An active mute for the trombone.

A mute is a device that is placed in the bell of a brass instrument to alter its sound. However, when a straight mute is used with a brass instrument, the frequencies of its first impedance peaks are slightly modified, and a mistuned, extra impedance peak appears. This peak affects the instrument's playability, making some lower notes difficult or impossible to produce when playing at low dynamic levels. To understand and suppress this effect, an active mute with embedded microphone and speaker has been developed. A control loop with gain and phase shifting is used to control the damping and frequency of the extra impedance peak. The stability of the controlled system is studied and then the effect of the control on the input impedance and radiated sound of the trombone is investigated. It is shown that the playability problem results from a decrease in the input impedance magnitude at the playing frequency, caused by a trough located on the low frequency side of the extra impedance peak. When the extra impedance peak is suppressed, the playability of the note is restored. Meanwhile, when the extra impedance peak is moved in frequency, the playability problem position is shifted as well.

Quasistatic nonlinear characteristics of double-reed instruments.

This article proposes a characterization of the double reed in quasistatic regimes. The nonlinear relation between the pressure drop, deltap, in the double reed and the volume flow crossing it, q, is measured for slow variations of these variables. The volume flow is determined from the pressure drop in a diaphragm replacing the instrument's bore. Measurements are compared to other experimental results on reed instrument exciters and to physical models, revealing that clarinet, oboe, and bassoon quasistatic behavior relies on similar working principles. Differences in the experimental results are interpreted in terms of pressure recovery due to the conical diffuser role of the downstream part of double-reed mouthpieces (the staple).

Aerodynamic excitation and sound production of blown-closed free reeds without acoustic coupling: the example of the accordion reed.

The accordion reed is an example of a blown-closed free reed. Unlike most oscillating valves in wind musical instruments, self-sustained oscillations occur without acoustic coupling. Flow visualizations and measurements in water show that the flow can be supposed incompressible and potential. A model is developed and the solution is calculated in the time domain. The excitation force is found to be associated with the inertial load of the unsteady flow through the reed gaps. Inertial effect leads to velocity fluctuations in the reed opening and then to an unsteady Bernoulli force. A pressure component generated by the local reciprocal air movement around the reed is added to the modeled aerodynamic excitation pressure. Since the model is two-dimensional, only qualitative comparisons with air flow measurements are possible. The agreement between the simulated pressure waveforms and measured pressure in the very near-field of the reed is reasonable. In addition, an aeroacoustic model using the permeable Ffowcs Williams-Hawkings integral method is presented. The integral expressions of the far-field acoustic pressure are also computed in the time domain. In agreement with experimental data, the sound is found to be dominated by the dipolar source associated by the strong momentum fluctuations of the flow through the reed gaps.