Evidence for auditory feature integration with spatially distributed items.

Recent auditory research using sequentially presented, spatially fixed tones has found evidence that, as in vision for simultaneous, spatially distributed objects, attention appears to be important for the integration of perceptual features that enable the identification of auditory events. The present investigation extended these findings to arrays of simultaneously presented, spatially distributed musical tones. In the primary tasks, listeners were required to search for specific cued conjunctions of values for the features of pitch and instrument timbre. In secondary tasks, listeners were required to search for a single cued value of either the pitch or the timbre feature. In the primary tasks, listeners made frequent errors in reporting the presence or absence of target conjunctions. Probability modeling, derived from the visual search literature, revealed that the error rates in the primary tasks reflected the relatively infrequent failure to correctly identify pitch or timbre features, plus the far more frequent illusory conjunction of separately presented pitch and timbre features. Estimates of illusory conjunction rate ranged from 23% to 40%. Thus, a process must exist in audition that integrates separately registered features. The implications of the results for the processing of isolated auditory features, as well as auditory events defined by conjunctions of features, are discussed.

Perceptual integrality of major chord components.

In the present study, an accuracy, rather than a reaction time, version of the Garner paradigm was used to evaluate the integrality or separability of major chord components. Tuned (prototype, or P) and mistuned (nonprototype, or NP) sets of root position C-major triads were constructed by holding the C constant in all stimuli and varying the E and G frequencies in 2- and 4-Hz steps. The P stimuli represent small systematic mistunings in the E and G notes relative to an equal-tempered C-major chord. The NP stimuli represent an equivalent range of frequency variation, but relative to a significantly out-of-tune C-major triad. In different experimental sessions, a same-different (AX) task was used to separately evaluate discrimination performance for the E and G frequencies as a function of whether the nontarget frequency (G or E) was fixed or varied in either a correlated or an orthogonal fashion (with the C frequency always held constant). Compared with a fixed baseline condition where only the target frequency changed, both chord components exhibited a significant redundancy gain in the correlated conditions and, to varying degrees, significant interference effects in the orthogonal condition, indicating that the chord components function largely in an integral fashion. Relative to the discrimination of G, discrimination of the E frequency was less influenced by variation in the nontarget (G) frequency, showing that attention, to some degree, could be selectively allocated to the E chord component. In addition, the results were consistent with previous findings that the functional prototype for the major chord category seems to act as a perceptual anchor, rather than as a magnet, and appears to be located in the physiologically defined area of just temperament, as opposed to the more experientially defined area of equal temperament.

Measuring the difference limen for identification of order of onset for complex auditory stimuli.

The approximately 20-msec perceptual threshold for identifying order of onset for components of auditory stimuli has been considered both as a possible factor contributing to the perception of voicing contrasts in speech and as no more than a methodological artifact. In the present research, we investigate the identification of the temporal order of onset of spectral components in terms of the first of a sequence of thresholds for complex stimuli (modeled after consonant-vowel [CV] syllables) that vary in degree of onset. The results provide clear evidence that the difference limen (DL) for discriminating differences in onset time follows predictions based on a fixed perceptual threshold or limit at relatively short onset differences. Furthermore, the DL seems to be a function of context coding of stimulus information, with both the DL and absolute threshold probably reflecting limits on the effective perception and coding of the short-term stimulus spectrum.

Perceptual constancy of a global spectral property: spectral slope discrimination.

The current study investigated perceptual constancy for spectral slope discrimination when fundamental frequency (F0) and spectral shape were varied across three complex stimuli within a single trial. The three stimulus variables were global or emergent properties of a complex sound. The selection of the stimulus variables was in keeping with notions that perception may be organized in terms of a source-filter model of complex sound production; F0 and spectral slope represent properties of sound sources and spectral shape typically represents a filter property. According to the source-filter model, interaction between stimulus properties should depend upon whether the typical origin of the property was common to the source spectrum or the filter transfer function. The four experiments in the current study demonstrated a significant performance decrement in spectral slope discrimination when F0 (a second source property) varied. However, spectral slope discrimination was minimally altered when spectral shape (a filter property) was varied. The study supported claims that listeners treat source properties as a unit which, in perception, is relatively independent of filter properties.

Within-category discrimination of musical chords: perceptual magnet or anchor?

Recent speech research has begun to evaluate the internal structure of categories. In one such study, Kuhl (1991) found that discrimination was poorer for vowel stimuli that were more representative of the category (prototype, or P, set) than it was for less representative stimuli (nonprototype, or NP, set). This finding was interpreted as indicating that a category prototype may function as a "perceptual magnet", effectively decreasing perceptual distance, and thus discriminability, between stimuli. The present study examines the function of prototypes in a musical category--another natural, but nonspeech category. Paralleling the Kuhl study, representative (P) and less representative (NP) sets of major triad stimuli were constructed, based on equal temperament. Musically experienced subjects rated the stimuli in each set for a goodness as a major triad, with the highest rated stimulus serving as a prototype standard for a subsequent discrimination task. Results from the discrimination task demonstrated better performance in the P context than in the NP context. The current nonspeech results indicate that a prototype functions as an anchor rather than a magnet. In addition to providing a natural, nonspeech standard for comparison with speech findings, the results provide some important insights into the nature of musical categories.

Musical duplex perception: perception of figurally good chords with subliminal distinguishing tones.

