Effects of vocal training on respiratory kinematics during singing tasks.

This longitudinal study determined the effects of vocal training (VT) on respiratory kinematics and muscle activity during singing tasks. Four voice students, 3 females and 1 male, were recorded during singing tasks once a semester for 3 consecutive semesters. Respiratory kinematic measures included lung volume, rib cage (RCE) and abdominal excursions (ABE). Surface electromyographic measures included burst duration (BD) and peak amplitude (PA) of the pectoralis major, rectus abdominis and external oblique muscles. Descriptive statistics revealed that RCE and ABE increased from the 1st to the 2nd semester, but decreased from the 2nd to the 3rd semester of VT. Overall, mean BD decreased from the 1st to the 2nd semester and increased from the 2nd to the 3rd semester. Mean PA increased from the 1st to the 2nd semester and decreased from the 2nd to the 3rd semester of VT. RCE and muscle force generation of the above muscles increased as the demand level and the length of the phonatory tasks increased. Interpretation of the results suggests that the respiratory system is highly responsive to VT, after only 3 semesters of training.

Effects of singing training on the speaking voice of voice majors.

This longitudinal study gathered data with regard to the question: Does singing training have an effect on the speaking voice? Fourteen voice majors (12 females and two males; age range 17 to 20 years) were recorded once a semester for four consecutive semesters, while sustaining vowels and reading the "Rainbow Passage." Acoustic measures included speaking fundamental frequency (SFF) and sound pressure level (SLP). Perturbation measures included jitter, shimmer, and harmonic-to-noise ratio. Temporal measures included sentence, consonant, and diphthong durations. Results revealed that, as the number of semesters increased, the SFF increased while jitter and shimmer slightly decreased. Repeated measure analysis, however, indicated that none of the acoustic, temporal, or perturbation differences were statistically significant. These results confirm earlier cross-sectional studies that compared singers with nonsingers, in that singing training mostly affects the singing voice and rarely the speaking voice.

Acoustical comparison between samples of good and poor vibrato in singers.

The purpose of this research was to analyze samples of frequency vibrato taken from recordings of eight different singers, which were classified as examples of good or poor singing. The samples were analyzed by a software package, which makes use of the linear prediction coding (LPC) method to determine the time varying rate and extent of the frequency vibrato wave. Four parameters, which relate to the periodicity of the samples, were extracted from the time varying rate and extent and investigated in order to verify or reject the hypothesis that the best vibrato samples were the most symmetric ones. Ten samples per singer were analyzed, 5 good and 5 poor, for a total of 80 samples. The results show that the samples judged as good were the most periodic ones.

Effects of vocal training on the acoustic parameters of the singing voice.

Vocal training (VT) has, in part, been associated with the distinctions in the physiological, acoustic, and perceptual parameters found in singers' voices versus the voices of nonsingers. This study provides information on the changes in the singing voice as a function of VT over time. Fourteen college voice majors (12 females and 2 males; age range, 17-20 years) were recorded while singing, once a semester, for four consecutive semesters. Acoustic measures included fundamental frequency (F0) and sound pressure level (SPL) of the 10% and 90% levels of the maximum phonational frequency range (MPFR), vibrato pulses per second, vibrato amplitude variation, and the presence of the singer's formant. Results indicated that VT had a significant effect on the MPFR. F0 and SPL of the 90% level of the MPFR and the 90-10% range increased significantly as VT progressed. However, no vibrato or singers' formant differences were detected as a function of training. This longitudinal study not only validates previous cross-sectional research, ie, that VT has a significant effect on the singing voice, but also it demonstrates that these effects can be acoustically detected by the fourth semester of college vocal training.

Spectral changes due to performance environment in singers, nonsingers, and actors.

From postrecording interviews of professional singers, it was hypothesized that recording environments, i.e., sound-treated environment versus an auditorium, may induce different vocal behaviors. To test this hypothesis, three groups consisting of nonsingers, singers, and actors were recorded in two different recording environments: a sound-treated booth (IAC) and an auditorium (AUD). Three recordings were obtained from each participant: recording one (IAC) and two (AUD1) required the participants to read in a normal voice; recording three (AUD2) required participants to pretend that they were "performing" before a full house. Results indicated that only the singers and the actors exhibited significant spectral and/or frequency/duration differences from one recording environment to another, with the most dramatic differences exhibited by the singers. It was concluded that the environment in which we record experimental samples from professional voice users, especially singers, should be considered as a variable that can affect results.