Perceptual simultaneity range for two dichotically presented pure tones with frequency separation below 0.5 Bark.

The perceptual simultaneity range for two diotically presented tones increases with decreasing frequency separation of the two tones from approximately 0.5 Bark. As the present study of two frequency regions shows, this effect is not observed when the two tones are not presented to the same ear, i.e., presented dichotically. Since the increase in simultaneity is only observed when the tones are presented to the same ear, it is possible that it reflects the time-frequency uncertainty within a cochlear filter.

A Role of Medial Olivocochlear Reflex as a Protection Mechanism from Noise-Induced Hearing Loss Revealed in Short-Practicing Violinists.

Previous studies have indicated that extended exposure to a high level of sound might increase the risk of hearing loss among professional symphony orchestra musicians. One of the major problems associated with musicians' hearing loss is difficulty in estimating its risk simply on the basis of the physical amount of exposure, i.e. the exposure level and duration. The aim of this study was to examine whether the measurement of the medial olivocochlear reflex (MOCR), which is assumed to protect the cochlear from acoustic damage, could enable us to assess the risk of hearing loss among musicians. To test this, we compared the MOCR strength and the hearing deterioration caused by one-hour instrument practice. The participants in the study were music university students who are majoring in the violin, whose left ear is exposed to intense violin sounds (broadband sounds containing a significant number of high-frequency components) during their regular instrument practice. Audiogram and click-evoked otoacoustic emissions (CEOAEs) were measured before and after a one-hour violin practice. There was a larger exposure to the left ear than to the right ear, and we observed a left-ear specific temporary threshold shift (TTS) after the violin practice. Left-ear CEOAEs decreased proportionally to the TTS. The exposure level, however, could not entirely explain the inter-individual variation in the TTS and the decrease in CEOAE. On the other hand, the MOCR strength could predict the size of the TTS and CEOAE decrease. Our findings imply that, among other factors, the MOCR is a promising measure for assessing the risk of hearing loss among musicians.

Pitch perception for sequences of impulse responses whose scaling alternates at every cycle.

The purpose of this study is to investigate the sufficient "similarity" between consecutive auditory events for the auditory system to define the fundamental period for pitch perception. It is possible to contaminate the periodicity of harmonic complex tones by scaling the impulse response in the time domain at every other cycle. Scale-alternating wavelet sequences (SAWS) in which two impulse responses with different scaling factors alternated were generated based on impulse responses obtained from Japanese vowels spoken by a male speaker. Preliminary listening to such signals indicated that the perceived pitch went down an octave relative to the original when the scaling factor exceeded a certain degree. In the first experiment, pitch matching was measured as a function of the scaling factor by the method of adjustment where the comparison stimuli were completely periodic with adjustable base periods. The pitch shift was discontinuous against the base period, chromatic continuum. In the second experiment, pitch matching was investigated with comparison stimuli whose odd harmonics were attenuated. This procedure provides a stimulus continuum where the pitch moved up an octave without changing its pitch chroma. The attenuation of the odd harmonics needed to match the SAWS varied systematically as a function of the degree of scaling. The relation between pitch matching and the peak height along the time interval axis of the stabilized auditory image is discussed.

Activation of the left superior temporal gyrus of musicians by music-derived sounds.

Previous studies have suggested that professional musicians comprehend features of music-derived sound even if the sound sequence lacks the traditional temporal structure of music. We tested this hypothesis through behavioral and functional brain imaging experiments. Musicians were better than nonmusicians at identifying scrambled pieces of piano music in which the original temporal structure had been destroyed. Bilateral superior temporal gyri (STG) activity was observed while musicians listened to the scrambled stimuli, whereas this activity was present only in the right STG of nonmusicians under the same experimental conditions. We suggest that left STG activation is related to the processing of deviants, which appears to be enhanced in musicians. This may be because of the superior knowledge of musical temporal structure held by this population.

Functional differences between vowel onsets and offsets in temporal perception of speech: local-change detection and speaking-rate discrimination.

To provide a perceptual framework for the objective evaluation of durational rules in speech synthesis, two experiments were conducted to investigate the differences between vowel (V) onsets and V-offsets in their functions of marking the perceived temporal structure of speech. The first experiment measured the detectability of temporal modifications given in four-mora (CVCVCVCV) Japanese words. In the V-onset condition, the inter-onset intervals of vowels were uniformly changed (either expanded or reduced) while their inter-offset intervals were preserved. In the V-offset condition, this was reversed. These manipulations did not change the duration of the entire word. Each of the modified words was paired with its unmodified counterpart, and the pair was given to listeners, who were asked to rate the difference between the paired words. The results show that there were no significant differences in the listeners' abilities to detect the temporal modification between the V-onset and V-offset conditions. In the second experiment, the listeners were asked to estimate the differences they perceived in speaking rates for the same stimulus set as that of the first experiment. Interestingly, the results show a clear difference in the listeners' performance between the V-onset and V-offset conditions. Specifically, changing the V-onset intervals changed the perceived speaking rates, which showed a linear relation (r = -0.9) despite the fact that the duration of the entire word remained unchanged. In contrast, modifying the V-offset intervals produced no clear relation with the perceived speaking rates. The second experiment also showed that the listeners performed well in speaking rate discrimination (3.5%-5% in the change ratio). These results are discussed in relation to the differences in the listeners' temporal processing range (local or global) between the two experiments.

Effects of phoneme class and duration on the acceptability of temporal modifications in speech.

Human subjective acceptability of durational distortions in speech segments or portions is significantly affected by various segmental and sequential properties, e.g., the vowel color and temporal position in a word [Kato et al., J. Acoust. Soc. Am. 101, 2311-2322 (1997); 104, 540-549 (1998)]. The current study focused on the effects of phoneme class and original duration of speech portions in isolated words. In experiment 1, the effect of four classes of phoneme, i.e., vowel, nasal, voiceless fricative, and silent closure, on the acceptable modification range was tested. Six listeners evaluated the temporal acceptability of each of 49 words where one of the steady-state portions was subjected to durational modification from -75 ms (for shortening) to +75 ms (for lengthening) in 7.5-ms steps. The results showed that the listeners' acceptable modification ranges were narrowest for vowels, and widest for voiceless fricatives and silent closures, with nasals in between. The mean acceptable ranges for the least vulnerable phoneme class, i.e., voiceless fricative and silent closure, reached 143% or more of that for the most vulnerable class, i.e., vowel. The observed variation in the acceptable modification range due to the different phoneme class was highly correlated with the inherent loudness in each phoneme class. A larger inherent loudness yielded a narrower acceptable range. Experiment 2 tested the effect of the original, as produced, duration of steady-state speech portions using 30 words where the factors of phoneme class and original duration were designed in a factorial way. The results showed that the original durations affected the listeners' absolute acceptable ranges; the ranges were narrower for shorter original durations. There was a significant interaction between the factors of phoneme class and original duration. The effect of the original duration was larger for vowels than for fricatives. This interaction could be accounted for by the difference in the temporal structure spanning beyond the modified portion itself.