Tuning Local Order in Starch Nanoparticles Exploiting Nonsolvency with "Green" Solvents.

Starch is a renewable biopolymer that can be sourced from agricultural waste and used to produce nanoparticles (SNPs). In particular, amorphous SNPs have potential application in numerous fields, including the consolidation of weakened paintings in the cultural heritage preservation. Starch dissolution followed by nanoprecipitation in nonsolvents is an advantageous synthetic route, but new methodologies are needed to feasibly control the physicochemical properties of the SNPs. Here, we explored nanoprecipitation by nonsolvency using a set of "green" solvents to obtain amorphous SNPs, rather than starch nanocrystals already reported in the literature. The effect of the nonsolvent on the ordering of polymer chains in the obtained SNPs was studied. The recovery of local order (e.g., isolated V-type helices) after dissolution was shown to depend on the type of solvents used in the dissolution and precipitation steps, while long-range order (extended arrays of helices) is lost. Aqueous dispersions of the SNPs provided effective consolidation of powdery painted layers, showing that the selection of particle synthetic routes can be dictated by sustainability and scalability criteria. These "green" formulations are candidates as new consolidants in art preservation, and the possibility of tuning local order in amorphous starch assemblies might also impact fields like food chemistry, pharmaceutics, and nanocomposites, where SNPs with tunable amorphousness are more advantageous than nanocrystals.

New sustainable polymers and oligomers for Cultural Heritage conservation.

The development of "green" chemistry materials with enhanced properties is a central topic in numerous applicative fields, including the design of polymeric systems for the conservation of works of art. Traditional approaches in art restoration comprise polymer thickeners and viscous dispersions to partially control solvents in the removal of soil or aged varnishes/coatings from artifacts. Alternatively, polymeric gel networks can be specifically designed to grant full control of the cleaning action, yielding safe, time- and cost-effective restorations. The selection of polymers and oligomers in gel design is crucial to tune solvent upload, retention, and controlled release over the sensitive artistic surfaces. Starting from an overview of traditional polymer formulations and state-of-the-art gel systems for cleaning works of art, we provide here the design of a new class of gels, focusing on the selection of oligomers to achieve gels with tailored hydrophilicity/hydrophobicity. We evaluated the oligomers Hydrophilic-Lipophilic Balance (HLB) by developing, for the first time, a novel methodology combining SEC and DOSY NMR analysis, which was tested on a library of "green" oligoesters synthesized by polycondensation and poorly explored in the literature. Oligomers with moderate polydispersity were chosen to validate the new protocol as a robust tool for designing polymeric gels even on industrial scale. The methodology is more time-effective than traditional methods, and gives additional insights on the oligomers physico-chemical nature, evaluating their compatibility with different solvents. Then, we used the selected oligoesters with castor oil to obtain a new class of organogels able to upload solvents with varying polarity, which effectively removed different types of unwanted layers typically found in painting restoration. These results validate the oligomers screening approach and the new class of gels as promising chemical processes/materials in art preservation. The methodology can potentially allow evaluation of HLB also for small molecules (e.g., surfactants), opening for the formulation of polymers solutions/gels beyond Cultural Heritage conservation, as in pharmaceutics, cosmetics, food industry, tissue engineering, agriculture, and others.

Crystal engineering of high explosives through lone pair-π interactions: Insights for improving thermal safety.

In this high-risk/high-reward study, we prepared complexes of a high explosive anion (picrate) with potentially explosive s-tetrazine-based ligands with the sole purpose of advancing the understanding of one of the weakest supramolecular forces: the lone pair-π interaction. This is a proof-of-concept study showing how lone pair-π contacts can be effectively used in crystal engineering, even of high explosives, and how the supramolecular architecture of the resulting crystalline phases influences their experimental thermokinetic properties. Herein we present XRD structures of 4 novel detonating compounds, all showcasing lone pair-π interactions, their thermal characterization (DSC, TGA), including the correlation of experimental thermokinetic parameters with crystal packing, and in silico explosion properties. This last aspect is relevant for improving the safety of high-energy materials.

Nanostructured bio-based castor oil organogels for the cleaning of artworks.

