Non-magnitude sources of bias on duration judgements for blank intervals: conceptual relatedness of interval markers reduces subjective interval duration.

We report three experiments in which the events flanking a temporal interval were either related or unrelated, based on overlap in the letter identity of single letters (Experiment 1), in the conceptual congruency of color words and colored rectangles (Experiment 2), or in the conceptual congruency of sentence stems and their terminal words (Experiment 3). In all cases, we observed a bias for participants to judge the duration of temporal intervals as shorter when the flanking events were related. We draw an analogy between these temporal judgement distortions and those reported elsewhere (Alards-Tomalin et al. in J Exp Psychol Learn Mem Cogn 40(2):555-566, 2014) that revealed that the similarity in the relative magnitude of flanking events generate the same type of bias on duration judgements. The observation that non-magnitude dimensions of relatedness between flanking events can also bias duration judgements raise questions about the applicability of two influential theoretical frameworks for understanding the distorting effects that non-temporal stimulus dimensions can have on duration judgments, A Theory of Magnitude (Buetl and Walsh in Philos Trans R Soc B Biol Sci 12:1831-1840, 2009, Walsh in Trends Cogn Sci 7:483-488, 2003) and the Conceptual Metaphor Theory (e.g., Lakoff and Johnson in Philosophy in the flesh: the embodied mind and its challenge to western thought. Basic Books, New York, 1999). In our general discussion, we consider a number of alternative frameworks that may account for these findings.

Richardson's ground squirrel (Urocitellus richardsonii) alarm call receivers experience an auditory continuity illusion.

Auditory continuity illusions are perceptual illusions in which receivers perceive an auditory signal as continuous when part of the signal has been removed or obfuscated by a louder noise. Richardson's ground squirrels (Urocitellus richardsonii) communicate alarm acoustically in noisy natural settings. Thus, we tested whether they experience an auditory continuity illusion by presenting free-living squirrels with repeated whistle alarm calls within which every second syllable remained unmanipulated, was partially obfuscated by relatively brief (25 ms) bursts of white noise, or partially obfuscated by longer duration (100 ms) white noise bursts. Field playbacks of alarm calls with brief white noise bursts failed to elicit increased vigilance from receivers relative to unmanipulated calls, whereas calls with longer white noise bursts elicited increased vigilance relative to the other 2 call types. As with previous empirical demonstrations of the auditory continuity illusion in vertebrates, relatively short obfuscating noise resulted in receivers perceiving each syllable as a whole, while longer obfuscating noise caused receivers to perceive the beginning and end of each manipulated syllable as 2 distinct syllables, increasing the perceived syllable repetition rate. These results reveal that Richardson's ground squirrels experience an auditory continuity illusion allowing the extraction of the rate of syllable repetition from conspecific repeated alarm calls in the face of short duration environmental noise. Selection has acted upon receivers to refine the cognitive mechanisms underlying signal perception, facilitating the extraction of information masked by environmental noise. (PsycInfo Database Record (c) 2020 APA, all rights reserved).

Dual-task interference effects on cross-modal numerical order and sound intensity judgments: the more the louder?

In the current study, cross-task interactions between number order and sound intensity judgments were assessed using a dual-task paradigm. Participants first categorized numerical sequences composed of Arabic digits as either ordered (ascending, descending) or non-ordered. Following each number sequence, participants then had to judge the intensity level of a target sound. Experiment 1 emphasized processing the two tasks independently (serial processing), while Experiments 2 and 3 emphasized processing the two tasks simultaneously (parallel processing). Cross-task interference occurred only when the task required parallel processing and was specific to ascending numerical sequences, which led to a higher proportion of louder sound intensity judgments. In Experiment 4 we examined whether this unidirectional interaction was the result of participants misattributing enhanced processing fluency experienced on ascending sequences as indicating a louder target sound. The unidirectional finding could not be entirely attributed to misattributed processing fluency, and may also be connected to experientially derived conceptual associations between ascending number sequences and greater magnitude, consistent with conceptual mapping theory.

Numerical Context and Time Perception: Contrast Effects and the Perceived Duration of Numbers.

In the current study, we examined how the contextual repetition of magnitude information presented in either symbolic (Arabic digits) or nonsymbolic (numerosities) formats impacted on the perceived duration of a later occurring target number. The results of the current study demonstrated a time-magnitude bias in which, on average, large magnitude target numbers were judged to last for longer durations relative to small magnitude target numbers, regardless of notation (symbolic number and numerosity). Furthermore, context effects were found, in which a greater discrepancy in the target's magnitude from the initial context led to longer perceived duration ratings. However, this was found to be asymmetrical, occurring only for large magnitude targets. Additionally, the type of context effect was shown to be determined by whether the context was presented in the same notation as the target or a different notation.

Is 9 louder than 1? Audiovisual cross-modal interactions between number magnitude and judged sound loudness.

The cross-modal impact of number magnitude (i.e. Arabic digits) on perceived sound loudness was examined. Participants compared a target sound's intensity level against a previously heard reference sound (which they judged as quieter or louder). Paired with each target sound was a task irrelevant Arabic digit that varied in magnitude, being either small (1, 2, 3) or large (7, 8, 9). The degree to which the sound and the digit were synchronized was manipulated, with the digit and sound occurring simultaneously in Experiment 1, and the digit preceding the sound in Experiment 2. Firstly, when target sounds and digits occurred simultaneously, sounds paired with large digits were categorized as loud more frequently than sounds paired with small digits. Secondly, when the events were separated, number magnitude ceased to bias sound intensity judgments. In Experiment 3, the events were still separated, however the participants held the number in short-term memory. In this instance the bias returned.

The effects of numerical magnitude, size, and color saturation on perceived interval duration.

The relative magnitude (or intensity) of an event can have direct implications on timing estimation. Previous studies have found that greater magnitude stimuli are often reported as longer in duration than lesser magnitudes, including Arabic digits (Xuan, Zhang, He, & Chen, 2007). One explanation for these findings is that different quantitative dimensions (size, intensity, number) are processed and represented according to a common analog magnitude system (Walsh, 2003). In the current study, we examined whether there were commonalities in how people judge the intervals of time occurring between discrete stimuli of different magnitudes across a variety of quantitative dimensions, which included number, size, and color saturation. It was found that duration judgments increased systematically as the overall magnitude difference between sequentially presented stimuli increased. This finding was robust against manipulations to the direction of the sequence, or whether the sequence followed ordered (continuous) or nonordered (discontinuous) pattern trajectories.

Examining auditory kappa effects through manipulating intensity differences between sequential tones.

The auditory kappa effect is a tendency to base the perceived duration of an inter-onset interval (IOI) separating two sequentially presented sounds on the degree of relative pitch distance separating them. Previous research has found that the degree of frequency discrepancy between tones extends the subjective duration of the IOI. In Experiment 1, auditory kappa effects for sound intensity were tested using a three-tone, AXB paradigm (where the intensity of tone X was shifted to be closer to either Tone A or B). Tones closer in intensity level were perceived as occurring closer in time, evidence of an auditory-intensity kappa effect. In Experiments 2 and 3, the auditory motion hypothesis was tested by preceding AXB patterns with null intensity and coherent intensity context sequences, respectively. The auditory motion hypothesis predicts that coherent sequences should enhance the perception of motion and increase the strength of kappa effects. In this study, the presence of context sequences reduced kappa effect strength regardless of the properties of the context tones.