ABSTRACT
We present a new analysis of Robert Grosseteste's account of color in his treatise De iride (On the Rainbow), dating from the early 13th century. The work explores color within the 3D framework set out in Grosseteste's De colore [see J. Opt. Soc. Am. A29, A346 (2012)], but now links the axes of variation to observable properties of rainbows. We combine a modern understanding of the physics of rainbows and of human color perception to resolve the linguistic ambiguities of the medieval text and to interpret Grosseteste's key terms.
Subject(s)
Color Perception , Literature, Medieval , Color , Humans , Linguistics , Models, TheoreticalABSTRACT
We present a new commentary on Robert Grosseteste's De colore, a short treatise that dates from the early 13th century, in which Grosseteste constructs a linguistic combinatorial account of color. In contrast to other commentaries (e.g., Kuehni & Schwarz, Color Ordered: A Survey of Color Order Systems from Antiquity to the Present, 2007, p. 36), we argue that the color space described by Grosseteste is explicitly three-dimensional. We seek the appropriate translation of Grosseteste's key terms, making reference both to Grosseteste's other works and the broader intellectual context of the 13th century, and to modern color spaces.
