Multistable perception of ambiguous melodies and the role of musical expertise.

Whereas visual demonstrations of multistability are ubiquitous, there are few auditory examples. The purpose of the current study was to determine whether simultaneously presented melodies, such as underlie the scale illusion [Deutsch (1975). J. Acoust. Soc. Am. 57(5), 1156-1160], can elicit multiple mutually exclusive percepts, and whether reported perceptions are mediated by musical expertise. Participants listened to target melodies and reported whether the target was embedded in subsequent test melodies. Target sequences were created such that they would only be heard if the listener interpreted the test melody according to various perceptual cues. Critically, and in contrast with previous examinations of the scale illusion, an objective measure of target detection was obtained by including target-absent test melodies. As a result, listeners could reliably identify target sequences from different perceptual organizations when presented with the same test melody on different trials. This result demonstrates an ability to alternate between mutually exclusive percepts of an unchanged stimulus. However, only perceptual organizations consistent with frequency and spatial cues were available and musical expertise did mediate target detection, limiting the organizations available to non-musicians. The current study provides the first known demonstration of auditory multistability using simultaneously presented melodies and provides a unique experimental method for measuring auditory perceptual competition.

Examining auditory kappa effects through manipulating intensity differences between sequential tones.

The auditory kappa effect is a tendency to base the perceived duration of an inter-onset interval (IOI) separating two sequentially presented sounds on the degree of relative pitch distance separating them. Previous research has found that the degree of frequency discrepancy between tones extends the subjective duration of the IOI. In Experiment 1, auditory kappa effects for sound intensity were tested using a three-tone, AXB paradigm (where the intensity of tone X was shifted to be closer to either Tone A or B). Tones closer in intensity level were perceived as occurring closer in time, evidence of an auditory-intensity kappa effect. In Experiments 2 and 3, the auditory motion hypothesis was tested by preceding AXB patterns with null intensity and coherent intensity context sequences, respectively. The auditory motion hypothesis predicts that coherent sequences should enhance the perception of motion and increase the strength of kappa effects. In this study, the presence of context sequences reduced kappa effect strength regardless of the properties of the context tones.

The role of a change heuristic in judgments of sound intensity.

Leboe and Mondor (2008) demonstrated that participants will apply a change heuristic when making duration judgments. In this study we investigated whether participants would apply this same change heuristic when making judgments about the perceived intensity of a sound. In two experiments, participants were presented with two consecutive sounds on each of a series of trials and their task was to judge whether the second sound was louder or quieter than the first. In Experiment 1, participants were more likely to judge sounds that increased in frequency as louder in intensity than sounds that maintained a constant frequency. In Experiment 2, participants were more likely to judge sounds that either increased or decreased in frequency as louder in intensity than sounds that maintained a constant frequency. We interpret these results as evidence that reliance on a change heuristic leads to the illusion of increased intensity.

The role of a change heuristic in judgments of sound duration.

The present study investigated whether the quality of a frequency change within a sound (i.e., smooth vs. abrupt) would influence perception of its duration. In three experiments, participants were presented with two consecutive sounds on each of a series of trials, and their task was to judge whether the second sound was longer or shorter in duration than the first. In Experiment 1, participants were more likely to judge sounds consisting of a smooth and continuous change in frequency as longer in duration than sounds that maintained a constant frequency. In Experiment 2, the same bias was observed for sounds incorporating an abrupt change in frequency, but only when the frequency change was relatively small. The results of Experiment 3 suggested that the application of a change heuristic when generating duration judgments depends on the perception of change as originating from a single, integrated perceptual object.

Object file continuity and the auditory attentional blink.

Three experiments were designed to investigate the causes of the auditory attentional blink (AB). Experiments 1A and 1B revealed that there was a larger auditory AB when the target and the distractors were different in two attributes than when they were different in only one attribute. Experiments 2A and 2B showed that for pure-tone distractor sequences, there were small auditory AB deficits when both the target and the probe were different from the distractors in two attributes or in one attribute; however, for pulse distractor sequences, there was a large auditory AB when both the target and the probe were different from the distractors in one attribute, but not when they were different in two attributes. Experiments 3A and 3B revealed that regardless of the relationship of the target to the subsequent distractors, a large AB was generated if it was the first sound in a sequence. Moreover, only a very small AB was apparent when the distractors following the probe were replaced by silence. These results indicated that the auditory AB is affected by both the requirement of creating and consolidating a new object file for the target and the overwriting of the probe by the distractors following it.

Stimulus and response repetition effects in the detection of sounds: evidence of obligatory retrieval and use of a prior event.

