Indoor air quality at the Correr Museum, Venice, Italy.

Two multidisciplinary field surveys, one in winter and the other in summer have monitored the indoor microclimate, air pollution, deposition and origin of the suspended particulate matter and microorganisms of the Correr Museum, Venice. In addition, this study was focused to identify the problems caused by the heating and air conditioning system (HAC) and the effects due to the presence of carpets. Heating and air conditioning systems (HACs), when chiefly designed for human welfare, are not suitable for conservation and can cause dangerous temperature and humidity fluctuations. Improvements at the Correr Museum have been achieved with the assistance of environmental monitoring. The carpet has a negative influence as it retains particles and bacteria which are resuspended each time people walk on it. The indoor/outdoor pollutants ratio is greater in the summertime, when doors and windows are more frequently open to allow for better ventilation, illustrating that this ratio is mainly governed by the free exchange of the air masses. The chemical composition, size and origin of the suspended particulate matter have been identified, as well as the bacteria potentially dangerous to the paintings. Some general suggestions for improving indoor air quality are reported in the conclusions.

The indoor environment of a modern museum building, the Sainsbury Centre for Visual Arts, Norwich, UK.

A multi-disciplinary approach was used to investigate the indoor environment of a modern museum building, and its suitability for the conservation of the collection therein. Climate, gaseous and particulate pollution and the concentrations of bacteria were measured in summer and winter campaigns. While the environment overall was found to be an acceptable one, a number of drawbacks were highlighted, the most serious of these being the large temperature and humidity fluctuations that occurred in the summer.

Pollution episodes at Venice related to weather types: an analysis for a better predictability.

In order to obtain a rational strategy for the control and management of emissions from the industrial area of Venice, determination of the air quality is made from different perspectives. A source-receptor oriented approach shows a remarkable scatter of data due to the complex source field and variability of atmospheric conditions at a coastal site. As many pollution episodes are initiated by local diffusion potentials induced by the interaction between topographic irregularities (i.e. Alpine chain and Adriatic Sea) and the mesoscale atmospheric circulation system, a correlation between pollution events and synoptic conditions is made. Two periods of two years each were considered, the former characterized by very frequent, moderate episodes, the latter by more rare but potentially more severe episodes, although the emission rate was reduced. Four different criteria (i.e. weather types as classified by the U.K. Meteorological Office, by Borghi and Giuliacci, and by Urbani, and the passage of fronts) are considered and compared in order to describe the synoptic conditions and to make a reasonable prediction of the local dynamic climatology. A risk index (RI) is computed for each weather type. The U.K. classification appears to be the most suitable as it classifies the maximum number of synoptic maps and has the greatest spread of RI, thus making a more sound prediction. The analysis shows that the pollution episodes are associated with instability phenomena, i.e. passage of fronts or the onset of moderate to fresh winds, and not with stationary conditions. Also, the areal extension over which the highest pollution levels are recorded is related to particular weather types. The statistics of the meteorological weather types occurring during the pollution events give satisfactory results for some weather types, especially for those correlating highly or poorly with pollution events.

A dew point signaller for conservation of works of art.

All works of art, from paintings, frescoes, sculptures, to monuments and buildings, are affected by diurnal and seasonal variations of the local microclimate, which induce interactions with the environmental atmosphere. Heat and vapour exchanges cause fluxes of heat and mass between the surface and the atmosphere, and may favour the agressivity of environmental pollutants. Condensation-evaporation cycles are recognized as being very important processes which adversely affect the life-time of the work of art. The need to control the microclimate or to stop condensation processes has been resolved by means of a dew-point signaller especially designed to overcome this problem. This paper discusses the characteristics of this device as well as the environmental philosophy which should be followed when conserving works of art.