Private Troubles, Master Narratives: Dilemmas of Dementia Care in a Short Story.

Mary Gordon's short story, Mrs. Cassidy's Last Year, is about a family trying to cope, not only with Mrs. Cassidy, who has dementia and is physically and verbally abusive, but also with her elderly husband's difficulties caring for her at home. Mr. Cassidy's dilemma, expressed through the dissonance between his private "inner talk" of emotions and desires that he feels are forbidden and shameful, and his insistence to his son and daughter-in-law that his wife is still the woman he married and her care is not too much for him. This article attempts to open up conceptual space on such questions of caregiver perceptions of the personhood (who they are now), and "personness"-the motivations and intentions-of the person with dementia; caregiver and family motivations and feeling states; and the ways that cultural narratives of obligation in family caregiving affect a caregiver's sense of self and moral certitude. In addition, the story helps us to consider the implications of a bifurcation between a caregiver's inner feelings, and what he or she understands to be the way he or she should feel and act publically. The article attempts to illustrate the interplay and tensions between narratives-master narratives from the culture, those from more immediate ideological environments, auto- and biographical stories, memories, and the stories we tell ourselves about who we are-and how these come into stark relief in the context of a radically altered intimate relationship.

Sweet old things: moral complexities in old age in Muriel Spark's Memento Mori.

Through the lens of Muriel Spark's dark comedic novel, Memento Mori, this paper explores questions of morality, mortality, and the moral choices and performances in old age and in the systems and places of care. Spark's elderly characters are complex moral actors - some virtuous and some decidedly not - who have been receiving mysterious phone calls telling them simply, "Remember you must die." We, the co-authors, are from two different disciplines, namely Renaissance and medieval literature, and social work and critical gerontology. Among the questions that interest us is the paradox of a master narrative that on the one hand exempts the old from moral criticism yet holds them to a higher moral standard - essentially positioning them as moral nonentities, and relieving the old, their caretakers, and society of moral responsibility. Another is the question of whether moral agency in old age has distinctive aspects, and whether consciousness of one's impending mortality effects moral reasoning and performance. In this paper we offer our individual readings of the ways the novel opens up conceptual space in aging theory, and conclude with our thoughts about what our collaboration suggests for continuing cross-disciplinary dialogue.