Past trials influence perception of ambiguous motion quartets through pattern completion.

There are many celebrated examples of ambiguous perceptual configurations such as the Necker cube that abruptly and repeatedly "switch" among possible perceptual states. When such ambiguous configurations are presented intermittently, observers tend to see the same perceptual state on successive trials. The outcome of each trial apparently serves to "prime" the outcome of the following. We sought to determine how long the influence of a past trial persists by using ambiguous motion quartets as stimuli. We found large, significant effects of all four most recent trials, but the results were not consistent with any priming model. The results could be explained instead as perceptual completion of two kinds of temporal patterns, repeating and alternating. We conclude that the visual system does not passively remember perceptual state: it analyzes recent perceptual history and attempts to predict what will come next. These predictions can alter what is seen.

Filling-in of the foveal blue scotoma.

The blue-blindness (tritanopia) of the human foveola normally goes unnoticed but can be directly visualized by having observers view a flickering, monochromatic, short-wavelength field. The blue scotoma appears as a tiny dark spot in central vision, the visibility of which depends upon the wavelength of the field and the temporal frequency of modulation. Comparisons of fading times as a function of flicker frequency for the blue scotoma, foveal afterimages and optically stabilized images indicate a common time course, consistent with the hypothesis that perceptual filling-in of the foveal blue scotoma reflects the operation of neural processes similar to those involved in fading and regeneration of stabilized images.

Texture fading correlates with stimulus salience.

Perceptual fading of texture targets on similarly textured backgrounds was studied in relation to stimulus salience using texture patterns defined by orientation contrast, shape contrast, and order contrast. In two independent experiments, perceptual salience of the targets was determined. In the first, the textural contrast of the stimuli was varied and their salience quantified using magnitude estimation; in the second, reaction time was measured for the same stimulus patterns. In a third experiment, stimulus fading time was determined. Whereas magnitude estimates and fading time increased, reaction time decreased with increasing textural contrast strength, the shape of the curves depending on the kind of texture pattern used. When fading time was plotted against target salience, the slopes of the regression lines for shape and order contrast were similar, while the slope for orientation contrast was steeper, indicating longer fading times at equal stimulus salience. A control experiment using short oriented bars instead of gratings revealed that this difference may be attributed to the abutting contour between the target and its surround. With this contour removed, the fading time was largely the same for all three kinds of texture patterns. In the absence of a border (no cancellation), the unconnected target areas appeared to change gradually in orientation, shape, and spatial arrangement, thereby assuming the properties of the background (substitution).

Surface color from boundaries: a new 'watercolor' illusion.

A colored line flanking a darker border will appear to assimilate its color onto the enclosed white area over distances of up to 45 deg (the Watercolor Effect). This coloration is uniform and complete within 100 ms. We found that thin (6 arcmin), winding inducing lines with different contrasts to the ground are generally more effective than thick, straight, and equiluminant lines. Blue and red lines induce the strongest effects, but watercolor spreading may also be seen with green and yellow. On a white background, color spreading is stronger than on chromatic, gray or black backgrounds. Little or no color is perceived when a narrow white zone (gap) is inserted in between the two inducing lines. However, chains of colored dots instead of continuous lines suffice to produce spreading. Edge-induced color is also observed when the two colored lines are presented dichoptically, suggesting a cortical origin. The Watercolor Effect described here may serve to enhance figure-ground segregation by imparting surface color onto the enclosed area, and to promote grouping between distant stimulus elements. As a grouping factor, watercolor coloration wins over proximity. Assimilative color spreading may arise in two steps: First, weakening of the contour by lateral inhibition between differentially activated edge cells (local diffusion); and second, unbarriered flow of color onto the enclosed area (global diffusion).

The brain may know more than cognitive theory can tell us: a reply to Ted Parks.

In reply to Parks' interpretation of Rock's cognitive theory of illusory figures, we maintain our point of view that such a theory has limited heuristic and explanatory power because it fails to predict subjects' responses in psychophysical tasks. As a result, the theoretical framework defended by Parks is not appropriate for suggesting candidate mechanisms of brain-behaviour function that could underly the phenomenal emergence of such figures.

Motion and shape in common fate.

