The role of valence and arousal for phonological iconicity in the lexicon of German: a cross-validation study using pseudoword ratings.

The notion of sound symbolism receives increasing interest in psycholinguistics. Recent research - including empirical effects of affective phonological iconicity on language processing (Adelman et al., 2018; Conrad et al., 2022) - suggested language codes affective meaning at a basic phonological level using specific phonemes as sublexical markers of emotion. Here, in a series of 8 rating-experiments, we investigate the sensitivity of language users to assumed affectively-iconic systematic distribution patterns of phonemes across the German vocabulary:After computing sublexical-affective-values (SAV) concerning valence and arousal for the entire German phoneme inventory according to occurrences of syllabic onsets, nuclei and codas in a large-scale affective normative lexical database, we constructed pseudoword material differing in SAV to test for subjective affective impressions.Results support affective iconicity as affective ratings mirrored sound-to-meaning correspondences in the lexical database. Varying SAV of otherwise semantically meaningless pseudowords altered affective impressions: Higher arousal was consistently assigned to pseudowords made of syllabic constituents more often used in high-arousal words - contrasted by less straightforward effects of valence SAV. Further disentangling specific differential effects of the two highly-related affective dimensions valence and arousal, our data clearly suggest arousal, rather than valence, as the relevant dimension driving affective iconicity effects.

Non-signing children's assessment of telicity in sign language.

Adults with no knowledge of sign languages can perceive distinctive markers that signal event boundedness (telicity), suggesting that telicity is a cognitively natural semantic feature that can be marked iconically (Strickland et al., 2015). This study asks if non-signing children (5-year-olds) can also link telicity to iconic markers in sign. Experiment 1 attempted three close replications of Strickland et al. (2015) and found only limited success. However, Experiment 2 showed that children can both perceive the relevant visual feature and can succeed at linking the visual property to telicity semantics when allowed to filter their answer through their own linguistic choices. Children's performance demonstrates the cognitive naturalness and early availability of the semantics of telicity, supporting the idea that telicity helps guide the language acquisition process.

Comprehension of complex sentences containing temporal connectives: How children are led down the event-semantic kindergarten-path.

Children up to school age are known to have difficulty comprehending complex sentences with temporal connectives, but the reasons remain controversial. We tested six- to twelve-year-old children to assess how the iconicity of event-language mapping, type of connective, and clause order mediate the comprehension of temporal sentences. Sixty monolingual Greek-speaking children and 15 adult controls completed a picture-sequence selection task in which they judged after- and before-sentences in iconic and non-iconic order. Up to age twelve, children did not reach full adult-like comprehension of the connectives; performance in non-iconic after-sentences was significantly lower than in the other three conditions across all ages. We conclude that neither iconicity, connective, nor clause order can fully explain these findings and propose an account based on the interaction of iconicity and clause order: non-iconic, sentence-medial after requires revision of the initial event representation, resulting in an event-semantic kindergarten-path that children find difficult to overcome.

Sound symbolic associations in Spanish emotional words: affective dimensions and discrete emotions.

Sound symbolism refers to non-arbitrary associations between word forms and meaning, such as those observed for some properties of sounds and size or shape. Recent evidence suggests that these connections extend to emotional concepts. Here we investigated two types of non-arbitrary relationships. Study 1 examined whether iconicity scores (i.e. resemblance-based mapping between aspects of a word's form and its meaning) for words can be predicted from ratings in the affective dimensions of valence and arousal and/or the discrete emotions of happiness, anger, fear, disgust and sadness. Words denoting negative concepts were more likely to have more iconic word forms. Study 2 explored whether statistical regularities in single phonemes (i.e. systematicity) predicted ratings in affective dimensions and/or discrete emotions. Voiceless (/p/, /t/) and voiced plosives (/b/, /d/, /g/) were related to high arousing words, whereas high arousing negative words tended to include fricatives (/s/, /z/). Hissing consonants were also more likely to occur in words denoting all negative discrete emotions. Additionally, words conveying certain discrete emotions included specific phonemes. Overall, our data suggest that emotional features might explain variations in iconicity and provide new insight about phonemic patterns showing sound symbolic associations with the affective properties of words.