Three experiments were performed to examine the extent to which the time required to detect a probe sound is determined by the acoustic characteristics of a preceding prime sound and by the nature of the response made to the prime. The results of Experiment 1 revealed that the effect of frequency repetition was facilitative when a response was made to the occurrence of both the prime and the probe, but was inhibitory when a response was made only to the probe. In contrast, there was no significant effect of location repetition when responses were made to both prime and probe but there was a strongly inhibitory effect when a response was required only to the probe. These results suggest that the acoustic characteristics of the prime along with information about any response made to it, are used in preparing and executing a response to the probe. Experiment 2 was designed to disrupt the temporal link between prime and probe as a way to discourage such retrieval. The results of the experiment revealed that although a response was required to both the prime and probe, no significant effect of frequency repetition was apparent but a robust inhibitory effect of location repetition emerged. In the third experiment repetition effects both within a trial (i.e., prime to probe) and between trials (i.e., probe to prime) were examined. A facilitative effect of frequency repetition was apparent when the interval between sounds was brief, and an inhibitory effect of location repetition was apparent when the interval between sounds was relatively lengthy. Taken together these results suggest that even simple perceptual judgments may be influenced by retrieval of information about a previous processing episode and that effects of frequency repetition and location repetition may be mediated by different mechanisms.

Item-specific congruency effects in nonverbal auditory Stroop.

In the current study, participants judged as 'low' or 'high' either the location or the frequency of a single tone presented in one of two locations at one of two frequencies. The classification associated with the irrelevant feature could be either congruent or incongruent with the required response. The results of Experiment 1 revealed that responses were made more slowly on incongruent than on congruent trials, regardless of whether participants judged sounds according to their location or their pitch. In Experiment 2, we manipulated the probability that the classification associated with the irrelevant acoustic feature was consistent with the classification associated with the task-relevant dimension. In this experiment responses were made more quickly on congruent trials when the response associated with the irrelevant feature was likely to be consistent with the required response, and on incongruent trials when the response associated with the irrelevant feature was likely to be inconsistent with the required response.

Feature mismatch effects in auditory negative priming: interference as dependent on salient aspects of prior episodes.

A handful of studies have revealed that withholding a response to a sound causes impaired responding to that sound when subsequently presented (Buchner & Steffens, 2001; Mondor, Leboe, & Leboe, 2005). In the present study, we investigated whether a switch in the location of a repeated sound might represent an additional source of this auditory negative priming effect. In all three of our experiments, participants performed a series of trials in which they withheld a response to a dichotic pair of prime sounds presented to each ear. A dichotic pair of probe sounds was then presented to each ear, and the participants were required to categorize one of them. Across these experiments, the participants were slower to categorize only repeated sounds that were presented in opposite locations.

Effect of distractor sounds on the auditory attentional blink.

Four experiments were conducted to determine whether or not the presence and placement of distractors in a rapid serial auditory stream has any influence on the emergence of the auditory attentional blink (AB). Experiment 1 revealed that the presence of distractors is necessary to produce the auditory AB. In Experiments 2 and 3, the auditory AB was reduced when the distractor immediately following the probe was replaced by silence but not when the distractor following the target was replaced by silence. Finally, in Experiment 4, only a very small auditory AB was found to remain when all distractors following the probe were replaced by silence. These results suggest that the auditory AB is affected both by the overwriting of the probe by the distractors following it and by a reduction in discriminability generated by all of the distractors presented in the sequence.

The role of selection in generating auditory negative priming.

The importance of selecting between a target and a distractor in producing auditory negative priming was examined in three experiments. In Experiment 1, participants were presented with a prime pair of sounds, followed by a probe pair of sounds. For each pair, listeners were to identify the sound presented to the left ear. Under these conditions, participants were especially slow to identify a sound in the probe pair if it had been ignored in the preceding prime pair. Evidence of auditory negative priming was also apparent when the prime sound was presented in isolation to only one ear (Experiment 2) and when the probe target was presented in isolation to one ear (Experiment 3). In addition, the magnitude of the negative priming effect was increased substantially when only a single prime sound was presented. These results suggest that the emergence of auditory negative priming does not depend on selection between simultaneous target and distractor sounds.

Primacy, recency, and suffix effects in auditory short-term memory for pure tones: evidence from a probe recognition paradigm.

The present study was designed to explore serial position and suffix effects in the short-term retention of nonverbal sounds. In contrast with previous studies of these effects, a probe recognition paradigm was used to minimize the possibility that participants would use a verbal labelling strategy. On each trial, participants heard a memory set consisting of three pure tones, followed five seconds later by a probe tone. Participants were required to indicate whether or not the probe tone had been a member of the memory set. On most trials, a suffix sound was presented 1 second following the third sound in the memory set. Results revealed that tones presented in the first and last positions of the memory set were recognized more accurately than were tones presented in the middle position. Furthermore, recognition of sounds presented in the last position was compromised when the memory set was followed by a postlist suffix of similar pitch, spectral composition, and spatial location.

Judging the urgency of non-verbal auditory alarms: a case study.

