Mais além da afirmação de si mesmo: a psicanálise, a arte barroca, e a fecundidade da dessubjetivação / Far beyond the affirmation of the self: psychoanalysis, baroque art and the fecundity of the desubjectivation

A partir de uma pesquisa acerca da dimensão trágica da experiência psicanalítica, o presente artigo interroga a dimensão enigmática e paradoxal das ações humanas, propõe uma afinidade estrutural ética entre a psicanálise e a arte barroca e analisa algumas conseqüências dessa aproximação.Palavras-chave: psicanálise; barroco; tragédia; dessubjetivação; gozo.

Starting from the concept of the expressive dimension of language, this text presents the poetics of difference as a value that emerges from psychoanalytical practice and theory, where knowledge is created by listening to the language of desire and by searching for a singular field of significations from the subject. This knowledge, implied in an organization of values by the principle of difference, also wants to capture the language of human passions through an approach to the expressive force of word in poetry and in arts in general, as opposed to the character of banalization of language and to the fact of the impossibility to cope with difference in post modern and consumption societies.

Mais além da afirmação de si mesmo: a psicanálise, a arte barroca, e a fecundidade da dessubjetivação / Far beyond the affirmation of the self: psychoanalysis, baroque art and the fecundity of the desubjectivation

A partir de uma pesquisa acerca da dimensão trágica da experiência psicanalítica, o presente artigo interroga a dimensão enigmática e paradoxal das ações humanas, propõe uma afinidade estrutural ética entre a psicanálise e a arte barroca e analisa algumas conseqüências dessa aproximação.Palavras-chave: psicanálise; barroco; tragédia; dessubjetivação; gozo. (AU)

Starting from the concept of the expressive dimension of language, this text presents the poetics of difference as a value that emerges from psychoanalytical practice and theory, where knowledge is created by listening to the language of desire and by searching for a singular field of significations from the subject. This knowledge, implied in an organization of values by the principle of difference, also wants to capture the language of human passions through an approach to the expressive force of word in poetry and in arts in general, as opposed to the character of banalization of language and to the fact of the impossibility to cope with difference in post modern and consumption societies. (AU)