-syllable stress but not for targets with the default penultimate-syllable stress. The same word pairs were used in two subsequent visual world experiments. Default metrics predict an asymmetric pattern of results, namely that incoming spoken words with the default stress pattern should inhibit the activation of lexical representations with nondefault stress, whereas the converse should not be observed; that is, spoken words with nondefault stress should not inhibit representations of words with the default stress. None of the results provided support for the idea of default metrics, leading to alternative conceptualizations regarding the representation of stress. (PsycInfo Database Record (c) 2021 APA, all rights reserved).

Comparing acoustic analyses of speech data collected remotely.

Face-to-face speech data collection has been next to impossible globally as a result of the COVID-19 restrictions. To address this problem, simultaneous recordings of three repetitions of the cardinal vowels were made using a Zoom H6 Handy Recorder with an external microphone (henceforth, H6) and compared with two alternatives accessible to potential participants at home: the Zoom meeting application (henceforth, Zoom) and two lossless mobile phone applications (Awesome Voice Recorder, and Recorder; henceforth, Phone). F0 was tracked accurately by all of the devices; however, for formant analysis (F1, F2, F3), Phone performed better than Zoom, i.e., more similarly to H6, although the data extraction method (VoiceSauce, Praat) also resulted in differences. In addition, Zoom recordings exhibited unexpected drops in intensity. The results suggest that lossless format phone recordings present a viable option for at least some phonetic studies.

The Intonation and Pragmatics of Greek wh-Questions.

We experimentally tested three hypotheses regarding the pragmatics of two tunes (one high-ending, one flat-ending) used with Greek wh-questions: (a) the high-ending tune is associated with information-seeking questions, while the flat-ending tune is also appropriate when wh-questions are not information-seeking, in which case their function can instead be akin to that of a statement; (b) the high-ending tune is more polite, and (c) more appropriate for contexts leading to information-seeking questions. The wh-questions used as experimental stimuli were elicited from four speakers in contexts likely to lead to either information-seeking or non-information-seeking uses. The speakers produced distinct tunes in response to the contexts; acoustic analysis indicates these are best analysed as L*+H L-!H% (rising), and L+H* L-L% (flat). In a perception experiment where participants heard the questions out of context, they chose answers providing information significantly more frequently after high-ending than flat-ending questions, confirming hypothesis (a). In a second experiment testing hypotheses (b) and (c), participants evaluated wh-questions for appropriateness and politeness in information- and non-information-seeking contexts. High-ending questions were rated more appropriate in information-seeking contexts, and more polite independently of context relative to their flat-ending counterparts. Finally, two follow-up experiments showed that the interpretation of the two tunes was not affected by voice characteristics of individual speakers, and confirmed a participant preference for the high-ending tune. Overall, the results support our hypotheses and lead to a compositional analysis of the meaning of the two tunes, while also showing that intonational meaning is determined by both tune and pragmatic context.

Effects of rhythm and phrase-final lengthening on word-spotting in Korean.

A word-spotting experiment was conducted to investigate whether rhythmic consistency and phrase-final lengthening facilitate performance in Korean. Listeners had to spot disyllabic and trisyllabic words in nonsense strings organized in phrases with either the same or variable syllable count; phrase-final lengthening was absent, or occurring either in all phrases or only in the phrase immediately preceding the target. The results show that, for disyllabic targets, inconsistent syllable count and lengthening before the target led to fewer errors. For trisyllabic targets, accuracy was at ceiling, but final lengthening in all phrases reduced reaction times. The results imply that both rhythmic consistency (i.e., regular syllable count) and phrase-final lengthening play a role in word-spotting and, by extension, in speech processing in Korean, as in other languages. However, the results also reflect the language specific role of prosodic cues. First, the cues here were used primarily with disyllabic targets, which were cognitively more demanding to process partly due to their high phonological neighborhood density. Second, the facilitating effect of rhythmic consistency was weak, possibly because strict consistency is not present in spoken Korean. Overall, rhythmic consistency facilitated spotting when targets mapped onto phrases, confirming the importance of phrasal organization in Korean speech processing.

Priming stress patterns in word recognition.

