Dynamic spectral cues do not affect human sound localization during small head movements.

Natural listening involves a constant deployment of small head movement. Spatial listening is facilitated by head movements, especially when resolving front-back confusions, an otherwise common issue during sound localization under head-still conditions. The present study investigated which acoustic cues are utilized by human listeners to localize sounds using small head movements (below ±10° around the center). Seven normal-hearing subjects participated in a sound localization experiment in a virtual reality environment. Four acoustic cue stimulus conditions were presented (full spectrum, flattened spectrum, frozen spectrum, free-field) under three movement conditions (no movement, head rotations over the yaw axis and over the pitch axis). Localization performance was assessed using three metrics: lateral and polar precision error and front-back confusion rate. Analysis through mixed-effects models showed that even small yaw rotations provide a remarkable decrease in front-back confusion rate, whereas pitch rotations did not show much of an effect. Furthermore, MSS cues improved localization performance even in the presence of dITD cues. However, performance was similar between stimuli with and without dMSS cues. This indicates that human listeners utilize the MSS cues before the head moves, but do not rely on dMSS cues to localize sounds when utilizing small head movements.

Assessing the perceived reverberation in different rooms for a set of musical instrument sounds.

Previous research has shown that the perceived reverberation in a room, or reverberance, depends on the sound source that is being listened to. In a study by Osses Vecchi, Kohlrausch, Lachenmayr, and Mommertz [(2017). J. Acoust. Soc. Am. 141(4), EL381-EL387], reverberance estimates obtained from an auditory model for 23 musical instrument sounds in 8 rooms predicted a sound-source dependency. As a follow-up to that study, a listening experiment with 24 participants was conducted using a subset of the original sounds with the purpose of mapping each test sound onto a reverberance scale. Consistent with the literature, the experimental reverberance estimates were significantly dependent on the instrument sound being listened to, but on the top of that, the estimates were significantly correlated with simulated reverberance estimates for the test stimuli as well as for the previously reported long-duration sounds.