Humans (Homo sapiens) but not baboons (Papio papio) demonstrate crossmodal pitch-luminance correspondence.

Humans spontaneously and consistently map information coming from different sensory modalities. Surprisingly, the phylogenetic origin of such cross-modal correspondences has been under-investigated. A notable exception is the study of Ludwig et al. (Visuoauditory mappings between high luminance and high pitch are shared by chimpanzees [Pan troglodytes] and humans. Proceedings of the National Academy of Sciences, 108(51), 20661-20665) which reports that both humans and chimpanzees spontaneously map high-pitched sounds with bright objects and low-pitched sounds with dark objects. Our pre-registered study aimed to directly replicate this research on both humans and baboons (Papio papio), an old world monkey which is more phylogenetically distant from humans than chimpanzees. Following Ludwig et al. participants were presented with a visual classification task where they had to sort black and white square (low and high luminance), while background sounds (low or high-pitched tones) were playing. Whereas we replicated the finding that humans' performance on the visual task was affected by congruency between sound and luminance of the target, we did not find any of those effects on baboons' performance. These results question the presence of a shared cross-modal pitch-luminance mapping in other nonhuman primates.

Effects of Iconicity in Recognition Memory.

Iconicity refers to a resemblance between word form and meaning. Previous work has shown that iconic words are learned earlier and processed faster. Here, we examined whether iconic words are recognized better on a recognition memory task. We also manipulated the level at which items were encoded-with a focus on either their meaning or their form-in order to gain insight into the mechanism by which iconicity would affect memory. In comparison with non-iconic words, iconic words were associated with a higher false alarm rate, a lower d' score, and a lower response criterion in Experiment 1. We did not observe any interaction between iconicity and encoding condition. To test the generalizability of these findings, we examined effects of iconicity in a recognition memory megastudy across 3880 items. After controlling for a variety of lexical and semantic variables, iconicity was predictive of more hits and false alarms, and a lower response criterion in this dataset. In Experiment 2, we examined whether these effects were due to increased feelings of familiarity for iconic items by including a familiar versus recollect decision. This experiment replicated the overall results of Experiment 1 and found that participants were more likely to categorize words that they had seen before as familiar (vs. recollected) if they were iconic. Together, these results demonstrate that iconicity has an effect on memory. We discuss implications for theories of iconicity.

Systematic mappings of sound to meaning: A theoretical review.

The form of a word sometimes conveys semantic information. For example, the iconic word gurgle sounds like what it means, and busy is easy to identify as an English adjective because it ends in -y. Such links between form and meaning matter because they help people learn and use language. But gurgle also sounds like gargle and burble, and the -y in busy is morphologically and etymologically unrelated to the -y in crazy and watery. Whatever processing effects gurgle and busy have in common likely stem not from iconic, morphological, or etymological relationships but from systematicity more broadly: the phenomenon whereby semantically related words share a phonological or orthographic feature. In this review, we evaluate corpus evidence that spoken languages are systematic (even when controlling for iconicity, morphology, and etymology) and experimental evidence that systematicity impacts word processing (even in lieu of iconic, morphological, and etymological relationships). We conclude by drawing attention to the relationship between systematicity and low-frequency words and, consequently, the role that systematicity plays in natural language processing.

Sign learning of hearing children in inclusive day care centers-does iconicity matter?

An increasing number of experimental studies suggest that signs and gestures can scaffold vocabulary learning for children with and without special educational needs and/or disabilities (SEND). However, little research has been done on the extent to which iconicity plays a role in sign learning, particularly in inclusive day care centers. This current study investigated the role of iconicity in the sign learning of 145 hearing children (2;1 to 6;3 years) from inclusive day care centers with educators who started using sign-supported speech after a training module. Children's sign use was assessed via a questionnaire completed by their educators. We found that older children were more likely to learn signs with a higher degree of iconicity, whereas the learning of signs by younger children was less affected by iconicity. Children with SEND did not benefit more from iconicity than children without SEND. These results suggest that whether iconicity plays a role in sign learning depends on the age of the children.

Cross-Modal Musical Expectancy in Complex Sound Music: A Grounded Theory.

