Complexity of frequency receptive fields predicts tonotopic variability across species.

Primary cortical areas contain maps of sensory features, including sound frequency in primary auditory cortex (A1). Two-photon calcium imaging in mice has confirmed the presence of these global tonotopic maps, while uncovering an unexpected local variability in the stimulus preferences of individual neurons in A1 and other primary regions. Here we show that local heterogeneity of frequency preferences is not unique to rodents. Using two-photon calcium imaging in layers 2/3, we found that local variance in frequency preferences is equivalent in ferrets and mice. Neurons with multipeaked frequency tuning are less spatially organized than those tuned to a single frequency in both species. Furthermore, we show that microelectrode recordings may describe a smoother tonotopic arrangement due to a sampling bias towards neurons with simple frequency tuning. These results help explain previous inconsistencies in cortical topography across species and recording techniques.

Listening in complex acoustic scenes.

Being able to pick out particular sounds, such as speech, against a background of other sounds represents one of the key tasks performed by the auditory system. Understanding how this happens is important because speech recognition in noise is particularly challenging for older listeners and for people with hearing impairments. Central to this ability is the capacity of neurons to adapt to the statistics of sounds reaching the ears, which helps to generate noise-tolerant representations of sounds in the brain. In more complex auditory scenes, such as a cocktail party - where the background noise comprises other voices, sound features associated with each source have to be grouped together and segregated from those belonging to other sources. This depends on precise temporal coding and modulation of cortical response properties when attending to a particular speaker in a multi-talker environment. Furthermore, the neural processing underlying auditory scene analysis is shaped by experience over multiple timescales.

Across-species differences in pitch perception are consistent with differences in cochlear filtering.

Pitch perception is critical for recognizing speech, music and animal vocalizations, but its neurobiological basis remains unsettled, in part because of divergent results across species. We investigated whether species-specific differences exist in the cues used to perceive pitch and whether these can be accounted for by differences in the auditory periphery. Ferrets accurately generalized pitch discriminations to untrained stimuli whenever temporal envelope cues were robust in the probe sounds, but not when resolved harmonics were the main available cue. By contrast, human listeners exhibited the opposite pattern of results on an analogous task, consistent with previous studies. Simulated cochlear responses in the two species suggest that differences in the relative salience of the two pitch cues can be attributed to differences in cochlear filter bandwidths. The results support the view that cross-species variation in pitch perception reflects the constraints of estimating a sound's fundamental frequency given species-specific cochlear tuning.