Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction.

Poetic diction routinely involves two complementary classes of features: (i) parallelisms, i.e. repetitive patterns (rhyme, metre, alliteration, etc.) that enhance the predictability of upcoming words, and (ii) poetic deviations that challenge standard expectations/predictions regarding regular word form and order. The present study investigated how these two prediction-modulating fundamentals of poetic diction affect the cognitive processing and aesthetic evaluation of poems, humoristic couplets and proverbs. We developed quantitative measures of these two groups of text features. Across the three text genres, higher deviation scores reduced both comprehensibility and aesthetic liking whereas higher parallelism scores enhanced these. The positive effects of parallelism are significantly stronger than the concurrent negative effects of the features of deviation. These results are in accord with the hypothesis that art reception involves an interplay of prediction errors and prediction error minimization, with the latter paving the way for processing fluency and aesthetic liking. This article is part of the theme issue 'Art, aesthetics and predictive processing: theoretical and empirical perspectives'.

Text type attribution modulates pre-stimulus alpha power in sentence reading.

Prior knowledge and context-specific expectations influence the perception of sensory events, e.g., speech, as well as complex higher-order cognitive operations like text reading. Here, we focused on pre-stimulus neural activity during sentence reading to examine text type-dependent attentional bias in anticipation of written stimuli, capitalizing on the functional relevance of brain oscillations in the alpha (8-12 Hz) frequency range. Two sex- and age-matched groups of participants (n = 24 each) read identical sentences on a screen at a fixed per-constituent presentation rate while their electroencephalogram was recorded; the groups were differentially instructed to read "sentences" (genre-neutral condition) or "verses from poems" (poetry condition). Relative alpha power (pre-cue vs. post-cue) in pre-stimulus time windows was greater in the poetry condition than in the genre-neutral condition. This finding constitutes initial evidence for genre-specific cognitive adjustments that precede processing proper, and potentially links current theories of discourse comprehension to current theories of brain function.

Constrained Structure of Ancient Chinese Poetry Facilitates Speech Content Grouping.

Ancient Chinese poetry is constituted by structured language that deviates from ordinary language usage [1, 2]; its poetic genres impose unique combinatory constraints on linguistic elements [3]. How does the constrained poetic structure facilitate speech segmentation when common linguistic [4-8] and statistical cues [5, 9] are unreliable to listeners in poems? We generated artificial Jueju, which arguably has the most constrained structure in ancient Chinese poetry, and presented each poem twice as an isochronous sequence of syllables to native Mandarin speakers while conducting magnetoencephalography (MEG) recording. We found that listeners deployed their prior knowledge of Jueju to build the line structure and to establish the conceptual flow of Jueju. Unprecedentedly, we found a phase precession phenomenon indicating predictive processes of speech segmentation-the neural phase advanced faster after listeners acquired knowledge of incoming speech. The statistical co-occurrence of monosyllabic words in Jueju negatively correlated with speech segmentation, which provides an alternative perspective on how statistical cues facilitate speech segmentation. Our findings suggest that constrained poetic structures serve as a temporal map for listeners to group speech contents and to predict incoming speech signals. Listeners can parse speech streams by using not only grammatical and statistical cues but also their prior knowledge of the form of language. VIDEO ABSTRACT.

Reading Russian poetry: An expert-novice study.

Studying the role of expertise in poetry reading, we hypothesized that poets' expert knowledge comprises genre-appropriate reading- and comprehension strategies that are re-flected in distinct patterns of reading behavior. We recorded eye movements while two groups of native speakers (n=10 each) read selected Russian poetry: an expert group of professional poets who read poetry daily, and a control group of novices who read poetry less than once a month. We conducted mixed-effects re-gression analyses to test for effects of group on first-fixation durations, first-pass gaze du-rations, and total reading times per word while controlling for lexical- and text variables. First-fixation durations exclusively reflected lexical features, and total reading times re-flected both lexical- and text variables; only first-pass gaze durations were additionally mod-ulated by readers' level of expertise. Whereas gaze durations of novice readers became faster as they progressed through the poems, and differed between line-final words and non-final ones, poets retained a steady pace of first-pass reading throughout the poems and within verse lines. Additionally, poets' gaze durations were less sensitive to word length. We conclude that readers' level of expertise modulates the way they read poetry. Our find-ings support theories of literary comprehension that assume distinct processing modes which emerge from prior experience with literary texts.

Sentence-Level Effects of Literary Genre: Behavioral and Electrophysiological Evidence.

The current study used event-related brain potentials (ERPs) and behavioral measures to examine effects of genre awareness on sentence processing and evaluation. We hypothesized that genre awareness modulates effects of genre-typical manipulations. We manipulated instructions between participants, either specifying a genre (poetry) or not (neutral). Sentences contained genre-typical variations of semantic congruency (congruent/incongruent) and morpho-phonological features (archaic/contemporary inflections). Offline ratings of meaningfulness (n = 64/group) showed higher average ratings for semantically incongruent sentences in the poetry vs. neutral condition. ERPs during sentence reading (n = 24/group; RSVP presentation at a fixed per-constituent rate; probe task) showed a left-lateralized N400-like effect for contemporary vs. archaic inflections. Semantic congruency elicited a bilateral posterior N400 effect for incongruent vs. congruent continuations followed by a centro-parietal positivity (P600). While N400 amplitudes were insensitive to the genre, the latency of the P600 was delayed by the poetry instruction. From these results, we conclude that during real-time sentence comprehension, readers are sensitive to subtle morphological manipulations and the implicit prosodic differences that accompany them. By contrast, genre awareness affects later stages of comprehension.