Expectancy is a core mechanism for constructing affective and cognitive experiences of music. However, research on musical expectations has been largely founded upon the perception of tonal music. Therefore, it is still to be determined how this mechanism explains the cognition of sound-based acoustic and electroacoustic music, such as complex sound music (CSM). Additionally, the dominant methodologies have consisted of well-controlled experimental designs with low ecological validity that have overlooked the listening experience as described by the listeners. This paper presents results concerning musical expectancy from a qualitative research project that investigated the listening experiences of 15 participants accustomed to CSM listening. Corbin and Strauss' (2015) grounded theory was used to triangulate data from interviews along with musical analyses of the pieces chosen by the participants to describe their listening experiences. Cross-modal musical expectancy (CMME) emerged from the data as a subcategory that explained prediction through the interaction of multimodal elements beyond just the acoustic properties of music. The results led to hypothesise that multimodal information coming from sounds, performance gestures, and indexical, iconic, and conceptual associations re-enact cross-modal schemata and episodic memories where real and imagined sounds, objects, actions, and narratives interrelate to give rise to CMME processes. This construct emphasises the effect of CSM's subversive acoustic features and performance practices on the listening experience. Further, it reveals the multiplicity of factors involved in musical expectancy, such as cultural values, subjective musical and non-musical experiences, music structure, listening situation, and psychological mechanisms. Following these ideas, CMME is conceived as a grounded cognition process.

The Iconicity Ring Hypothesis Bridges the Gap Between Symbol Grounding and Linguistic Relativity.

Kemmerer captured the drastic change in theories of word meaning representations, contrasting the view that word meaning representations are amodal and universal, with the view that they are grounded and language-specific. However, he does not address how language can be simultaneously grounded and language-specific. Here, we approach this question from the perspective of language acquisition and evolution. We argue that adding a new element-iconicity-is critically beneficial and offer the iconicity ring hypothesis, which explains how language-specific, secondary iconicity might emerge from biologically grounded and universally shared iconicity in the course of language acquisition and evolution.

Neural Indicators of Visual Andauditory Recognition of Imitative Words on Different De-Iconization Stages.

The research aims to reveal neural indicators of recognition for iconic words and the possible cross-modal multisensory integration behind this process. The goals of this research are twofold: (1) to register event-related potentials (ERP) in the brain in the process of visual and auditory recognition of Russian imitative words on different de-iconization stages; and (2) to establish whether differences in the brain activity arise while processing visual and auditory stimuli of different nature. Sound imitative (onomatopoeic, mimetic, and ideophonic) words are words with iconic correlation between form and meaning (iconicity being a relationship of resemblance). Russian adult participants (n = 110) were presented with 15 stimuli both visually and auditorily. The stimuli material was equally distributed into three groups according to the criterion of (historical) iconicity loss: five explicit sound imitative (SI) words, five implicit SI words and five non-SI words. It was established that there was no statistically significant difference between visually presented explicit or implicit SI words and non-SI words respectively. However, statistically significant differences were registered for auditorily presented explicit SI words in contrast to implicit SI words in the N400 ERP component, as well as implicit SI words in contrast to non-SI words in the P300 ERP component. We thoroughly analyzed the integrative brain activity in response to explicit IS words and compared it to that in response to implicit SI and non-SI words presented auditorily. The data yielded by this analysis showed the N400 ERP component was more prominent during the recognition process of the explicit SI words received from the central channels (specifically Cz). We assume that these results indicate a specific brain response associated with directed attention in the process of performing cognitive decision making tasks regarding explicit and implicit SI words presented auditorily. This may reflect a higher level of cognitive complexity in identifying this type of stimuli considering the experimental task challenges that may involve cross-modal integration process.

The Whale and the Microorganism: A Tale of a Classic Example and Linguistic Intuitions.

A classic example of the arbitrary relation between the way a word sounds and its meaning is that microorganism is a very long word that refers to a very small entity, whereas whale is a very short word that refers to something very big. This example, originally presented in Hockett's list of language's design features, has been often cited over the years, not only by those discussing the arbitrary nature of language, but also by researchers of sound symbolism. While the two groups disagreed regarding the role of arbitrariness and sound symbolism in language, they both agreed there is a nonsound symbolic relation between word length and entity size in this case. This paper shows that the length of the words whale and microorganism in fact reflects a sound symbolic pattern. An analysis of >600 languages from >100 language families shows that languages use longer words to denote the concept small than they do to denote the concept big. The paper thus shows how explicit judgments might differ from implicit cognitive association and the problem of relying on these in sound symbolism research.

