Helping Visually Impaired People Take Better Quality Pictures.

Perception-based image analysis technologies can be used to help visually impaired people take better quality pictures by providing automated guidance, thereby empowering them to interact more confidently on social media. The photographs taken by visually impaired users often suffer from one or both of two kinds of quality issues: technical quality (distortions), and semantic quality, such as framing and aesthetic composition. Here we develop tools to help them minimize occurrences of common technical distortions, such as blur, poor exposure, and noise. We do not address the complementary problems of semantic quality, leaving that aspect for future work. The problem of assessing, and providing actionable feedback on the technical quality of pictures captured by visually impaired users is hard enough, owing to the severe, commingled distortions that often occur. To advance progress on the problem of analyzing and measuring the technical quality of visually impaired user-generated content (VI-UGC), we built a very large and unique subjective image quality and distortion dataset. This new perceptual resource, which we call the LIVE-Meta VI-UGC Database, contains 40K real-world distorted VI-UGC images and 40K patches, on which we recorded 2.7M human perceptual quality judgments and 2.7M distortion labels. Using this psychometric resource we also created an automatic limited vision picture quality and distortion predictor that learns local-to-global spatial quality relationships, achieving state-of-the-art prediction performance on VI-UGC pictures, significantly outperforming existing picture quality models on this unique class of distorted picture data. We also created a prototype feedback system that helps to guide users to mitigate quality issues and take better quality pictures, by creating a multi-task learning framework. The dataset and models can be accessed at: https://github.com/mandal-cv/visimpaired.

Learning a Continuous-Time Streaming Video QoE Model.

Over-the-top adaptive video streaming services are frequently impacted by fluctuating network conditions that can lead to rebuffering events (stalling events) and sudden bitrate changes. These events visually impact video consumers' quality of experience (QoE) and can lead to consumer churn. The development of models that can accurately predict viewers' instantaneous subjective QoE under such volatile network conditions could potentially enable the more efficient design of quality-control protocols for media-driven services, such as YouTube, Amazon, Netflix, and so on. However, most existing models only predict a single overall QoE score on a given video and are based on simple global video features, without accounting for relevant aspects of human perception and behavior. We have created a QoE evaluator, called the time-varying QoE Indexer, that accounts for interactions between stalling events, analyzes the spatial and temporal content of a video, predicts the perceptual video quality, models the state of the client-side data buffer, and consequently predicts continuous-time quality scores that agree quite well with human opinion scores. The new QoE predictor also embeds the impact of relevant human cognitive factors, such as memory and recency, and their complex interactions with the video content being viewed. We evaluated the proposed model on three different video databases and attained standout QoE prediction performance.

Large-Scale Crowdsourced Study for Tone-Mapped HDR Pictures.

Measuring digital picture quality, as perceived by human observers, is increasingly important in many applications in which humans are the ultimate consumers of visual information. Standard dynamic range (SDR) images provide 8 b/color/pixel. High dynamic range (HDR) images, usually created from multiple exposures of the same scene, can provide 16 or 32 b/color/pixel, but need to be tonemapped to SDR for display on standard monitors. Multiexposure fusion (MEF) techniques bypass HDR creation by fusing an exposure stack directly to SDR images to achieve aesthetically pleasing luminance and color distributions. Many HDR and MEF databases have a relatively small number of images and human opinion scores, obtained under stringently controlled conditions, thereby limiting realistic viewing. Moreover, many of these databases are intended to compare tone-mapping algorithms, rather than being specialized for developing and comparing image quality assessment models. To overcome these challenges, we conducted a massively crowdsourced online subjective study. The primary contributions described in this paper are: 1) the new ESPL-LIVE HDR Image Database that we created containing diverse images obtained by tone-mapping operators and MEF algorithms, with and without post-processing; 2) a large-scale subjective study that we conducted using a crowdsourced platform to gather more than 300 000 opinion scores on 1811 images from over 5000 unique observers; and 3) a detailed study of the correlation performance of the state-of-the-art no-reference image quality assessment algorithms against human opinion scores of these images. The database is available at http://signal.ece.utexas.edu/%7Edebarati/HDRDatabase.zip.

