The Figure of the Staggering Rat: Reading Colonial Outbreak Narratives Against the Grain of "Virus Hunting".

The image of dazed, plague-infected rats coming out of their nests and performing a pirouette in front of the surprised eyes of humans before dying is one well-known to us through Albert Camus's The Plague (1947). This article examines the historical roots of this image and its emergence in French missionary narratives about plague outbreaks in the Chinese province of Yunnan in the 1870s on the eve of the Third Plague Pandemic. Showing that accounts of the "staggering rat" were not meant as naturalist observations of a zoonotic disease, as is generally assumed by historians, but as a cosmological, end-of-the-world narrative with a colonial agenda, the article argues for an approach to historical accounts of epidemics that does not succumb to the current trend of "virus hunting" in the archive, but rather takes colonial outbreak narratives ethnographically seriously.

Pandemics and their accelerantsThe Human Disease: How We Create Pandemics, from Our Bodies to Our Beliefs Sabrina Sholts MIT Press, 2024. 352 pp.

A well-researched account of the factors that drive pandemics misses an opportunity to indict broader social systems.

Mahamari Plague: Rats, Colonial Medicine and Indigenous Knowledge in Kumaon and Garhwal, India.

Colonial approaches to animal and zoonotic diseases are often scrutinized in terms of their recognition or dismissal of indigenous knowledge. In this article I examine British colonial approaches to "Mahamari plague" in mid-nineteenth century Kumaon and Garhwal, in the Indian Himalayas. Discussing two key colonial medical expeditions in the region, I argue that the eventual recognition of the validity of Kumaoni and Garhwali knowledge of Mahamari and its relation to rats intensified intrusive colonial intervention on indigenous lifeways. I examine this neglected impact of the colonial recognition of indigenous knowledge and urge for approaches that place more emphasis on the practical impact of colonial epistemologies.

Pestis Minor: The History of a Contested Plague Pathology.

Pestis minor is a pathological category that at the height of the third plague pandemic (1894-1959) fueled extensive debate and research among medical scientists. Referring to an attenuated or benign form of plague, evidence of pestis minor or pestis ambulans was produced in medical reports across the world so as to raise the question of whether the disease could survive measures against it by means of temporary transformation. Afflicting its victims only by the slightest lymphatic swellings, this theory went, the disease could thus lurk in the human body until conditions allowed it to break out again in its true, malignant form. This article draws for the first time a history of this contested pathology, the diagnostic and epidemiological questions raised by it, and the way in which it came to play a significant role in debates about the nature of plague at the turn of the nineteenth century.

Plague Masks: The Visual Emergence of Anti-Epidemic Personal Protection Equipment.

Often described as "masks" face-worn devices are employed as personal protection equipment by health workers and the general public and considered to be an indispensable technology against epidemics. Simultaneously, they are potent symbols of existential risk. Could these material and visual aspects be more than simply indexically connected? In this article, I examine these apparatuses through a historical anthropological approach of their invention during the 1910-11 Manchurian plague outbreak. Arguing that they should be taken seriously as masks, I demonstrate that their emergence was rooted in their configuration as transformative agents of medical reason.

A 'Suitable Soil': Plague's Urban Breeding Grounds at the Dawn of the Third Pandemic.

A pressing question during the first half-decade of the third plague pandemic (1894-9) was what was a 'suitable soil' for the disease. The question related to plague's perceived ability to disappear from a given city only to reappear at some future point; a phenomenon that became central to scientific investigations of the disease. However, rather than this simply having a metaphorical meaning, the debate around plague's 'suitable soil' actually concerned the material reality of the soil itself. The prevalence of plague in the working-class neighbourhood of Taipingshan during the first major outbreak of the pandemic, in 1894 in Hong Kong, led to an extensive debate regarding the ability of the soil to harbour and even spread the disease. Involving experiments, which were seen as able to procure evidence for or against the demolition or even torching of the area, scientific and administrative concerns over the soil rendered it an unstable yet highly productive epistemic thing. The spread of plague to India further fuelled concerns over the ability of the soil to act as the medium of the disease's so-called true recrudescence. Besides high-profile scientific debates, hands-on experiments on purifying the soil of infected houses by means of highly intrusive methods allowed scientists and administrators to act upon and further solidify plague's supposed invisibility in the urban terrain. Rather than being a short-lived, moribund object of epidemiological concern, this paper will demonstrate that the soil played a crucial role in the development of plague as a scientifically knowable and actionable category for modern medicine.