Women with knee osteoarthritis increase knee muscle co-contraction to perform stand to sit.

BACKGROUND: There is lack of sufficient research evidence when we examine how knee osteoarthritis (OA) affects performance of stand to sit, a very important task for daily function. AIM: The aim of this study was to investigate if women with unilateral knee OA perform the stand to sit task in the same way as healthy adults of the same age. METHODS: Fifteen women with knee OA (age 64.05 ± 4.23 years, height 161.52 ± 5.03 cm, and mass 75.23 ± 8.51 kg) and fifteen healthy subjects of the same age (age 62.13 ± 4.15 years, height 160.73 ± 5.10 cm, and mass 75.20 ± 9.87 kg) volunteered to participate. The experimental task required sitting to a chair starting from a bipedal standing position. Electromyographic activity of the vastus lateralis and biceps femoris was examined for both legs. In addition, joint kinematics of the lower limb and vertical ground reaction forces were recorded bilaterally. RESULTS: Movement duration was not different between the groups. Women with knee OA showed significantly lower vastus lateralis activation and higher knee muscle co-contraction of the affected leg compared to the same leg of the control group. In addition, they had smaller knee range of motion for both legs compared to the control group participants. CONCLUSION: Knee muscle co-contraction is employed by women with knee OA to perform the stand to sit movement at the same duration as their healthy counterparts. This compensatory mechanism may be important for the task execution, but at the same time, it can be harmful for the joint.

A Comparative Study of the Effects of Pilates and Latin Dance on Static and Dynamic Balance in Older Adults.

The present study was designed to compare the effectiveness of exercise programs with Pilates and Latin dance on older adults' static and dynamic balance. Thirty-two older adults were divided into three groups: Pilates group, Dance group, and Control group. Static and dynamic balance was assessed with following tasks: (a) tandem stance, (b) one-leg stance, and (c) periodic sway with and without metronome guidance. Analysis revealed a significant reduction of the trunk sway amplitude during the tandem stance with eyes closed, reduction in the center of pressure (CoP) displacement during one-leg stance, and increase in the amplitude of trunk oscillation during the sway task for both intervention groups, and reduction in the standard deviation of the CoP displacement during the metronome paced task only for the dance group. The differences in specific balance indices between the two programs suggest some specific adaptations that may provide useful knowledge for the selection of exercises that are better tailored to the needs of the old adult.

Postural sway and gaze can track the complex motion of a visual target.

Variability is an inherent and important feature of human movement. This variability has form exhibiting a chaotic structure. Visual feedback training using regular predictive visual target motions does not take into account this essential characteristic of the human movement, and may result in task specific learning and loss of visuo-motor adaptability. In this study, we asked how well healthy young adults can track visual target cues of varying degree of complexity during whole-body swaying in the Anterior-Posterior (AP) and Medio-Lateral (ML) direction. Participants were asked to track three visual target motions: a complex (Lorenz attractor), a noise (brown) and a periodic (sine) moving target while receiving online visual feedback about their performance. Postural sway, gaze and target motion were synchronously recorded and the degree of force-target and gaze-target coupling was quantified using spectral coherence and Cross-Approximate entropy. Analysis revealed that both force-target and gaze-target coupling was sensitive to the complexity of the visual stimuli motions. Postural sway showed a higher degree of coherence with the Lorenz attractor than the brown noise or sinusoidal stimulus motion. Similarly, gaze was more synchronous with the Lorenz attractor than the brown noise and sinusoidal stimulus motion. These results were similar regardless of whether tracking was performed in the AP or ML direction. Based on the theoretical model of optimal movement variability tracking of a complex signal may provide a better stimulus to improve visuo-motor adaptation and learning in postural control.

Interaction between interpersonal and postural coordination during frequency scaled rhythmic sway: the role of dance expertise.

Light fingertip touch between partners swaying rhythmically side by side evokes interpersonal synchrony. In non-dancers and dancers swaying to a metronome, we examined the effects of frequency scaling and touch between the partners on both postural (ankle-hip) and inter-personal coordination. In both groups, touch did not interfere with the ankle-hip coordination. In non-dancers but not dancers, increasing frequency resulted in a loss of the ankle-hip coupling that was accompanied by a reduction of the touch mediated interpersonal synchrony. It is suggested that the effect of touch on interpersonal synchrony depends on the reliability of the haptic information sensed at the fingertip and assumes an in phase ankle-hip coupling. These findings have implications in clinical practice when using touch to help balance impaired individuals.