When designed correctly, non-verbal auditory alarms can convey different levels of urgency to the aircrew, and thereby permit the operator to establish the appropriate level of priority to address the alarmed condition. The conveyed level of urgency of five non-verbal auditory alarms presently used in the Canadian Forces CH-146 Griffon helicopter was investigated. Pilots of the CH-146 Griffon helicopter and non-pilots rated the perceived urgency of the signals using a rating scale. The pilots also ranked the urgency of the alarms in a post-experiment questionnaire to reflect their assessment of the actual situation that triggers the alarms. The results of this investigation revealed that participants' ratings of perceived urgency appear to be based on the acoustic properties of the alarms which are known to affect the listener's perceived level of urgency. Although for 28% of the pilots the mapping of perceived urgency to the urgency of their perception of the triggering situation was statistically significant for three of the five alarms, the overall data suggest that the triggering situations are not adequately conveyed by the acoustic parameters inherent in the alarms. The pilots' judgement of the triggering situation was intended as a means of evaluating the reliability of the alerting system. These data will subsequently be discussed with respect to proposed enhancements in alerting systems as it relates to addressing the problem of phase of flight. These results call for more serious consideration of incorporating situational awareness in the design and assignment of auditory alarms in aircraft.

Enhancement, extension, and reversal of the frequency selectivity effect.

The influence of a frequency cue on judgments of whether or not a subsequent target incorporated a brief silent gap was examined. In Experiment 1, there was no predictive frequency relation and evidence of auditory inhibition of return was obtained with frequency repetitions, producing a facilitative effect at 175-msec stimulus onset asynchrony (SOA) and an inhibitory effect at 775-msec SOA. Relative to this baseline performance pattern, increasing the probability of a frequency match to .75 (Experiment 2) served to generate a beneficial effect of frequency repetitions at lengthy SOAs and to enlarge its magnitude at 175-msec SOA. In contrast, a reduction in the probability of a frequency match to .25 (Experiment 3) resulted in the elimination of any facilitative effect of repetition at 175-msec SOA and the development of an inhibitory effect at 475- and 1,075-msec SOA. These results establish that a frequency cue may engage both exogenous and endogenous attentional processes within 175 msec following its presentation.

Categorizing sounds by pitch: effects of stimulus similarity and response repetition.

Two experiments were performed to determine whether categorization of the pitch of a probe tone is influenced by the pitch of, and response made to, a preceding prime tone. The prime and the probe could be drawn either from a pool of low-frequency sounds or from a pool of high-frequency sounds. The results of both experiments indicated that the performance obtained was best when the prime and the probe were the same pitch (and therefore required the same response), intermediate when the two sounds differed in pitch and required different responses, and slowest when the prime and the probe differed in pitch but required the same response (i.e., they were drawn from the same frequency pool). The results of Experiment 2 revealed in addition that when a repeated response was required, performance declined as the magnitude of the frequency change increased and that responses were made more quickly and accurately if the direction of the frequency change was away from the alternative category than if it was toward the alternative category. The results demonstrate that categorization of sounds by pitch is accomplished with reference to a previous processing episode.

The perceived urgency of auditory warning alarms used in the hospital operating room is inappropriate.

PURPOSE: To examine the perceived urgency of 13 auditory warning alarms commonly occurring in the hospital operating room. METHODS: Undergraduate students, who were naïve with respect to the clinical situation associated with the alarms, judged perceived urgency of each alarm on a ten-point scale. RESULTS: The perceived urgency of the alarms was not consistent with the actual urgency of the clinical situation that triggers it. In addition, those alarms indicating patient condition were generally perceived as less urgent than those alarms indicating the operation of equipment. Of particular interest were three sets of alarms designed by equipment manufacturers to indicate specific priorities for action. Listeners did not perceive any differences in the urgency of the 'information only', 'medium' and 'high' priority alarms of two of the monitors with all judged as low to moderate in urgency. In contrast, the high priority alarm of the third monitor was judged as significantly more urgent than its low and medium urgency counterparts. CONCLUSION: The alarms currently in use do not convey the intended sense of urgency to naïve listeners, and this holds even for two sets of alarms designed specifically by manufacturers to convey different levels of urgency.

Mechanisms of perceptual organization and auditory selective attention: the role of pattern structure.

Five experiments were conducted to determine whether unpracticed listeners shift auditory attention in an anticipatory fashion in accordance with the Frequency x Time structure of a rapid sequence of tones. Listeners were presented on each trial with a series of pure tones either ascending or descending in frequency in a predictable manner. In all experiments, judgments were made more quickly and accurately for targets that were inconsistent with pattern structure. Performance was shown to depend on the magnitude of the frequency violation, with better performance for larger violations. Further, the strength of this effect was attenuated when overall pattern predictability was reduced. These results suggest strongly that unpracticed listeners do not automatically allocate attention in accordance with pattern structure. Rather, it appears that a preattentive perceptual process acts to integrate information likely to have arisen from the same source and that this early perceptual processing imposes constraints on selection.