Sensory studies, or when physics was psychophysics: Ernst Mach and physics between physiology and psychology, 1860-71.

This paper highlights the significance of sensory studies and psychophysical investigations of the relations between psychic and physical phenomena for our understanding of the development of the physics discipline, by examining aspects of research on sense perception, physiology, esthetics, and psychology in the work of Gustav Theodor Fechner, Hermann von Helmholtz, Wilhelm Wundt, and Ernst Mach between 1860 and 1871. It complements previous approaches oriented around research on vision, Fechner's psychophysics, or the founding of experimental psychology, by charting Mach's engagement with psychophysical experiments in particular. Examining Mach's study of the senses and esthetics, his changing attitudes toward the mechanical worldview and atomism, and his articulation of comparative understandings of sensual, geometrical, and physical spaces helps set Mach's emerging epistemological views in the context of his teaching and research. Mach complemented an analytic strategy focused on parallel psychic and physical dimensions of sensation, with a synthetic comparative approach - building analogies between the retina, the individual, and social life, and moving between abstract and sensual spaces. An examination of the broadly based critique that Mach articulated in his 1871 lecture on the conservation of work shows how his historical approach helped Mach cast what he now saw as a narrowly limiting emphasis on mechanics as a phase yet to be overcome.

Partisans and the Use of Knowledge versus Science.

This paper explores the kind of knowledge that partisans profess in order to contribute to our studies of what has usually been thought of as the "denial of science." Building on the research of Robert Proctor, Naomi Oreskes and Erik Conway, I show that the tobacco interests and climate science skeptics usually described as "doubt mongers" also purveyed forms of certainty and rested their arguments on three different registers of truth: that of narrowly defined "facts" that could sustain a controversy, ideological commitments to free enterprise, and the truths of self-conscious partisans engaged in battle. Thus, in many respects they have used elements of general knowledge, as well as social, economic and political commitments, to argue against specific scientific findings. Further, at least in the case of climate skeptics, this denial has been in the service of an image of the nature of science and its proper relation to politics. Analyzing significant dichotomies in debates that cross the terrains of science and politics, and knowledge and science, I will argue that a clear articulation of the relations amongst them will be critical to our work to understand the character of climate science denial, but also of the climate sciences themselves.

The Interwar Period as a Machine Age: Mechanics, the Machine, Mechanisms, and the Market in Discourse.

ArgumentThis paper examines some of the ways that machines, mechanisms, and the new mechanics were treated in post-World War I discourse. Spengler's 1919 Decline of the West and Hessen's 1931 study of Newton have usually been tied closely to Weimar culture in Germany, and Soviet politics. Linking them also to the writings of Rathenau, Simmel, Chase, Mumford, Hayek, and others, as well as to Dada and film studies of the city will indicate central features of a wide-ranging, international discourse on the machine and mechanization. I argue that machines were so thoroughly integrated into social and economic experience that we can treat this as a distinctive new phase in the cultural history of mechanics, what some contemporaries called the "machine age": a period in which rather than the hand mill or steam engine, the city stands as an appropriate realization (and sometimes symbol) of the significance but also ambiguities and tensions of mechanical life; and concepts of mechanization were extended to encompass the economy and market mechanisms.

The fin de siècle thesis.

This paper examines the relations between John Heilbron's argument that fin de siècle physicists adjusted the image and substance of their discipline to cultural concerns, and Paul Forman's approach to acau-sality in the Weimar period. In addition to their focus on representation rather than truth, adherents of the "descriptionist" epistemologies that Heilbron identified also promoted an emphasis on method, statistical rather than causal explanations, historical understandings of epistemology, and stressed the relations between physics and other disciplines. Their views provide an intellectual context--within the physics discipline--for at least some part of what Forman had described as a capitulation to the hostile social environment expressed in Oswald Spengler's Der Untergang des Abendlandes.

On the co-creation of classical and modern physics.

While the concept of "classical physics" has long framed our understanding of the environment from which modern physics emerged, it has consistently been read back into a period in which the physicists concerned initially considered their work in quite other terms. This essay explores the shifting currency of the rich cultural image of the classical/ modern divide by tracing empirically different uses of "classical" within the physics community from the 1890s to 1911. A study of fin-de-siècle addresses shows that the earliest general uses of the concept proved controversial. Our present understanding of the term was in large part shaped by its incorporation (in different ways) within the emerging theories of relativity and quantum theory--where the content of "classical" physics was defined by proponents of the new. Studying the diverse ways in which Boltzmann, Larmor, Poincaré, Einstein, Minkowski, and Planck invoked the term "classical" will help clarify the critical relations between physicists' research programs and their use of worldview arguments in fashioning modern physics.