We determined how much motion coherence was needed to detect a target group of four moving dots in a dynamic visual noise (DVN) background. The lifetimes of the trajectories of the target and that of the noise dots were the same. In addition to parallel trajectories and collinear dot arrangements, divergent, convergent, or crossing trajectories and non-collinear dot arrangements were also tested. Performance saturated at a lifetime of approximately 600 ms. It was best for parallel trajectories and collinear dots, and worse for crossed trajectories with non-collinear dots, where it approached performance in a no-motion, form-only control experiment. Results illustrate the importance of common fate in motion perception in DVN, when other factors are equated.

The scintillating grid illusion in stereo-depth.

The dark scintillating dots occurring on a gray-on-black, modified Hermann grid [Schrauf, M., Lingelbach, B., & Wist, E. R. (1997). The scintillating grid illusion. Vision Research, 37, 1033-1038] were studied in stereo-depth by assigning various degrees of disparity to the white inducing disks. Dependent on the sign of disparity, the disks and the dark illusory spots within them appeared to lie either in the same plane, in front of, or behind the grid. At zero disparity, illusory strength was maximum and was the same for stereo, binocular and monocular viewing. With increasing disparity, the illusion became progressively weaker; however, the decrease for stereo-patterns was significantly less than for control patterns presented binocularly or monocularly. These results suggest a central contribution to the scintillation effect.

Thatcher illusion: dependence on angle of rotation.

The expression of a face with its eyes and mouth inverted changes from 'pleasant' to 'grotesque' as the stimulus is rotated from 180 degrees to 0 degree (Thatcher illusion). We determined the angular orientation at which this change occurred for three manipulated faces. Mean thresholds for eighteen observers were found to lie between 94 degrees and 100 degrees relative to the vertical with an average overlap of about 15 degrees between an observer's ascending and descending thresholds. The sudden nature and relatively narrow zone of the changeover suggest a neuronal step-tuning of hypothetical face cells in the human brain, underlying the holistic ('grotesque') versus componential ('pleasant') processing of upright versus upside-down faces. Findings are discussed within the framework of cognitive, neuroimaging, and single-cell studies.

Stroke-blind for colors, faces and locations: Partial recovery after three years.

Purpose. To study and follow-up achromatopsia, prosopagnosia, and topographagnosia in a patient who suffered a bilateral stroke of the posterior cerebral arteries. Methods. Ophthalmological, neuropsychological and neuroradiological examinations were conducted over a span of 3 years to assess the amount of brain damage and look for signs of functional recovery. Results. After the onset of achromatopsia, perception of the color green re-appeared first, followed by red, yellow, and brown. Blue which had appeared entirely black was last to return. While reading and color naming have largely recovered, color discrimination after three years remains poor especially in dim lighting. Similarly, with prosopagnosia, while the patient has learn to identify people (including photographs) by individual features, his ability to perceive and recognize faces and facial expressions holistically remains severely impaired. Recognition of streets, houses, and topographical layouts also continues to be affected, while the perception of speed and distance has somewhat improved. Perimetry further suggests a mild improvement of the superior hemianopia in his visual fields. Conclusions. Although major deficits in color, face and place perception remain, some functions impaired by the stroke have returned par-alleling a partial recovery from the brain lesion as demonstrated by NMR.

Spatial distortions in rotating radial figures.

A white sector on a black rotating disk appears spatially compressed. We found that apparent shrinkage: (1) for sectors ranging from 15 to 150 degrees and rotating at 1.25 rps varied in an inverted U-shaped manner from 3 to 16 degrees and back to 11 degrees (corresponding to 20, 16, and 7.5%, respectively); (2) increased with speed of rotation producing maximal compressions of between 7 and 30 degrees for velocities ranging from 0.8 to 2 rps; and (3) affected the leading and the trailing portions of the rotating sector equally, while allowing for apparent expansion of the middle region. Consistent with these findings we found that (4) two black lines 20 mm apart across the center of the rotating disk and extending outward towards the edge appeared to converge when they were actually parallel and were seen as parallel when their end points were physically diverged by 6 degrees. Our findings suggest a foreshortening process which ensures that the shapes of moving stimuli are perceived approximately correctly, irrespective of whether they are actually sharp or blurred.

S-cone signals to temporal OFF-channels: asymmetrical connections to postreceptoral chromatic mechanisms.