Can dancers suppress the haptically mediated interpersonal entrainment during rhythmic sway?

Interpersonal entrainment emerges spontaneously when partners performing rhythmic movements together exchange sensory feedback about the other's movements. In this study, we asked whether couples of expert dancers, non-dancers and mixed couples can suppress the spontaneous haptically mediated inter-personal entrainment when their rhythmic sway is paced by differing metronome tempos. Fifty-four young participants formed three types of couples: nine dancer couples, consisting of individuals with at least eight years systematic practice in traditional Greek dance; nine non-dancer couples, consisting of individuals with no prior experience in dance and nine mixed couples, consisting of one dancer and one novice partner. Partners swayed rhythmically for 60 s, at different pacing frequencies (one at 0.25 Hz and the other at 0.35 Hz) under three haptic contact conditions: no contact between them; light fingertip touch established in the 2nd trial segment (30 s); and light fingertip touch released in the 2nd trial segment (30 s). Spectral analysis of the antero-posterior center of pressure displacement revealed that light touch increased the deviation of the dominant from the target (pacing) sway frequency, decreased the proportion of the signal's power at the target frequency and increased the coherence between the partners' sway signals (inter-personal coherence). These effects were specific to the mixed group whereas touch interference was weaker in non-dancers and absent in dancers. In addition, the coherence between the trial segments (intra-personal coherence) significantly decreased with touch only for the non-dancer while it remained unchanged for the dancer partner of the mixed group suggesting that the dancer was leading the non-dancer partner. It is concluded that systematic practice with traditional dance can modulate the spontaneous tendency towards haptically mediated interpersonal entrainment.

Somatosensory driven interpersonal synchrony during rhythmic sway.

Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40s) that was either self or metronome paced (frequency: 0.25Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.

Effects of expertise and auditory guidance on traditional dance performance.

This study investigated how the dancer's level of expertise and the type of auditory guidance provided influence the kinematic profile of the lower limbs during traditional dance performance. Ten experts in traditional Greek dance (age: 25±3.29 years, five males and five females) and eleven novice participants (age: 26.45±3.88 years, six males and five females), all Greek natives, performed a series of Greek and Irish dance steps with auditory guidance of the metrics (verbal counting) and the music of the respective dances. An electromagnetic tracking system sampled (at 100 Hz) the angular displacement of the two lower legs about the Mediolateral axis during dance performance. Segment rotations were analyzed in the time and frequency domain. Expert dancers displayed significantly lower variability of lower leg rotation and stronger interlimb coupling when compared to novice performers. In novice performers, the power of the lower limb angular displacement extended to higher frequencies when dance performance was guided by music compared to metrical guidance. The addition of music and the origin of the dance interfered with performance for novices but not experienced dancers. Kinematic analysis of the lower limbs may open a new window for the investigation of learning and auditory guidance effects on dance performance.

Detection and genetic characterization of porcine circovirus 2 isolates from the first cases of postweaning multisystemic and wasting syndrome in wild boars in Greece.

In 2002, postweaning multisystemic wasting syndrome (PMWS) was diagnosed in a European female wild boar (Sus scrofa), based on the detection of porcine circovirus 2 (PCV2) DNA in various organs, including the uterus, and on histopathologic lesions. This is the first detection of PCV2 DNA in the uterus of a wild boar. Three years later (2005), a wild boar < 6-8 mo of age was found moribund. It presented wasting and dyspnea and finally died. PCV2 DNA was detected in tissue samples, and histopathologic lesions consistent with PMWS were observed. Both wild boars were from neighboring hunting areas in central Greece. Two PCV2 strains from the wild boars were genetically characterized and compared to other reported PCV2 sequences from wild boars and domestic pigs. The PCV-2 sequences from the wild boars in this study were closely related to each other and were grouped with two isolates from wild boars from Hungary. The phylogenetic analysis revealed that the virus might be transmitted between hunting areas. In addition, PCV2 may spread from domestic pigs to wild boars and vice versa.