This study addresses the lexical representation of stress in a series of 5 intramodal and cross-modal priming experiments in the Greek language using lexical decision tasks with auditory and visual targets. Three-syllable primes and targets were matched in first syllable segments, length, and other variables, and differed segmentally in the second and third syllable. Primes matched or mismatched targets in stress, which was placed on the penultimate or antepenultimate syllable. There was no evidence for stress priming in either accuracy or latency of responses to either words or pseudowords in any of these experiments, either intramodally or cross-modally. In contrast, a control fragment priming experiment using only the first 2 syllables of the primes produced a significant effect of stress congruence for words but not for pseudowords. The results are interpreted in the context of previous findings in the literature as arising from lexical activation rather than from matching stress patterns. Overall, findings are consistent with lexical representations including stress information that is inseparable from segmental specification, rather than with abstract representations of metrical templates. (PsycINFO Database Record

The Phonetics and Phonology of the Polish Calling Melodies.

Two calling melodies of Polish were investigated, the routine call, used to call someone for an everyday reason, and the urgent call, which conveys disapproval of the addressee's actions. A Discourse Completion Task was used to elicit the two melodies from Polish speakers using twelve names from one to four syllables long; there were three names per syllable count, and speakers produced three tokens of each name with each melody. The results, based on eleven speakers, show that the routine calling melody consists of a low F0 stretch followed by a rise-fall-rise; the urgent calling melody, on the other hand, is a simple rise-fall. Systematic differences were found in the scaling and alignment of tonal targets: the routine call showed late alignment of the accentual pitch peak, and in most instances lower scaling of targets. The accented vowel was also affected, being overall louder in the urgent call. Based on the data and comparisons with other Polish melodies, we analyze the routine call as LH* !H-H% and the urgent call as H* L-L%. We discuss the results and our analysis in light of recent findings on calling melodies in other languages, and explore their repercussions for intonational phonology and the modeling of intonation.

Speech rhythm analysis with decomposition of the amplitude envelope: characterizing rhythmic patterns within and across languages.

This study presents a method for analyzing speech rhythm using empirical mode decomposition of the speech amplitude envelope, which allows for extraction and quantification of syllabic- and supra-syllabic time-scale components of the envelope. The method of empirical mode decomposition of a vocalic energy amplitude envelope is illustrated in detail, and several types of rhythm metrics derived from this method are presented. Spontaneous speech extracted from the Buckeye Corpus is used to assess the effect of utterance length on metrics, and it is shown how metrics representing variability in the supra-syllabic time-scale components of the envelope can be used to identify stretches of speech with targeted rhythmic characteristics. Furthermore, the envelope-based metrics are used to characterize cross-linguistic differences in speech rhythm in the UC San Diego Speech Lab corpus of English, German, Greek, Italian, Korean, and Spanish speech elicited in read sentences, read passages, and spontaneous speech. The envelope-based metrics exhibit significant effects of language and elicitation method that argue for a nuanced view of cross-linguistic rhythm patterns.

Rhythm, timing and the timing of rhythm.

This article reviews the evidence for rhythmic categorization that has emerged on the basis of rhythm metrics, and argues that the metrics are unreliable predictors of rhythm which provide no more than a crude measure of timing. It is further argued that timing is distinct from rhythm and that equating them has led to circularity and a psychologically questionable conceptualization of rhythm in speech. It is thus proposed that research on rhythm be based on the same principles for all languages, something that does not apply to the widely accepted division of languages into stress- and syllable-timed. The hypothesis is advanced that these universal principles are grouping and prominence and evidence to support it is provided.

Tonal association and tonal alignment: evidence from Greek polar questions and contrastive statements.

This paper compares the production and perception of the rise-fall contour of contrastive statements and the final rise-fall part of polar questions in Greek. The results show that these superficially similar rise-falls exhibit fine phonetic differences in the alignment of tonal targets with the segmental string, and that these differences can be used by native speakers under experimental conditions to identify the two contour types. It is further shown here that the observed differences in alignment are best attributed to differences in the overall tonal composition of these contours, which results in different degrees of crowding for the targets involved. This analysis accounts for the differences in phonetic detail between the two contours, while obviating the need to posit distinct secondary associations for the peak of the rise-fall. It is suggested that differences in phonetic alignment should be formalized by means of the secondary association mechanism only if simpler analyses and explanations have been considered and shown not to account effectively for the data. Finally, the perceptual results suggest that even small alignment differences like those observed here have a role in perception and should therefore be specified in a full description of the phonetic implementation of tunes.