Acoustic dissipation in wooden pipes of different species used in wind instrument making: An experimental study.

In this study, the acoustic dissipation is investigated experimentally in wooden pipes of different species commonly used in woodwind instrument making: maple (Acer pseudoplatanus), pear wood (Pyrus communis L.), boxwood (Buxus sempervirens), and African Blackwood (Dalbergia melanoxylon). The pipes are parallel to the grain, except one which forms an angle of 60° with the fiber direction. An experimental method, involving input impedance measurements with several lengths of air column, is introduced to estimate the characteristic impedance and the attenuation factor in the pipes. Their comparison reveals significant differences of acoustic dissipation among the species considered. The attenuation factors are ranked in the following order from largest to smallest: maple, boxwood, pear wood, and African Blackwood. This order is the same before and after polishing the bore, which is an essential step in the making process of wind instrument. For maple, changing the pipe direction of 60° considerably increases the attenuation factor, compared to those of the other pipes, parallel to the grain. Further, polishing tends to reduce the acoustic dissipation in the wooden pipes, especially for the most porous species. As a result, the influence of polishing in the making procedure depends on the selected wood species.

Mitochondrial DNA, restoring Beethovens music.

Great ancient composers have endured many obstacles and constraints which are very difficult to understand unless we perform the restoration process of ancient music. Species identification in leather used during manufacturing is the key step to start such a restoration process in order to produce a facsimile of a museum piano. Our study reveals the species identification in the leather covering the hammer head in a piano created by Erard in 1802. This is the last existing piano similar to the piano that Beethoven used with its leather preserved in its original state. The leather sample was not present in a homogeneous piece, yet combined with glue. Using a DNA extraction method that avoids PCR inhibitors; we discovered that sheep and cattle are the origin of the combination. To identify the species in the leather, we focused on the amounts of mitochondrial DNA in both leather and glue and results have led us to the conclusion that the leather used to cover the hammer head in this piano was made of cattle hide.

Restoration of a 17th-century harpsichord to playable condition: a numerical and experimental study.

The Music Museum in Paris recently acquired a harpsichord made by Ioannes Couchet in Antwerp in 1652. This instrument is considered to be a masterpiece and is protected as a "National Treasure." It was restored with the aim to be played again in concert. An experimental and numerical study of the vibraoacoustic behavior of this harpsichord is presented. A numerical modal analysis was performed with a finite element model. For the experimental part, impact nearfield acoustical holography was used. Experimental eigenmodes are compared to literature and to the finite element results. An application of the model for restoration studies is also proposed.

Structural and optical properties of wood and wood finishes studied using optical coherence tomography: application to an 18th century Italian violin.

Optical coherence tomography (OCT) is especially attractive for the study of cultural heritage artifacts because it is noninvasive and nondestructive. We have developed an original full-field time-domain OCT system dedicated to the investigation of varnished and painted artifacts: an interferometric Mirau objective allows one to perform the scan without moving the works of art. The axial and transverse high resolution (respectively, 1.5 and 1 microm) are well adapted to the detection of the investigated structures (pigment grains, wood fibers, etc.). The illumination spectrum is in the visible range (centered at 630 nm, 150 nm wide) to potentially allow us to perform spectroscopic OCT on pigment particles. The examination of wood samples coated with a traditional finish, demonstrates the ability of the system to detect particles, characterize layers thickness, and image the three-dimensional wood structures below the varnishes. OCT has finally been applied to study in situ the coated wood surface of an 18th century Italian violin and provides important information for its conservation treatment.