Therapeutic tattooing in the Arctic: Ethnographic, archaeological, and ontological frameworks of analysis.

This essay describes the potential for using ethnographic evidence and mummified tattooed skin to reflect on past therapeutic tattoo practice in the Arctic. It also considers the ways in which circumpolar concepts of disease emerged in relation to the agency of nonhuman entities. I argue that specific forms of curative tattooing offer interpretive models for the paleopathological and bioarchaeological study of care through an ontological framework of analysis.

A medical-toxicological view of tattooing.

Long perceived as a form of exotic self-expression in some social fringe groups, tattoos have left their maverick image behind and become mainstream, particularly for young people. Historically, tattoo-related health and safety regulations have focused on rules of hygiene and prevention of infections. Meanwhile, the increasing popularity of tattooing has led to the development of many new colours, allowing tattoos to be more spectacular than ever before. However, little is known about the toxicological risks of the ingredients used. For risk assessment, safe intradermal application of these pigments needs data for toxicity and biokinetics and increased knowledge about the removal of tattoos. Other concerns are the potential for phototoxicity, substance migration, and the possible metabolic conversion of tattoo ink ingredients into toxic substances. Similar considerations apply to cleavage products that are formed during laser-assisted tattoo removal. In this Review, we summarise the issues of concern, putting them into context, and provide perspectives for the assessment of the acute and chronic health effects associated with tattooing.

The cultural heritage of tattooing: a brief history.

For millennia, peoples around the world have tattooed human skin to communicate various ontological, psychosocial, and sociocultural concepts encompassing beauty, cultural identity, status and position, medicine, and supernatural protection. As a system of knowledge transmission, tattooing has been and continues to be a visual language of the skin whereby culture is inscribed, experienced, and preserved in a myriad of specific ways. If we are to fully comprehend the meanings that tattoos have carried across human history and into the present, then it would be useful to explore some of the ways tattoos, as instruments that transmit culture, have been deployed cross-culturally through time.