ABSTRACT
Resumo Este artigo tem como ponto de partida uma reflexão sobre a produção de imagens e narrativas circunscritas em torno do dispositivo antes e depois. Argumenta que a divulgação de padrões estéticos, especialmente nas redes sociais, opera de modo a prescrever uma necessária transformação e aprimoramento de si. Analisa relatos de experiências de mulheres que realizaram a chamada cirurgia íntima (ninfoplastia ou redução dos pequenos lábios vaginais) com a intenção de melhoria estética. Os depoimentos provêm de um grupo de discussão em torno desses procedimentos na internet. Nos casos em que as intervenções cirúrgicas são avaliadas negativamente, o antes e depois não se realizam da forma prevista. Nesse cenário, as mulheres tendem a ressignificar a necessidade da cirurgia e a reconhecer a imposição, por parte da sociedade, de padrões corporais idealizados. Este processo é discutido por meio do debate acerca do pós-feminismo e constrangimentos de gênero.
Abstract This article analyzes the production of images and narratives circumscribed around the dispositive before and after. It argues that the dissemination of aesthetic standards, especially on social networks, operates in order to prescribe a necessary transformation and improvement of the self. It analyzes reports of experiences of women who underwent the so-called intimate surgery (nymphoplasty or reduction of the labia minora) with the intention of aesthetic improvement. The testimonies come from a discussion group around these procedures on the internet. In cases where surgical interventions are negatively evaluated, the before and after are not performed as expected. In this scenario, women tend to resignify the need for surgery and recognize the imposition, by society, of idealized body standards. This process is discussed through the debate about post-feminism and gender constraints.
Resumen Este artículo tiene como punto de partida una reflexión sobre la producción de imágenes y narrativas circunscritas en torno al dispositivo antes y después. Argumenta que la difusión de normas estéticas, especialmente en las redes sociales, opera para prescribir una necesaria transformación y mejora del yo. Analiza relatos de experiencias de mujeres que se sometieron a la llamada cirugía íntima (ninfoplastía o reducción de labios menores) con la intención de mejorar estéticamente. Los testimonios provienen de un grupo de discusión sobre estos procedimientos en Internet. En los casos en que las intervenciones quirúrgicas son evaluadas negativamente, el antes y el después no se realizan como se esperaba. En ese escenario, las mujeres tienden a resignificar la necesidad de la cirugía y reconocen la imposición, por parte de la sociedad, de patrones corporales idealizados. Este proceso se discute a través del debate sobre el posfeminismo y las restricciones de género.
Subject(s)
Humans , Female , Patient Satisfaction , Plastic Surgery Procedures/adverse effects , Gynecologic Surgical Procedures/adverse effects , Sexuality/psychology , Plastic Surgery Procedures/methods , Social Media/trendsABSTRACT
Postfeminism is a neoliberal sensibility that locates femininity in the body, thereby imploring women to constantly labor on, monitor and discipline their bodies. This aesthetic labor is presented to women as freely chosen and empowering. Brazilian waxing is exemplary aesthetic labor directed at the self. Academic literature on aesthetic labor in general, and Brazilian waxing in particular, looks at white and middle-class women, as this category of women is considered the putative subject of postfeminism. Little attention is paid to racialized women from the global south who perform aesthetic labor on other women's bodies in the global north. In this paper, I draw on my ethnographic study of two beauty salons in London run by South Asian women to argue that these South Asian beauticians are postfeminist subjects as well. The aim of challenging the putative subject of postfeminism, using the example of Brazilian waxing, is not merely to include South Asian women in the discourse, but to advance a transnational theorization of postfeminism. Such theorization, I demonstrate, leads to a better understanding of how postfeminism is implicated in global structures of power as well as the affective qualities of postfeminism including intimacy and disgust.