In a variant of duplex perception with speech, phoneme perception is maintained when distinguishing components are presented below intensities required for separate detection, forming the basis for the claim that a phonetic module takes precedence over nonspeech processing. This finding is replicated with music chords (C major and minor) created by mixing a piano fifth with a sinusoidal distinguishing tone (E or E flat). Individual threshold intensities for detecting E or E flat in the context of the fixed piano tones are established. Chord discrimination thresholds defined by distinguishing tone intensity were determined. Experiment 2 verified masked detection thresholds and subliminal chord identification for experienced musicians. Accurate chord perception was maintained at distinguishing tone intensities nearly 20 dB below the threshold for separate detection. Speech and music findings are argued to demonstrate general perceptual principles.

Perception of acoustic source characteristics: walking sounds.

The current study investigated the ability of subjects to perceive source characteristics (the gender of a human walker) of a naturally occurring auditory event (human walking). A number of acoustic properties were measured and subjected to statistical analyses in order to identify those properties that differentiate male and female walking footsteps. A principal component analysis on the statistical properties of the spectral energy distributions then identified two classes of information that were important in determining subject perception of the gender of a walker: (1) the spectral peak which integrates the information about the spectral central tendency of frequency and shape of the spectral peak; and (2) the contribution of high-frequency spectral components. A follow-up experiment then manipulated these spectral properties to verify their contributions in the perceptual classification of walker gender. Additionally, the effect of shoe on the gender judgement in walking sequences was assessed by having both male and female walkers wear male's shoes.

Categorical perception of nonspeech chirps and bleats.

Mattingly, Liberman, Syrdal, and Halwes, (1971) claimed to demonstrate that subjects cannot classify nonspeech chirp and bleat continua, but that they can classify into three categories a syllable place continuum whose variation is physically identical to the nonspeech chirp and bleat continua. This finding for F2 transitions, as well as similar findings for F3 transitions, has been cited as one source of support for theories that different modes or modules underlie the perception of speech and nonspeech acoustic stimuli. However, this pattern of finding for speech and nonspeech continua may be the result of research methods rather than a true difference in subject ability. Using tonal stimuli based on the nonspeech stimuli of Mattingly et al., we found that subjects, with appropriate practice, could classify nonspeech chirp, short bleat, and bleat continua with boundaries equivalent to the syllable place continuum of Mattingly et al. With the possible exception of the higher frequency boundary for both our bleats and the Mattingly syllables, ABX discrimination peaks were clearly present and corresponded in location to the given labeling boundary.

Burying straw men in imaginary graves: a reply to Kewley-Port, Watson, and Foyle (1988).

Kewley-Port, Watson, and Foyle [J. Acoust. Soc. Am. 83, 1133-1145 (1988)] describe a study that uses several different procedures to measure thresholds for stimuli whose components differ in temporal onset. Unfortunately, misunderstandings and misconceptions (shared with other recent publications) resulted in conclusions that are both unnecessary and unwarranted. The Kewley-Port et al. article is discussed in terms of often replicated published findings on temporal order thresholds, and current misconceptions of perceptual concepts and models.

Relative effectiveness of three stimulus variables for locating a moving sound source.

A study is reported in which it is shown that observers can use at least three types of acoustic variables that indicate reliably when a moving sound source is passing: interaural temporal differences, the Doppler effect, and amplitude change. Each of these variables was presented in isolation and each was successful in indicating when a (stimulated) moving sound source passed an observer. These three variables were put into competition (with each indicating that closest passage occurred at a different time) in an effort to determine their relative importance. It was found that amplitude change dominated interaural temporal differences which, in turn, dominated the Doppler effect stimulus variable. The results are discussed in terms of two interpretations. First, it is possible that subjects based their judgements on the potential discriminability of each stimulus variable. However, because the stimuli used involved easily discriminable changes, subjects may instead have based their judgements on the independence of a stimulus variable from different environmental situation conditions. The dominance ordering obtained supports the second interpretation.

Does silence simply separate speech components?

A study was conducted to test one possible acoustic explanation of one role played by silent intervals in the perception of stop consonants. We hypothesized that silence creates a separation between the different components of a speech stimulus, thus reducing the magnitude of the auditory interaction between the stimulus components. In order to test this auditory separation hypothesis, we attempted to trade silence against an auditory separation based upon the selective lateralization of the stimulus components created by an interaural phase shift. In finding no such trading relation, we failed to support the auditory separation hypothesis.

Contralateral cueing effects in backward masking.

The role of stimulus uncertainty in backward masking was investigated using a Monaural Detection with Contralateral Cueing (MDCC) paradigm. Cues temporally synchronous with and phase locked to the signal (20-ms segment of 500-Hz sinusoid) reduced backward masking, with the amount of reduction being independent of the phase relationship between the cue and the signal. Band-limited noise cues synchronous with the signal also reduced the amount of backward masking, with cue bandwidth having only a small differential effect on the amount of reduction. The important parameter of the cue in reducing backward masking was the temporal synchrony between the cue and the signal; a silent gap in a broadband noise served as an effective cue. These results confirm that, unlike simultaneous masking, backward masking involves a high degree of temporal uncertainty.

Critical-band effects in two-channel auditory signal detection.

Two-channel auditory signal detection was investigated with 50-msec sinusoidal signals masked by binaurally uncorrelated noise. In the two-channel tasks, the signals in each earphone channel were presented with an independent probability during the single observation interval and the observers were required to detect the inputs in a single earphone (selective-attention condition) or in both earphones (divided-attention condition). When the signals in each earphone were within the same critical band (the assumed singled processing unit in frequency domain), there was a decrement in detection performance in both the selective- and divided-attention (i.e. dichotic) conditions compared with the monaural condition. However, when signals were separated in frequency by several critical bands, a decrement in dichotic performance, as compared with monaural performance, occurred only in the divided-attention condition. These findings are discussed in terms of their implications regarding models of multichannel signal processing and the definition of input channels in terms of earphones.