Exploring Variability in Compound Tensification in Seoul Korean.

In Korean noun-noun compounds, the lenis onset consonant in the second noun is often realized as a tense consonant. Although extensive work has been carried out to clarify its causes and relevant phonological processes, this tensification is deemed not entirely predictable. This paper presents a speech production experiment that confirms the existing findings that the variability in tensification is predictable to a certain extent. The experimental results also showed that the relationship between the predictors and the variability is not linear and that tensification mirrors the cognitively determined boundary strength. Native Korean speakers calibrate the boundary strength by incorporating complex information, such as the word's length, segment type, frequency, and plausibility of the compound. While a "tight" boundary led to high tensification probability, it was not affected by speaking-rate variation. Furthermore, the perceived compound's plausibility directly affected the duration of the tensified consonant. Importantly, the findings suggest that speakers' calibration of the boundary strength is fluid and changeable over time and it affects both phonological and phonetic outputs. Finally, variability in data was reduced for the experimental conditions leading to either extremely high or low tensification probability, and there seemed to be lexicalized exceptions to the general trends.

Effects of rhythm and phrase-final lengthening on word-spotting in Korean.

A word-spotting experiment was conducted to investigate whether rhythmic consistency and phrase-final lengthening facilitate performance in Korean. Listeners had to spot disyllabic and trisyllabic words in nonsense strings organized in phrases with either the same or variable syllable count; phrase-final lengthening was absent, or occurring either in all phrases or only in the phrase immediately preceding the target. The results show that, for disyllabic targets, inconsistent syllable count and lengthening before the target led to fewer errors. For trisyllabic targets, accuracy was at ceiling, but final lengthening in all phrases reduced reaction times. The results imply that both rhythmic consistency (i.e., regular syllable count) and phrase-final lengthening play a role in word-spotting and, by extension, in speech processing in Korean, as in other languages. However, the results also reflect the language specific role of prosodic cues. First, the cues here were used primarily with disyllabic targets, which were cognitively more demanding to process partly due to their high phonological neighborhood density. Second, the facilitating effect of rhythmic consistency was weak, possibly because strict consistency is not present in spoken Korean. Overall, rhythmic consistency facilitated spotting when targets mapped onto phrases, confirming the importance of phrasal organization in Korean speech processing.

Speech rhythm: a metaphor?

Is speech rhythmic? In the absence of evidence for a traditional view that languages strive to coordinate either syllables or stress-feet with regular time intervals, we consider the alternative that languages exhibit contrastive rhythm subsisting merely in the alternation of stronger and weaker elements. This is initially plausible, particularly for languages with a steep 'prominence gradient', i.e. a large disparity between stronger and weaker elements; but we point out that alternation is poorly achieved even by a 'stress-timed' language such as English, and, historically, languages have conspicuously failed to adopt simple phonological remedies that would ensure alternation. Languages seem more concerned to allow 'syntagmatic contrast' between successive units and to use durational effects to support linguistic functions than to facilitate rhythm. Furthermore, some languages (e.g. Tamil, Korean) lack the lexical prominence which would most straightforwardly underpin prominence of alternation. We conclude that speech is not incontestibly rhythmic, and may even be antirhythmic. However, its linguistic structure and patterning allow the metaphorical extension of rhythm in varying degrees and in different ways depending on the language, and it is this analogical process which allows speech to be matched to external rhythms.

The role of pitch and timing cues in the perception of phrasal grouping in Seoul Korean.

This paper reports two experiments in which listeners detected prosodic group boundaries in Seoul Korean speech, investigating how pitch and timing cues collaborate or compete with each other. Two types of timing cues, compensatory lengthening and group-final lengthening, were employed. The results show that both pitch and timing have demarcative functions which are exploited by listeners. However, listeners relied more on timing than pitch and this may be because in the experiments the pitch contour variations were limited to a small number of phonological categories, whereas temporal variations were more gradient. In addition, group-final lengthening was a more robust cue to the prosodic boundary than compensatory lengthening, and the integration of pitch and timing cues seems to be context-dependent. The results highlight the significance of local information in the universal grouping process and that the precise nature of the cues affect the way they integrate in perception.