Musical agency reduces perceived exertion during strenuous physical performance.

Music is known to be capable of reducing perceived exertion during strenuous physical activity. The current interpretation of this modulating effect of music is that music may be perceived as a diversion from unpleasant proprioceptive sensations that go along with exhaustion. Here we investigated the effects of music on perceived exertion during a physically strenuous task, varying musical agency, a task that relies on the experience of body proprioception, rather than simply diverting from it. For this we measured psychologically indicated exertion during physical workout with and without musical agency while simultaneously acquiring metabolic values with spirometry. Results showed that musical agency significantly decreased perceived exertion during workout, indicating that musical agency may actually facilitate physically strenuous activities. This indicates that the positive effect of music on perceived exertion cannot always be explained by an effect of diversion from proprioceptive feedback. Furthermore, this finding suggests that the down-modulating effect of musical agency on perceived exertion may be a previously unacknowledged driving force for the development of music in humans: making music makes strenuous physical activities less exhausting.

Auditory perception of note transitions in simulated complex bowing patterns.

Recent motion-capture measurements of violin bowing revealed an interesting coordination behavior in fast repetitive bowing patterns involving bow changes and string crossings; bow changes were consistently lagging behind string crossings, and the relative timing appeared to be an integral part of the bow-movement patterns. The aim of the current study was to investigate if there might be a perceptual explanation for the observed coordination behavior. For this purpose a virtual violin was used, controlled by simulated bowing gestures. A simplified coordination model is presented, which was implemented to allow real-time control of complex bowing patterns. This synthesis approach was employed in a perceptual experiment in which the participants were asked to optimize the sound by adjusting a slider controlling the main coordination parameters. It was found that the resulting coordination patterns were similar to those observed in performance, implying that complex bowing trajectories for an important part emerge from auditory-motor interaction. Further analysis of the responses shed light on temporal and spatial constraints of the simulated gestures associated with the note transitions. The results raise interesting questions with regard to auditory-motor interaction in complex instrumental control gestures.