ABSTRACT
The essay shows how two royalist recipe books- The queens closet opened (1655) and The court & kitchin (sic) of Elizabeth (1664)- fashioned Henrietta Maria (1609-69) and Elizabeth Cromwell (1598-1665) as very different housewives to the English nation. By portraying the much-disliked French Catholic Henrietta Maria as engaged in English domestic practices, The queens closet opened implicitly responded to the scandalous private revelations of The kings cabinet opened (1645); while, in contrast, the satiric cookery book attributed to Elizabeth Cromwell stigmatized her as both a country bumpkin and a foreigner. Yet the cookery books also had unintended republicanizing effects, as consumers appropriated the contents of the queen's closet for their own cabinets and kitchens.