Psychophysical tests of S-cone contributions to temporal ON- and OFF-channels were conducted. Detection thresholds for S-cone modulation were measured with two kinds of test stimuli presented on a CRT: a rapid-on sawtooth test and a rapid-off sawtooth test, assumed to be detected differentially by temporal ON- and OFF-channels, respectively. S-cone related ON- and OFF-temporal responses were separated by adapting for 5 min to 1 Hz monochromatic (420, 440, 450, 540, or 650 nm in separate sessions) sawtooth flicker presented in Maxwellian view. Circular test stimuli, with a sawtooth temporal profile and a Gaussian spatial taper, were presented for 1 s in one of four quadrants 1.0 degree from a central fixation point. A four-alternative forced-choice method combined with a double-staircase procedure was used to determine ON- and OFF-thresholds in the same session. Following adaptation, the threshold elevation was greater if the polarity of the test stimulus was the same as the polarity of the sawtooth adaptation flicker, consistent with separate ON- and OFF-responses from S-cones. This asymmetrical pattern was obtained, however, only when the adaptation stimuli appeared blue with a little redness. When the adaptation flicker had a clear reddish hue component, the threshold elevation did not depend on the polarity of the sawtooth test stimuli. These results are consistent with a model in which OFF-signals originating from S cones are maintained by a postreceptoral mechanism signaling redness, but not by a postreceptoral chromatic mechanism signaling blueness.

From elements to perception: local and global processing in visual neurons.

Gestalt psychologists in the early part of the century challenged psychophysical notions that perceptual phenomena can be understood from a punctate (atomistic) analysis of the elements present in the stimulus. Their ideas slowed later attempts to explain vision in terms of single-cell recordings from individual neurons. A rapprochement between Gestalt phenomenology and neurophysiology seemed unlikely when the first ECVP was held in Marburg, Germany, in 1978. Since that time, response properties of neurons have been discovered that invite an interpretation of visual phenomena (including illusions) in terms of neuronal processing by long-range interactions, as first proposed by Mach and Hering in the last century. This article traces a personal journey into the early days of neurophysiological vision research to illustrate the progress that has taken place from the first attempts to correlate single-cell responses with visual perceptions. Whereas initially the receptive-field properties of individual classes of cells--e.g., contrast, wavelength, orientation, motion, disparity, and spatial-frequency detectors--were used to account for relatively simple visual phenomena, nowadays complex perceptions are interpreted in terms of long-range interactions, involving many neurons. This change in paradigm from local to global processing was made possible by recent findings, in the cortex, on horizontal interactions and backward propagation (feedback loops) in addition to classical feedforward processing. These mechanisms are exemplified by studies of the tilt effect and tilt aftereffect, direction-specific motion adaptation, illusory contours, filling-in and fading, figure--ground segregation by orientation and motion contrast, and pop-out in dynamic visual-noise patterns. Major questions for future research and a discussion of their epistemological implications conclude the article.

Brightness fading during Ganzfeld adaptation.

The time course and extent of brightness fading in a Ganzfeld were determined for adapting luminances ranging from 0.01 to 100 cd/m2. Magnitude estimation and interocular brightness matching were used. During Ganzfeld adaptation, perceived brightness decreased slowly and leveled off, on average, after 5-7 min (adapting time increasing with luminance). On average, the total brightness loss was equivalent to a 1.2 log unit reduction in luminance, independent of adapting luminance. The residual brightness perceived at the final plateau was generally higher than the brightness of the Eigengrau, suggesting a partially sustained luminance channel.

Reversed visual motion and self-sustaining eye oscillations.

A random-dot field undergoing counterphase flicker paradoxically appears to move in the same direction as head and eye movements, i.e. opposite to the optic-flow field. The effect is robust and occurs over a wide range of flicker rates and pixel sizes. The phenomenon can be explained by reversed phi motion caused by apparent pixel movement between successive retinal images. The reversed motion provides a positive feedback control of the display, whereas under normal conditions retinal signals provide a negative feedback. This altered polarity invokes self-sustaining eye movements akin to involuntary optokinetic nystagmus.

Colour in a larger perspective: the rebirth of Gestalt psychology.