No-Reference Quality Assessment of Tone-Mapped HDR Pictures.

Being able to automatically predict digital picture quality, as perceived by human observers, has become important in many applications where humans are the ultimate consumers of displayed visual information. Standard dynamic range (SDR) images provide 8 b/color/pixel. High dynamic range (HDR) images, which are usually created from multiple exposures of the same scene, can provide 16 or 32 b/color/pixel, but must be tonemapped to SDR for display on standard monitors. Multi-exposure fusion techniques bypass HDR creation, by fusing the exposure stack directly to SDR format while aiming for aesthetically pleasing luminance and color distributions. Here, we describe a new no-reference image quality assessment (NR IQA) model for HDR pictures that is based on standard measurements of the bandpass and on newly conceived differential natural scene statistics (NSS) of HDR pictures. We derive an algorithm from the model which we call the HDR IMAGE GRADient-based Evaluator. NSS models have previously been used to devise NR IQA models that effectively predict the subjective quality of SDR images, but they perform significantly worse on tonemapped HDR content. Toward ameliorating this we make here the following contributions: 1) we design HDR picture NR IQA models and algorithms using both standard space-domain NSS features as well as novel HDR-specific gradient-based features that significantly elevate prediction performance; 2) we validate the proposed models on a large-scale crowdsourced HDR image database; and 3) we demonstrate that the proposed models also perform well on legacy natural SDR images. The software is available at: http://live.ece.utexas.edu/research/Quality/higradeRelease.zip.

Perceptual quality prediction on authentically distorted images using a bag of features approach.

Current top-performing blind perceptual image quality prediction models are generally trained on legacy databases of human quality opinion scores on synthetically distorted images. Therefore, they learn image features that effectively predict human visual quality judgments of inauthentic and usually isolated (single) distortions. However, real-world images usually contain complex composite mixtures of multiple distortions. We study the perceptually relevant natural scene statistics of such authentically distorted images in different color spaces and transform domains. We propose a "bag of feature maps" approach that avoids assumptions about the type of distortion(s) contained in an image and instead focuses on capturing consistencies-or departures therefrom-of the statistics of real-world images. Using a large database of authentically distorted images, human opinions of them, and bags of features computed on them, we train a regressor to conduct image quality prediction. We demonstrate the competence of the features toward improving automatic perceptual quality prediction by testing a learned algorithm using them on a benchmark legacy database as well as on a newly introduced distortion-realistic resource called the LIVE In the Wild Image Quality Challenge Database. We extensively evaluate the perceptual quality prediction model and algorithm and show that it is able to achieve good-quality prediction power that is better than other leading models.

Massive Online Crowdsourced Study of Subjective and Objective Picture Quality.

Most publicly available image quality databases have been created under highly controlled conditions by introducing graded simulated distortions onto high-quality photographs. However, images captured using typical real-world mobile camera devices are usually afflicted by complex mixtures of multiple distortions, which are not necessarily well-modeled by the synthetic distortions found in existing databases. The originators of existing legacy databases usually conducted human psychometric studies to obtain statistically meaningful sets of human opinion scores on images in a stringently controlled visual environment, resulting in small data collections relative to other kinds of image analysis databases. Toward overcoming these limitations, we designed and created a new database that we call the LIVE In the Wild Image Quality Challenge Database, which contains widely diverse authentic image distortions on a large number of images captured using a representative variety of modern mobile devices. We also designed and implemented a new online crowdsourcing system, which we have used to conduct a very large-scale, multi-month image quality assessment (IQA) subjective study. Our database consists of over 350 000 opinion scores on 1162 images evaluated by over 8100 unique human observers. Despite the lack of control over the experimental environments of the numerous study participants, we demonstrate excellent internal consistency of the subjective data set. We also evaluate several top-performing blind IQA algorithms on it and present insights on how the mixtures of distortions challenge both end users as well as automatic perceptual quality prediction models. The new database is available for public use at http://live.ece.utexas.edu/research/ChallengeDB/index.html.