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1.
J Acoust Soc Am ; 139(6): 3214, 2016 06.
Article in English | MEDLINE | ID: mdl-27369145

ABSTRACT

Flute-like instruments with a stopped pipe were widely used in ancient cultures and continue to be used in many musical expressions throughout the globe. They offer great flexibility in the input control parameters, allowing for large excursions in the flux and in the geometrical configuration for the lips of the instrumentalist. For instance, the transverse offset of the jet axis relative to the labium can be shifted beyond the operational limits found in open-open pipes, and the total jet flux can be increased up to values that produce highly turbulent jets while remaining on the first oscillating regime. Some of the fundamental aspects of the acoustics and hydrodynamics of this kind of instrument are studied, like the instability of the jet wave and the static aerodynamic balance in the resonator. A replica of an Andean siku has been created to observe, through the Schlieren flow visualization, the behavior of both excitation and resonator of the instrument.

2.
J Acoust Soc Am ; 136(1): 389-400, 2014 Jul.
Article in English | MEDLINE | ID: mdl-24993223

ABSTRACT

This paper presents two models of sound production in flute-like instruments that allow time-domain simulations. The models are based on different descriptions of the jet flow within the window of the instrument. The jet-drive model depicts the jet by its transverse perturbation that interacts with the labium to produce sound. The discrete-vortex model depicts the jet as two independent shear layers along which vortices are convected and interact with the acoustic field within the window. The limit of validity between both models is usually discussed according to the aspect ratio of the jet W/h, with W the window length and h the flue channel height. The present simulations, compared with experimental data gathered on a recorder, allow to extend the aspect ratio criterion to the notion of dynamic aspect ratio defined as λ/h where λ is the hydrodynamic wavelength that now accounts for geometrical properties, such as W/h, as well as for dynamic properties, such as the Strouhal number. The two models are found to be applicable over neighboring values of geometry and blowing pressure.


Subject(s)
Computer Simulation , Models, Theoretical , Music , Sound , Linear Models , Motion , Numerical Analysis, Computer-Assisted , Pressure , Reproducibility of Results , Time Factors
3.
J Acoust Soc Am ; 131(2): 1574-85, 2012 Feb.
Article in English | MEDLINE | ID: mdl-22352527

ABSTRACT

Based on results from the literature, a description of sound generation in a recorder is developed. Linear and non-linear analysis are performed to study the dependence of the frequency on the jet velocity. The linear analysis predicts that the frequency is a function of the jet velocity. The non-linear resolution provides information about limit cycle oscillation and hysteretic regime change thresholds. A comparison of the frequency between linear theory and experiments on a modified recorder shows good agreement except at very low jet velocities. Although the predicted threshold for the onset of the first regime shows an important deviation from experiments, the hysteresis of threshold to higher regimes is accurately estimated. Furthermore, a qualitative analysis of the influence of different parameters in the model on the sound generation and regime changes is presented.

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