This overview takes the reader from the classical contrast and assimilation studies of the past to today's colour research, in a broad sense, with its renewed emphasis on the phenomenological qualities of visual perception. It shows how the shift in paradigm from local to global effects in single-unit recordings prompted a reappraisal of appearance in visual experiments, not just in colour, but in the perception of motion, texture, and depth as well. Gestalt ideas placed in the context of modern concepts are shown to inspire psychophysicists, neurophysiologists, and computational vision scientists alike. Feedforward, horizontal interactions, and feedback are discussed as potential neuronal mechanisms to account for phenomena such as uniform surfaces, filling-in, and grouping arising from processes beyond the classical receptive field. A look forward towards future developments in the field of figure-ground segregation (Gestalt formation) concludes the article.

Long-range interactions in visual perception.

Classical receptive-field concepts have been used to explain local perceptual effects such as border contrast and Mach bands, but are not sufficient to explain global perceptual effects. Examples are the perception of illusory contours, area contrast, color constancy, depth planes, coherent motion and texture contrast. These diverse effects require neurophysiological mechanisms within the visual pathways with long-range interactions. Candidate mechanisms are suggested, including converging feedforward projection to account for the emergence of new response properties at higher levels, recruitment of lateral connections to compensate for loss of afference and explain filling-in, and re-entrant projections from higher levels using synchronization of neuronal responses to account for binding.

Visual motion aftereffects: critical adaptation and test conditions.

The visual motion aftereffect (MAE) typically occurs when stationary contours are presented to a retinal region that has previously been exposed to motion. It can also be generated following observation of a stationary grating when two gratings (above and below it) move laterally: the surrounding gratings induce motion in the opposite direction in the central one. Following adaptation, the centre appears to move in the direction opposite to the previously induced motion, but little or no MAE is visible in the surround gratings [Swanston & Wade (1992) Perception, 21, 569-582]. The stimulus conditions that generate the MAE from induced motion were examined in five experiments. It was found that: the central MAE occurs when tested with stationary centre and surround gratings following adaptation to surround motion alone (Expt 1); no MAEs in either the centre or surround can be measured when the test stimulus is the centre alone or the surround alone (Expt 2); the maximum MAE in the central grating occurs when the same surround region is adapted and tested (Expt 3); the duration of the MAE is dependent upon the spatial frequency of the surround but not the centre (Expt 4); MAEs can be observed in the surround gratings when they are themselves surrounded by stationary gratings during test (Expt 5). It is concluded that the linear MAE occurs as a consequence of adapting restricted retinal regions to motion but it can only be expressed when nonadapted regions are also tested.

The abutting grating illusion.

Two line gratings abutting each other with a phase shift of half a cycle elicit the perception of an illusory line running orthogonally between the two sets of grating lines. We found that rating strength increases with increasing number of lines, line length, and phase angle. In contrast, rating strength decreases with increasing spacing of lines, lateral misalignment, rotation of one grating relative to the other, and line width. There is a pronounced oblique effect at 45 deg when the orientation of the abutting gratings is changed from horizontal through diagonal to vertical. Findings are interpreted in terms of a neurophysiological model. We conclude that the end-stopped receptive fields activated by the grating lines are about 6 deg long and 2 deg wide. On the other hand, the "response fields" of the cells, integrating orthogonally across line ends, are assumed to be 5 deg long and less than 1 deg wide. The psychophysical data compare favorably with available neurophysiological data in Area V2 of the macaque suggesting that the perception of illusory contours in human observers may be based on cortical cell properties similar to those found in the monkey.

Assimilation: asymmetry between brightness and darkness?

A pincushion formed by four arcs on a gray background looks darker when the arcs are black, and lighter when the arcs are white. Yet, a matching-experiment shows that this difference is relative. Whereas the apparently darker pincushion requires a matching luminance that is lower than the background luminance (i.e. assimilation), the apparently lighter pincushion curiously is also matched to a darker-than-background value (i.e. simultaneous contrast). A change-over in direction of a higher luminance occurs only at the lowest contrast. The size of the decrement required for matching the brightness of the pincushions increases with increasing contrast of the inducing stimulus, as well as with viewing distance. Assimilation is found also in the domain of color, however, only when the luminance of the colored inducers is below that of the background. Analogous asymmetries in the perception of darkness and lightness are discussed.