HYPOTHESIS: Organic solvents are often used for cleaning highly water-sensitive artifacts in modern/contemporary art. Due to the toxicity of most solvents, confining systems must be formulated to use these fluids in a safe and controlled way. We propose here castor oil (CO) organogels, obtained thorough cost-effective sustainable polyurethane crosslinking. This methodology is complementary to previously demonstrated hydrogels, when conservators opt for organic solvents over aqueous formulations. EXPERIMENTS: The gels were characterized via Small-angle Neutron Scattering and rheology before and after swelling in two organic solvents commonly adopted in cleaning paintings. The removal of a photo-aged acrylic-ketonic varnish was evaluated under visible and ultraviolet light, and with FTIR 2D imaging. FINDINGS: The new gels are dry systems that can be easily stored and loaded with solvents before use. Their nanoscale organization, viscoelasticity and cleaning action are controlled changing the amount of crosslinking, the polymeric backbone, and the loaded solvents. The fluids are confined in the nanosized polymeric mesh of the gels, which are highly retentive, granting controlled release over delicate paint layers, and transparent, allowing monitoring of the cleaning process. These features, along with their sustainable synthesis, candidate the CO organogels as feasible solutions for cultural heritage preservation, expanding the palette of advanced tools for conservators over traditional thickeners.

pH-Controlled assembly of polyelectrolyte layers on silica nanoparticles in concentrated suspension.

HYPOTHESIS: Preparation of suspensions of nanoparticles (>1 wt%) coated with a polyelectrolyte multilayers is a challenging task because of the risk of flocculation when a polyelectrolyte is added to a suspension of oppositely charged nanoparticles. This situation can be avoided if the charge density of the polymers and particles is controlled during mixing so as to separate mixing and adsorption events. EXPERIMENTS: The cationic polyethylenimine (PEI) and the anionic carboxymethylcellulose (CMC) were used as weak polyelectrolytes. Polyelectrolyte multilayers build-up was conducted by reducing the charge of one of the components during the addition of the next component. Charge density was controlled by tuning pH. Analysis of the suspension of coated nanoparticles was done by means of dynamic light scattering, electrophoresis and small angle x-ray scattering measurements, while quartz crystal microbalance was used to study the build-up process on flat silica surfaces. FINDINGS: Charge density, controlled through pH, can be used as a tool to avoid flocculation during layer-by-layer deposition of polyelectrolytes on 20 nm silica particles at high concentration (∼40 wt%). When added to silica at pH 3, PEI did not induce flocculation. Adsorption was triggered by raising the pH to 11, pH at which CMC could be added. The pH was then lowered to 3. The process was repeated, and up to five polyelectrolyte layers were deposited on concentrated silica nanoparticles while inducing minimal aggregation.

The kinetic of calcium silicate hydrate formation from silica and calcium hydroxide nanoparticles.

HYPOTHESIS: The mechanism of calcium silicate hydrate (CSH) formation, a relevant component of cement, the largest used material by mankind, is well documented. However, the effects of nano-sized materials on the CSH formation have not yet been evaluated. To this aim, a kinetic study on CSH formation via the "pozzolanic reaction" of nanosilica and calcium hydroxide nanoparticles, and in the presence of hydroxypropyl cellulose (HPC) as hydration regulator, is reported in this paper. EXPERIMENTS: The reagents were mixed with water and cured at 10, 20, 30 and 40 °C. The reaction kinetics was studied with differential scanning calorimetry (DSC). A Boundary Nucleation and Growth model (BNGM) combined with a diffusion-limited model was used to analyze the data, yielding induction times, reaction rates, activation energies, nucleation and linear growth rates, and the related diffusion coefficients. FINDINGS: The rate constants kB and kG, which are, respectively, the rate at which the nucleated boundary area transforms, and the rate at which the non-nucleated grains between the boundaries transform, increase with temperature. Their different temperature dependence accounts for the prevailing effect of nucleation over nuclei growth at progressively lower temperatures. The nucleation rate, IB, is strongly enhanced when using nanomaterials, while the linear growth rate, G, is limited by the tightly packed structure of the transforming matrix. HPC influences the kinetics between 10 and 30 °C; at 40 °C the temperature effect becomes predominant. HPC delays induction and acceleration periods, increases Ea(kB), and enhances the reaction efficiency during the diffusion regime, by retaining and delivering water over the matrix, thus allowing a higher water consumption in the hydration reaction of CSH.

