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1.
Iperception ; 13(3): 20416695221105538, 2022 May.
Article in English | MEDLINE | ID: mdl-35711713

ABSTRACT

Reportedly, some chromatic adaptations have extremely short temporal properties, while others have rather long ones. We aimed to dynamically measure the transition of a neutral point as an aftereffect during chromatic adaptation to understand the temporal characteristics of chromatic adaptation. The peripheral retina was exposed to a yellow light to progress color adaptation, while the transition of a neutral point was measured at the fovea. In Experiment 1, the aftereffect had initially progressed but subsequently recovered despite ongoing chromatic adaptation and regardless of the retinal exposure size, suggesting that the adaptation mechanism at the cortical level continues to readjust the color appearance based on daylight conditions. Experiment 2 was similar to Experiment 1, except that it included participants of varying ages. Older eyes behaved in a homologous manner with younger eyes in Experiment 2, albeit quantitative differences. Regardless of age, similar recalibration of neutral points shifted by color adaptation suggests the color compensation function in older eyes may not change due to long-term chromatic adaptation by optical yellowing. In conclusion, the chromatic adaptation mechanism at the cortical level readjusts color perception, even in younger eyes, according to the daylight neutral point. This daylight information may be stored in the neural mechanism of color vision.

2.
Iperception ; 13(1): 20416695221080778, 2022.
Article in English | MEDLINE | ID: mdl-35265312

ABSTRACT

In computer-mediated communication, emoticons are conventionally rendered in yellow. Previous studies demonstrated that colors evoke certain affective meanings, and face color modulates perceived emotion. We investigated whether color variation affects the recognition of emoticon expressions. Japanese participants were presented with emoticons depicting four basic emotions (Happy, Sad, Angry, Surprised) and a Neutral expression, each rendered in eight colors. Four conditions (E1-E4) were employed in the lab-based experiment; E5, with an additional participant sample, was an online replication of the critical E4. In E1, colored emoticons were categorized in a 5AFC task. In E2-E5, stimulus affective meaning was assessed using visual scales with anchors corresponding to each emotion. The conditions varied in stimulus arrays: E2: light gray emoticons; E3: colored circles; E4 and E5: colored emoticons. The affective meaning of Angry and Sad emoticons was found to be stronger when conferred in warm and cool colors, respectively, the pattern highly consistent between E4 and E5. The affective meaning of colored emoticons is regressed to that of achromatic expression counterparts and decontextualized color. The findings provide evidence that affective congruency of the emoticon expression and the color it is rendered in facilitates recognition of the depicted emotion, augmenting the conveyed emotional message.

3.
Vision Res ; 193: 108011, 2022 04.
Article in English | MEDLINE | ID: mdl-35086009

ABSTRACT

Facial skin tone recognition provides significant social and ecological information to humans. This study utilized a five-alternative forced-choice test design wherein participants were asked to judge which color (red, yellow, green, blue, or white) they perceived as too strong in stimulus skin tone images. The results showed that the participants' reference point of facial skin tone judgement was closer to the centroid facial skin tone observed on a daily basis than the chromaticity of measured or remembered facial skin tones of the observer. This result was similar for observers from Japan and the United Kingdom. The distance between the reference point of facial skin tone judgment and the average skin chromaticity of each local group was smaller when the stimulus image was recognized as a face compared to when a uniform facial skin tone patch was used. Therefore, humans unconsciously memorize the facial skin tones they encounter in daily life and judge facial skin tones based on the centroid. Furthermore, it is critical to recognize an image as a face for the evaluation of facial skin tone.


Subject(s)
Facial Recognition , Skin Pigmentation , Color , Face , Humans , Judgment
4.
Iperception ; 10(3): 2041669519854782, 2019.
Article in English | MEDLINE | ID: mdl-31217945

ABSTRACT

The distinctiveness of perception of face from nonface objects has been noted previously. However, face brightness is often confounded with whiteness in the beauty industry; few studies have examined these perceptual differences. To investigate the interactions among face color attributes, we measured the effect of saturation on brightness and whiteness in both uniform color patches and face images to elucidate the relationship between these two perceptions. We found that, at constant luminance, a uniform color patch looked brighter with an increase in saturation (i.e., the Helmholtz-Kohlrausch effect occurred), while in contrast, brightness of a facial skin image looked less bright with increased saturation (i.e., contrary to the Helmholtz-Kohlrausch effect), which suggested this interaction of color attributes was influenced by top-down information. We conclude that this inverse effect of saturation on brightness for face images is not due to face recognition, color range of the skin tone, the luminance distribution, or recognition of human skin but due to the composite interactions of these facial skin factors in higher order recognition mechanisms.

5.
Vision Res ; 159: 42-47, 2019 06.
Article in English | MEDLINE | ID: mdl-30904613

ABSTRACT

Adaptation to environmental light allows our visual system to compensate for dynamic changes in the visual environment for avoiding everyday hazards (e.g., misreading traffic lights) and for accurate reaching. We investigated the hypothesis that adaptation to coloured light is achieved not only via photoreceptors in the retina and monocular contrast adaptation, but also by a binocular process that may occur at the level of the cerebral cortex. In the present study, to determine the role of higher-order cortical binocular processes in adaptation to coloured light, participants were adapted to chromatic light such that the duration of adaptation during monocular processing differed from that during binocular processing. A dichoptic device was used to adapt each eye independently. The extent of after-effects, measured as the distance between the neutral points before and after adaptation to coloured light, depended on the duration of adaptation not only at the monocular level but also at a higher cortical level downstream from binocular fusion. Thus, contrast adaptation to coloured light occurs on at least two levels; it is a result of monocular processes at one level and binocular processes at the other, and each type of process exhibits different temporal characteristics. The results of this study suggest a significant cortical role in adaptation to changes in lighting conditions or the optical environment, including the effects of age on the eye, and the necessity of further investigation to clarify the functional connection between chromatic adaptation by photoreceptors and chromatic adaptation by cortical systems.


Subject(s)
Adaptation, Ocular/physiology , Adaptation, Physiological/physiology , Color Perception/physiology , Adult , Female , Humans , Male , Photic Stimulation/methods , Vision, Binocular/physiology , Vision, Monocular/physiology , Young Adult
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