The chymistry of rainbows, winds, lightning, heat and cold in Paracelsus.

Meteorology is not one of the most discussed topics in Paracelsus studies, although it is closely linked to both Paracelsus' medicine and cosmology. Furthermore, it appears to be at the very core of Paracelsus' famous matter theory of three chymical principles, mercury, sulphur and salt, known as the tria prima. By discussing prominent examples of Paracelsus' explanations on how the tria prima operate within the stars, this article shows how the Swiss physician conceived meteorology within his own body of knowledge, obviously constructed in opposition to the Aristotelian-scholastic tradition, how he based it on a peculiar interpretation of the Biblical creation story, and made it the proper laboratory of his chymical matter theory, applying it first systematically to the field of natural philosophy, especially to celestial phenomena, even before using it for his medical theory in his later writings.

The First Private and Public Courses of Chymistry in Paris (and Italy) from Jean Beguin to William Davisson.

This article provides a detailed, accurate overview of the private, and first public courses of chymistry in Paris. After contextualising the lectures of Beguin, I discuss the teaching of Étienne de Clave. This leads to Italy where his brother, Jacques, himself a chymist and physician, became the first in Italy to receive the official title of professor of chymistry. I explore new documents concerning Étienne de Clave's chymical teaching, and then focus on the courses at the Jardin Royal under both Guy de La Brosse and William Davisson, along with further private courses in Paris between 1630 and 1650. Beginnning with those of Davisson before he was appointed professor of chymistry at the Royal Garden - a title even La Brosse did not receive - I proceed thereafter with the examination of the courses of Barlet and Le Febvre.

Alchemical poetry in medieval and early modern Europe: a preliminary survey and synthesis. Part II - Synthesis.

This article provides a preliminary description of medieval and early modern alchemical poetry composed in Latin and in the principal vernacular languages of western Europe. It aims to distinguish the various genres in which this poetry flourished, and to identify the most representative aspects of each cultural epoch by considering the medieval and early modern periods in turn. Such a distinction (always somewhat artificial) between two broad historical periods may be justified by the appearance of new cultural phenomena that profoundly modified the character of early modern alchemical poetry: the ever-increasing importance of the prisca theologia, the alchemical interpretation of ancient mythology, and the rise of neo-Latin humanist poetry. Although early modern alchemy was marked by the appearance of new doctrines (notably the alchemical spiritus mundi and Paracelsianism), alchemical poetry was only superficially modified by criteria of a scientific nature, which therefore appear to be of lesser importance. This study falls into two parts. Part I provides a descriptive survey of extant poetry, and in Part II the results of the survey are analysed in order to highlight such distinctive features as the function of alchemical poetry, the influence of the book market on its evolution, its doctrinal content, and the question of whether any theory of alchemical poetry ever emerged. Part II is accompanied by an index of the authors and works cited in both parts.

Alchemical poetry in medieval and early modern Europe: a preliminary survey and synthesis. Part I--Preliminary survey.

This article provides a preliminary description of medieval and early modern alchemical poetry composed in Latin and in the principal vernacular languages of western Europe. It aims to distinguish the various genres in which this poetry flourished, and to identify the most representative aspects of each cultural epoch by considering the medieval and early modern periods in turn. Such a distinction (always somewhat artificial) between two broad historical periods may be justified by the appearance of new cultural phenomena that profoundly modified the character of early modern alchemical poetry: the ever-increasing importance of the prisca theologia, the alchemical interpretation of ancient mythology, and the rise of neo-Latin humanist poetry. Although early modern alchemy was marked by the appearance of new doctrines (notably the alchemical spiritus mundi and Paracelsianism), alchemical poetry was only superficially modified by criteria of a scientific nature, which therefore appear to be of lesser importance. This study falls into two parts. Part I provides a descriptive survey of extant poetry, and in Part II the results of the survey are analysed in order to highlight such distinctive features as the function of alchemical poetry, the influence of the book market on its evolution, its doctrinal content, and the question of whether any theory of alchemical poetry ever emerged. Part II is accompanied by an index of the authors and works cited in both parts.