Advanced Materials in Cultural Heritage Conservation.

Cultural Heritage is a crucial socioeconomic resource; yet, recurring degradation processes endanger its preservation. Serendipitous approaches in restoration practice need to be replaced by systematically addressing conservation issues through the development of advanced materials for the preservation of the artifacts. In the last few decades, materials and colloid science have provided valid solutions to counteract degradation, and we report here the main highlights in the formulation and application of materials and methodologies for the cleaning, protection and consolidation of works of art. Several types of artifacts are addressed, from murals to canvas paintings, metal objects, and paper artworks, comprising both classic and modern/contemporary art. Systems, such as nanoparticles, gels, nanostructured cleaning fluids, composites, and other functional materials, are reviewed. Future perspectives are also commented, outlining open issues and trends in this challenging and exciting field.

Selective removal of over-paintings from "Street Art" using an environmentally friendly nanostructured fluid loaded in highly retentive hydrogels.

HYPOTHESIS: The removal of over-paintings or graffiti is a priority for conservators and restorers. This operation is complex, especially when over-paintings lay on painted surfaces that must be preserved, as in the case of vandalism on street art, where the layers are usually chemically similar. Traditional methodologies often do not provide satisfactory results and pose health and eco-compatibility concerns. An alternative methodological approach based on an environmentally friendly nanostructured fluid loaded in a retentive hydrogel is here proposed. EXPERIMENTS: Six paints (based on vinyl, acrylic and alkyd polymers) were selected and studied by means of attenuated total reflection - Fourier transform infrared spectroscopy. The phase behavior of four alkyl carbonates (green, low-toxicity organic solvents) and a biodegradable nonionic surfactant in water was investigated with Small angle X-ray scattering (SAXS) in order to formulate a novel nanostructured cleaning system. The developed system, which also includes 2-butanol and an alkyl glycoside hydrotrope, was loaded in highly retentive hydrogels and tested in the selective removal of over-paintings from laboratory mockups and from real pieces of street art. FINDINGS: The selective and controlled removal of modern paints from substrates with similar chemical composition has been achieved using a specifically tailored NSF embedded in a retentive hydrogel. The proposed methodology and cleaning system provided excellent cleaning results, representing a new tool for the conservation of contemporary and, in particular, street art.

Photopolymerizable pullulan: Synthesis, self-assembly and inkjet printing.

HYPOTHESIS: Pullulan, an exopolysaccharide consisting of maltotriose repeating units, has recently found many applications in different fields, such as food, packaging, cosmetics and pharmaceuticals. The introduction of photo-crosslinkable methacrylic units potentially allows to use pullulan derivative in inkjet 3D printing. EXPERIMENTS: Pullulan was functionalized with methacrylic groups and the derivative was characterized by NMR, FT-IR and Raman spectroscopy. Water dispersions were thoroughly investigated by optical microscopy, SAXS and rheology to evaluate the self-assembly properties and they were used as photo-crosslinkable inks in a 3D printer, also in comparison with pristine pullulan. The structural and mechanical properties of the obtained films were studied by Atomic Force Microscopy and tensile strength tests. FINDINGS: The introduction of methacrylic groups moderately affects the self-assembly of the polymer in water, resulting in a slight increase of the gyration radius of the polymer coils and in a small decrease of the viscosity, retaining the typical shear-thinning behavior of concentrated polysaccharides in water. The structural and mechanical properties of the 3D printed films are much more affected, showing the presence of sub-micrometric phase segregated domains which are further separated by the cross-linking. As a result, the deformability of the materials is improved, with a lower tensile strength.

Spotting aged dyes on paper with SERS.

