Ambiguities in colour constancy and shape from shading.

A new visual phenomenon--called the AMBEGUJAS phenomenon--is presented, together with some descriptive data from two initial exploratory experiments. The phenomenon is basically one of shape from shading, but ambiguous as to both shape and colour. There are two spontaneously alternating and mutually exclusive perceived 3-D shapes, and--as the most surprising observation--the colour impressions of these two shapes are markedly different. The stimulus situation is very simple with two differently coloured illuminations (with sharp edges) adjacently cast onto a flat, grey striped surface. In one 3-D shape almost the whole chromatic content disappears, and the surface goes towards its veridically grey colour. In the other the perceived object assumes the two illumination colours as clear surface colours. The decolorised percept is interpreted as a striking example of colour constancy: a perceptual solution with the classical 'discounting of the illuminant'. Experiments show that the phenomenon is robust and appears in varying display layouts and different combinations of chromatic illuminations.

Distinctness of perceived three-dimensional form induced by modulated illumination: effects of certain display and modulation conditions.

The present study concerns the distinctness of the 3-D shape induced on flat displays by space-modulated illumination ("shape from shading"). The displays that we used varied in structure, hue contrast, lightness contrast, and in the number of reflectance edges present. The modulations of the illumination were a square-wave grating, a gradual modulation (a blurred grating), and an "O'Brien modulation," which combines an edge and a gradient. The displays were compared, using the paired comparison method, as to the distinctness of the perceived 3-D form. The results showed that the structure and chromatic color of the display were important factors facilitating the distinctness of the induced 3-D shape under all the modulation conditions. The results are discussed in relation to the "vector model" for color constancy, proposed in earlier papers.

Information about three-dimensional shape and direction of illumination in a square-wave grating.

A homogeneous grey picture and a 'Mondrian' type of picture were illuminated by a projector with square-wave gratings of thirty different contrast values used as slides. Ten observers reported whether the picture appeared three-dimensional (3-D) (pleated) or flat. 3-D responses in this situation indicate colour constancy 'at the cost of' nonveridical depth perception. The frequencies of 3-D responses were significantly higher for the structured picture than for the homogeneous grey one. In reports of the direction from which the apparent 3-D object appeared to be illuminated there was a significant preference for responses "from above" when the grating was horizontally oriented. With vertical orientation there was no preference for "from the left" or "from the right". The results from the first experiment contradict traditional cue theories of depth perception since the projection of the borders between the fields of the structured picture was invariant and expected to inform about the flatness of the picture. They are, however, in line with a model for perceptual analysis of reflected light into common and relative components proposed earlier by Bergström. The difference in perceived direction of illumination between horizontally and vertically orientated gratings is discussed in connection with human ecology.