ABSTRACT
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ABSTRACT
A daguerreotype image, the first commercialized photographic process, is composed of silver-mercury, and often silver-mercury-gold amalgam particles on the surface of a silver-coated copper plate. Specular and diffuse reflectance of light from these image particles produces the range of gray tones that typify these 19th century images. By mapping the mercury distribution with rapid-scanning, synchrotron-based micro-X-ray fluorescence (µ-XRF) imaging, full portraits, which to the naked eye are obscured entirely by extensive corrosion, can be retrieved in a non-invasive, non-contact, and non-destructive manner. This work furthers the chemical understanding regarding the production of these images and suggests that mercury is retained in the image particles despite surface degradation. Most importantly, µ-XRF imaging provides curators with an image recovery method for degraded daguerreotypes, even if the artifact's condition is beyond traditional conservation treatments.
ABSTRACT
Daguerreotypes are valued artifacts that constitute a unique historical photographic memory of the 19th century. Understanding their surface chemistry is important in order to conserve and, when necessary, to restore them. Colored highlights were often added by hand to emphasize different features on the daguerreotype's subjects. In the present work, we report on a daguerreotype that was hand-colored with a red pigment that was added to the cheeks of the two individuals. A series of experiments using micro-Raman and micro-Fourier transform infrared spectroscopy and synchrotron-based X-ray fluorescence microscopy and absorption spectroscopy are used to analyze the surface and to determine the nature of the pigment used as well as the common elements present in the fabrication of the daguerreotypes.