Surface enhanced Raman spectroscopy (SERS) is a highly sensitive technique for the non- or minimally invasive identification of molecules at very low concentrations. In this work, SERS is exploited using naked laser-ablated gold nanoparticles (AuNPs) for the detection of dyes on artificially aged paper inked with a ballpoint pen. Although several studies on inks with SERS are present in the literature, most of them report on the investigations on freshly prepared products, and less information is present on the detection of aged dyes and inks using SERS. Ballpoint inks are commonly used in daily activities, but have also been employed by several contemporary artists. These inks are very sensitive to light, and they discolor rapidly, making their detection demanding. In the present work, the SERS spectra of a ballpoint pen ink on two types of paper were analyzed after light-induced ageing, and the importance of the dye-AuNP interaction is discussed. The results show that the interpretation of the SERS spectra of the aged samples, such as those of interest in the Cultural Heritage field, is a tricky and delicate operation and that the diffusion of the dyes to the hot spot regions of the plasmonic nanoparticles plays a pivotal role in the detection of degraded ink components. Therefore, appropriate evaluation of the factors affecting the molecule-plasmonic nanoparticle interactions and of the history of the artwork to be analyzed is fundamental to avoiding the misinterpretation of the spectra and, consequently, of the original composition of the analyzed artwork.

Nanomaterials for Combined Stabilisation and Deacidification of Cellulosic Materials-The Case of Iron-Tannate Dyed Cotton.

The conservation of textiles is a challenge due to the often fast degradation that results from the acidity combined with a complex structure that requires remediation actions to be conducted at several length scales. Nanomaterials have lately been used for various purposes in the conservation of cultural heritage. The advantage with these materials is their high efficiency combined with a great control. Here, we provide an overview of the latest developments in terms of nanomaterials-based alternatives, namely inorganic nanoparticles and nanocellulose, to conventional methods for the strengthening and deacidification of cellulose-based materials. Then, using the case of iron-tannate dyed cotton, we show that conservation can only be addressed if the mechanical strengthening is preceded by a deacidification step. We used CaCO3 nanoparticles to neutralize the acidity, while the stabilisation was addressed by a combination of nanocellulose, and silica nanoparticles, to truly tackle the complexity of the hierarchical nature of cotton textiles. Silica nanoparticles enabled strengthening at the fibre scale by covering the fibre surface, while the nanocellulose acted at bigger length scales. The evaluation of the applied treatments, before and after an accelerated ageing, was assessed by tensile testing, the fibre structure by SEM and the apparent colour changes by colourimetric measurements.

Twin-chain polymer hydrogels based on poly(vinyl alcohol) as new advanced tool for the cleaning of modern and contemporary art.

Conservation of our cultural heritage is fundamental for conveying to future generations our culture, traditions, and ways of thinking and behaving. Cleaning art, in particular modern/contemporary paintings, with traditional tools could be risky and impractical, particularly on large collections of important works to be transferred to future generations. We report on advanced cleaning systems, based on twin-chain polymer networks made of poly(vinyl alcohol) (PVA) chains, semiinterpenetrated (semi-IPN) with PVA of lower molecular weight (L-PVA). Interpenetrating L-PVA causes a change from gels with oriented channels to sponge-like semi-IPNs with disordered interconnected pores, conferring different gel (and solvent) dynamics. These features grant residue-free, time efficient cleaning capacity and effective dirt capture, defeating risks for the artifact, making possible a safer treatment of important collections, unconceivable with conventional methods. We report as an example the conservation of Jackson Pollock's masterpieces, cleaned in a controlled way, safety and selectivity with unprecedented performance.

Poly(vinyl alcohol)/poly(vinyl pyrrolidone) hydrogels for the cleaning of art.

The cleaning of modern and contemporary paintings is a delicate and challenging operation. Many contemporary paintings exhibit rough, clotted and pitted surfaces, where the removal of soil is difficult. Gels are among the most efficient tools to achieve controlled and efficient cleaning of works of art. However, most gels used in the conservation practice are too rigid to adapt rough surfaces, or too mechanically weak to be removed without leaving polymer residues. Several formulations of physically cross-linked poly(vinyl alcohol) (PVA)-based hydrogels, obtained by cast-drying or freeze-thawing of aqueous polymeric solutions, were formulated and characterized. The viscoelastic properties, porosity, and crystallinity of the gels were studied, along with the behavior of water inside the polymeric network. It was shown that the properties of the gels were improved through blending with poly(vinyl pyrrolidone) (PVP). The most promising gel formulation, in terms of mechanical properties and water retentiveness, was assessed for the removal of soil from an alkyd painting mock-up. A traditional gel, gellan gum, was also tested as a reference system. The effectiveness of soil removal was investigated by 2D Fourier transform infrared (FTIR) microscopy, using a Focal Plane Array (FPA) detector. In conclusion, it was shown that the newly developed formulation grants the residue-free removal of soil from rough and irregular artistic surfaces, overcoming the limits of traditional cleaning methods.

