RESUMO
In the late nineteenth century, Argentine intellectual elites turned to world's fairs as a place to contest myths of Latin American racial inferiority and produce counternarratives of Argentine whiteness and modernity. This essay examines Argentine anthropological displays at three expositions between 1878 and 1892 to elucidate the mechanisms and reception of these projects. Florentino Ameghino, Francisco Moreno, and others worked deliberately and in conjunction with political authorities to erase the indigenous tribes from the national identity, even while using their bodies and products to create prehistory and garner intellectual legitimacy. Comparison of the three fairs also demonstrates how the representation of Amer-Indians and their artifacts shifted in accordance with local political needs and evolving international theories of anthropogenesis. The resulting analysis argues for the importance of considering the former colonies of the Global South in understanding the development of pre-twentieth-century anthropology and world's fairs, particularly when separating them from their imperial context.