Iconicity in Ideophones: Guessing, Memorizing, and Reassessing.

Iconicity, or the resemblance between form and meaning, is often ascribed to a special status and contrasted with default assumptions of arbitrariness in spoken language. But does iconicity in spoken language have a special status when it comes to learnability? A simple way to gauge learnability is to see how well something is retrieved from memory. We can further contrast this with guessability, to see (1) whether the ease of guessing the meanings of ideophones outperforms the rate at which they are remembered; and (2) how willing participants' are to reassess what they were taught in a prior task-a novel contribution of this study. We replicate prior guessing and memory tasks using ideophones and adjectives from Japanese, Korean, and Igbo. Our results show that although native Cantonese speakers guessed ideophone meanings above chance level, they memorized both ideophones and adjectives with comparable accuracy. However, response time data show that participants took significantly longer to respond correctly to adjective-meaning pairs-indicating a discrepancy in a cognitive effort that favored the recognition of ideophones. In a follow-up reassessment task, participants who were taught foil translations were more likely to choose the true translations for ideophones rather than adjectives. By comparing the findings from our guessing and memory tasks, we conclude that iconicity is more accessible if a task requires participants to actively seek out sound-meaning associations.

A cross-linguistic, sound symbolic relationship between labial consonants, voiced plosives, and Pokémon friendship.

Introduction: This paper presents a cross-linguistic study of sound symbolism, analysing a six-language corpus of all Pokémon names available as of January 2022. It tests the effects of labial consonants and voiced plosives on a Pokémon attribute known as friendship. Friendship is a mechanic in the core series of Pokémon video games that arguably reflects how friendly each Pokémon is. Method: Poisson regression is used to examine the relationship between the friendship mechanic and the number of times /p/, /b/, /d/, /m/, /g/, and /w/ occur in the names of English, Japanese, Korean, Chinese, German, and French Pokémon. Results: Bilabial plosives, /p/ and /b/, typically represent high friendship values in Pokémon names while /m/, /d/, and /g/ typically represent low friendship values. No association is found for /w/ in any language. Discussion: Many of the previously known cases of cross-linguistic sound symbolic patterns can be explained by the relationship between how sounds in words are articulated and the physical qualities of the referents. This study, however, builds upon the underexplored relationship between sound symbolism and abstract qualities.

Strong versus weak embodiment: Spatial iconicity in physical, abstract, and social semantic categories.

BACKGROUND: Perceptual and action systems seem to be related to complex cognitive processes, but the scope of grounded or embodied cognition has been questioned. Zwaan and Yaxley (2003) proposed that cognitive processes of making semantic relatedness judgments can be facilitated when word pairs are presented in ways that their referents maintain their iconic configuration rather than their reverse-iconic configuration (the spatial iconicity effect). This effect has been observed in different semantic categories using specific experiments, but it is known that embodiment is highly dependent on task demands. METHOD: The present study analyzed the spatial iconicity effect in three semantic categories (physical, abstract, and social) using the same experimental criteria to determine the scope of embodied cognition. In this reaction-time experiment, 75 participants judged the semantic relatedness of 384 word pairs whose experimental items were presented in their iconic or reverse-iconic configurations. RESULTS: Two mixed-effects models with crossed random effects revealed that the interaction between word meaning and spatial position was present only for physical concepts but neither for abstract nor social concepts. CONCLUSIONS: Within the framework of strong and weak embodiment theories, the data support weak embodiment theory as the most explicative one.

How (and why) does iconicity effect lexical access: An electrophysiological study of American sign language.