A Triton X-100-Based Microemulsion for the Removal of Hydrophobic Materials from Works of Art: SAXS Characterization and Application.

The removal of hydrophobic materials from a porous support, such as wax stains on wall paintings, is particularly challenging. In this context, traditional methods display several drawbacks. The limitations of these methods can be overcome by amphiphile-based aqueous nanostructured fluids, such as micellar solutions and microemulsions. In this study, a microemulsion for the removal of wax spots from artistic surfaces was formulated. The nanostructured fluid includes a non-ionic surfactant, i.e., Triton X-100, and two apolar solvents, namely p-xylene and n-nonane. The solvents were selected on the basis of solubility tests of three waxes in several organic solvents. The nanostructured fluid was characterized by means of small-angle X-rays scattering (SAXS) and the information about micelle structure was used to understand the interaction between the microemulsion and the selected waxes. The microemulsion was then tested during the restoration of the frescoes in the Major Chapel of the Santa Croce Basilica in Florence, Italy. After some preliminary tests on fresco mockups reproduced in the laboratory, the nanostructured fluid was successfully used to clean some wax deposits from the real paintings, hardly removable with traditional physico-mechanical methods.

Structural, rheological and dynamics insights of hydroxypropyl guar gel-like systems.

A dynamic, rheological, and structural characterization of aqueous gel-like systems containing hydroxypropyl guar gum (HPG), borax and glycerol is presented in this paper. The role of glycerol, which is introduced as a plasticizer in the formulation, is investigated by means of 11B NMR and 1H NMR PGSTE measurements in order to clarify its contribution to the gel network formation and its interaction with borax, with whom it forms a complex. The effect of gels components on the rheological behaviour and on the activation energy related to the relaxation process of the system was assessed by means of rheology. The results obtained suggest that the mechanical properties of these gels can be tuned and controlled by modulating the formulation in a wide range of compositions. Moreover, a structural characterisation has been also carried out by means of Small Angle X-ray Scattering (SAXS) to highlight the role of the various components on the mesh size of the network. The structural and mechanical characteristics of these systems suggest their potential use for applicative purposes. In this regard, one of the gel set up has been successfully tested as cleaning agent on the surface of a XIX stucco fragment coming from the La Fenice theatre (Venice, Italy) for the removal of a dirt layer composed by dust and particulated matter originated during a fire in 1996.

Innovative chemical gels meet enzymes: A smart combination for cleaning paper artworks.

HYPOTHESIS: Due to their highly retentive properties, innovative recently developed, semi-interpenetrated hydrogels made up of poly(vinyl pyrrolidone) (PVP) chains embedded in a poly(2-hydroxyethyl methacrylate) (p(HEMA)) network should be efficiently used as cleaning material for fragile and degraded paper artworks. In restoration practice, indeed the wet cleaning of these artworks is usually performed by immersion of paper in water, a procedure which may lead to several drawbacks, including paper fibers swelling and dissolution of water-soluble original components. EXPERIMENTS: This class of gels were yet presented in literature, but their interactions with paper materials and ability to be spiked with active enzymes (as cleaning agents), have not been analyzed. To establish the suitability of these hydrogels as paper cleaning materials, first, a rheological and microstructural characterization of the gels was performed. Moreover, diffusion of macromolecules inside gels was studied using fluorescence microscopy, to check if these innovative hydrogels can be used as carriers for hydrolytic enzymes. Indeed, pastes and glues are usually found in old paper artworks, and their removal is a very delicate operation that requires a selective action, which is granted by specific hydrolytic enzymes. At the same time, spectroscopic analyses on paper samples under investigation before and after cleaning treatment has been performed, thus assessing the capabilty of these gels as cleaning materials. FINDINGS: With the aim of demonstrating the versatility of these hydrogels, several case studies, i.e., the removal of grime and water-soluble cellulose degradation byproducts, the removal of animal glue and the removal of starch paste from real samples, are presented. Results obtained with these gels have been compared to those obtained by using another gel used for paper artworks cleaning, i.e., Gellan gel.

