Annotations on Artemisia.

To demonstrate the relevance of an artist's biography to the understanding of her creations, no instance is more persuasive than the career of the 17th-century Italian painter Artemisia Gentileschi. Numerous scholars have attempted to correlate the nature of her subject matter with the more dramatic events of her picaresque private life. A psychoanalytic effort to make such a correlation needs to go beyond discrete incidents, to reconstruct her personality and its development. Artemisia's oeuvre is tightly focused on a fantasy system of sexual irrestibility, probably based on the interactions of this motherless child with a delinquent father. Hypotheses that the artist became a vengeful victim overtook her strength, resilience, and affability.

The enduring scientific contributions of Sigmund Freud.

Through the development of a novel observational method, Sigmund Freud made possible the collection of reliable data about man's inner life. The scientific hypotheses he formulated about these formed the initial version of psychoanalysis. Many of these first thoughts have had to be revised in the light of subsequent scientific findings about the operations of the central nervous system, but even these refuted propositions often had much heuristic value. Despite the passage of a whole century, many Freudian hypotheses have retained their scientific standing. Most important among these was Freud's realization that human thought is usually unconscious. His understanding of the role of the automatic repetition of basic patterns of behavior, of the fateful consequences of early childhood emotional vicissitudes in structuring enduring mental dispositions, and of the distinction between two distinct modes of thinking are the most significant among his many contributions.