Electrochemical identification of flavonoid dyes in solid work of art samples by abrasive voltammetry at paraffin-impregnated graphite electrodes.

An electrochemical method for identifying flavonoid-type dyes in microsamples from works of art is reported. Square wave voltammograms of natural insoluble dyestuffs based on flavonoid structure dragoon's blood, weld, old fustic, gamboge, Brazilwood and logwood (Campeche wood) attached to paraffin-impregnated graphite electrodes in contact with 0.25M HAc+0.25M NaAc aqueous buffer display characteristic peaks in the potential region between +0.85 and -0.85V versus AgCl/Ag. Sequential experiments in contact with 0.05M AlCl(3) and 0.05M Na(2)MoO(4) plus HAc/NaAc and 0.05M H(3)BO(3)+0.10M NaOH solutions also provide dye-characteristic signals allowing for an unambiguous identification of each one of the pigments. Individual pigments were satisfactorily identified in mixtures of pigments and real samples from textile pieces found in Castellfort (Valencian Region, Spain) attributed to the 15th century production of local textile workshops.

Electrochemical identification of anthraquinone-based dyes in solid microsamples by square wave voltammetry using graphite/polyester composite electrodes.

An electrochemical method for identifying anthraquinone-type dyes in microsamples from works of art, based in the voltammetry of microparticles approach, is reported. Upon attachment onto graphite/polyester composite electrodes, natural pigments aloe, henna, cochineal red, madder lake, kermes, shellac, and alizarin and purpurin taken as reference materials can be identified from their square wave voltammetric profiles in MeCN (0.10 mol L(-1) Bu(4)NPF(6)) and aqueous (0.25 mol L(-1) acetic acid+0.25 mol L(-1) sodium acetate) electrolytes.

Electrochemical analysis of the alterations in copper pigments using charge transfer coefficient/peak potential diagrams. Application to microsamples of baroque wall paintings attached to polymer film electrodes.

The alteration of copper pigments in art samples was studied by linear scan and cyclic voltammetry using sample-modified Elvacite 2044 film electrodes on the basis of two-dimensional diagrams of charge transfer coefficients calculated from Tafel plots of reductive dissolution processes vs. peak potential. Characteristic voltammetric peaks were obtained for pigments used in the baroque vault frescoes of the Basílica de la Virgen de los Desamparados painted by Antonio Palomino. Results obtained by voltammetric techniques were compared with those from SEM/EDX and FT-IR analysis obtaining a good agreement and leaving to an unambiguous identification of pigments used by Palomino and their alteration products.