Prior research has found that iconicity facilitates sign production in picture-naming paradigms and has effects on ERP components. These findings may be explained by two separate hypotheses: (1) a task-specific hypothesis that suggests these effects occur because visual features of the iconic sign form can map onto the visual features of the pictures, and (2) a semantic feature hypothesis that suggests that the retrieval of iconic signs results in greater semantic activation due to the robust representation of sensory-motor semantic features compared to non-iconic signs. To test these two hypotheses, iconic and non-iconic American Sign Language (ASL) signs were elicited from deaf native/early signers using a picture-naming task and an English-to-ASL translation task, while electrophysiological recordings were made. Behavioral facilitation (faster response times) and reduced negativities were observed for iconic signs (both prior to and within the N400 time window), but only in the picture-naming task. No ERP or behavioral differences were found between iconic and non-iconic signs in the translation task. This pattern of results supports the task-specific hypothesis and provides evidence that iconicity only facilitates sign production when the eliciting stimulus and the form of the sign can visually overlap (a picture-sign alignment effect).

The sound symbolism of food: the frequency of initial /PA-/ in words for (staple) food.

In different languages around the world, morphemes representing the (cooked form of) staple food or food in general tend to begin with a [+labial] phoneme followed by a [+low] phoneme (/pa-/, /ma-/, /fa-/, /wa-/, etc.). This article provides evidence for this phonological similarity by analyzing 66 sample languages' morphemes representing the staple food within the society where each language is spoken. About a fourth of the morphemes referring to staple food begin with a [+labial] first phoneme followed by a [+low] second phoneme, which is a much higher proportion compared to another list of basic morphemes in the same 66 languages. I further argue that the motivation for this crosslinguistic tendency is the iconic association between the mouth-opening gesture and the concept of eating.

Is a boat bigger than a ship? Null results in the investigation of vowel sound symbolism on size judgements in real language.

Sound symbolism is the phenomenon by which certain kinds of phonemes are associated with perceptual and/or semantic properties. In this article, we explored size sound symbolism (i.e., the mil/mal effect) in which high-front vowels (e.g., /i/) show an association with smallness, while low-back vowels (e.g., /ɑ/) show an association with largeness. This has previously been demonstrated with nonwords, but its impact on the processing of real language is unknown. We investigated this using a size judgement task, in which participants classified words for small or large objects, containing a small- or large-associated vowel, based on their size. Words were presented auditorily in Experiment 1 and visually in Experiment 2. We did not observe an effect of vowel congruence (i.e., between object size and the size association of its vowel) in either of the experiments. This suggests that there are limits to the impact of sound symbolism on the processing of real language.

I don't see what you're saying: The maluma/takete effect does not depend on the visual appearance of phonemes as they are articulated.

In contrast to the principle of arbitrariness, recent work has shown that language can iconically depict referents being talked about. One such example is the maluma/takete effect: an association between certain phonemes (e.g., those in maluma) and round shapes, and other phonemes (e.g., those in takete and spiky shapes). An open question has been whether this association is crossmodal (arising from phonemes' sound or kinesthetics) or unimodal (arising from phonemes' visual appearance). In the latter case, individuals may associate a person's rounded lips as they pronounce the /u/ in maluma with round shapes. We examined this hypothesis by having participants pair nonwords with shapes in either an audio-only condition (they only heard nonwords) or an audiovisual condition (they both heard nonwords and saw them articulated). We found no evidence that seeing nonwords articulated enhanced the maluma/takete effect. In fact, there was evidence that it decreased it in some cases. This was confirmed with a Bayesian analysis. These results eliminate a plausible explanation for the maluma/takete effect, as an instance of visual matching. We discuss the alternate possibility that it involves crossmodal associations.

Sign advantage: Both children and adults' spatial expressions in sign are more informative than those in speech and gestures combined.

Expressing Left-Right relations is challenging for speaking-children. Yet, this challenge was absent for signing-children, possibly due to iconicity in the visual-spatial modality of expression. We investigate whether there is also a modality advantage when speaking-children's co-speech gestures are considered. Eight-year-old child and adult hearing monolingual Turkish speakers and deaf signers of Turkish-Sign-Language described pictures of objects in various spatial relations. Descriptions were coded for informativeness in speech, sign, and speech-gesture combinations for encoding Left-Right relations. The use of co-speech gestures increased the informativeness of speakers' spatial expressions compared to speech-only. This pattern was more prominent for children than adults. However, signing-adults and children were more informative than child and adult speakers even when co-speech gestures were considered. Thus, both speaking- and signing-children benefit from iconic expressions in visual modality. Finally, in each modality, children were less informative than adults, pointing to the challenge of this spatial domain in development.