Calcium hydroxide nanoparticles from solvothermal reaction for the deacidification of degraded waterlogged wood.

HYPOTHESIS: A combination of acid and iron ions inside the wood has been corroding the cellulose matrix of the Swedish warship Vasa, imposing its deacidification. Past deacidification treatments displayed poor penetration inside the wood matrix with limited efficacy. A vacuum assisted treatment of wood using newly developed calcium hydroxide nanoparticle dispersions represents a possible candidate for the treatment of acidic waterlogged wood objects such as sculptures and decorative artifacts. EXPERIMENTS: A solvothermal process was used for the synthesis of calcium hydroxide nanoparticle dispersions. Before the application on waterlogged wood, the physico-chemical characterization of these systems was carried out using several techniques. The efficacy of the deacidification treatment of wood samples from the Vasa was assessed by determination of pH and Differential Thermal Gravimetric (DTG) measurements. FINDINGS: The proposed solvothermal reactions can be used to produce stable and highly concentrated calcium hydroxide nanoparticle dispersions in alcohols, needing no further purification before the application. This process has also the advantage to be upscalable to industrial level. Both pH and DTG measurements showed that the newly developed dispersions can homogenously penetrate inside the wood up to 20cm, neutralizing acidity and creating an alkaline buffer inside the wooden matrix, to hinder the degradation of residual cellulose.

On the macromolecular cellulosic network of paper: changes induced by acid hydrolysis studied by NMR diffusometry and relaxometry.

The cellulosic network of artificially acidified paper has been studied by 2D NMR relaxometry, NMR diffusometry and NMR diffusion-diffraction. Results show that the acidifying treatment enlarges the macropore structure of paper increasing the pore connectivity and modifying the exchange between water populations localized in amorphous cellulose. Acidification damage suggests that simple breaking of the amorphous portion of fibrils occurs. Nevertheless, under a specific acidifying condition, a rearrangement in the cellulose network seems to take place, with a reduction of the average macropore size and a loss of pore connectivity. The identification of water populations by 2D relaxation maps allows for monitoring the changes in cellulose water mobility due to the depolymerization process. In general the relaxation and self-diffusion results confirm that water mobility increases with acidification.

Interactions between nanostructured calcium hydroxide and acrylate copolymers: implications in cultural heritage conservation.

The interactions between an acrylic copolymer, poly ethylmethacrylate/methylacrylate (70:30) (Poly(EMA/MA), and Ca(OH)2 nanoparticles were investigated in order to establish the reciprocal influence of these two compounds on their peculiar properties. The carbonation kinetics of Ca(OH)2 nanoparticles by atmospheric CO2 was investigated by FTIR and SEM measurements and compared to that of a nanocomposite film. CaCO3 formation occurred even in the presence of the copolymer, but only after an induction period of ca. 200 h and with a lower reaction rate. Some implications in cultural heritage conservation dealing with application of nanolime on artifacts previously treated with acrylic copolymers were discussed. Contact angle measurements, mechanical cohesion properties, and water vapor permeability allowed us to conclude that the optimum behavior of nanolime with respect to transpiration was not compromised by the presence of the copolymer, and the behavior in terms of mechanical properties recovery by the application of Ca(OH)2 nanoparticles remained excellent even in the presence of poly(EMA/MA).

Colloid and materials science for the conservation of cultural heritage: cleaning, consolidation, and deacidification.

Serendipity and experiment have been a frequent approach for the development of materials and methodologies used for a long time for either cleaning or consolidation of works of art. Recently, new perspectives have been opened by the application of materials science, colloid science, and interface science frameworks to conservation, generating a breakthrough in the development of innovative tools for the conservation and preservation of cultural heritage. This Article is an overview of the most recent contributions of colloid and materials science to the art conservation field, mainly focusing on the use of amphiphile-based fluids, gels, and alkaline earth metal hydroxide nanoparticles dispersions for the cleaning of pictorial surfaces, the consolidation of artistic substrates, and the deacidification of paper, canvas, and wood. Future possible directions for solving several conservation issues that still need to be faced are also highlighted.