The visual image and the Denkbild: Sigmund Freud and Walter Benjamin on history and remembrance.

The present paper offers a comparative reading of Sigmund Freud's and Walter Benjamin's thoughts on remembrance and history. Freud's dream thought, constructed from visual images, and Benjamin's dialectical image, and the Denkbild as its literary form, are presented as intriguingly intertwined concepts. They both refer to residues of regressive thought expressed through the medium of the German Bild, which can be translated as image, picture or figure. The visual image (visuelles Bild) and the Denkbild are presented as crucial to the construction of history because they present a dialectic between a condensed experience of the past (beyond the scope of words and representation) and the inevitable transformation of experience into language. Freud's and Benjamin's late writings are read in the historical context of European Jewish intellectuals facing the rise of the Nazi regime. The images discussed comparatively here are Freud's last Moorish king and Benjamin's angel of history. These condensed images are presented as lamenting figures, images of despair and struggle. They serve as examples of the visual image's ability to represent the unrepresentable and capture hidden mnemic traces at traumatic times.

"Are we dead?": time in H. D.'s dialogue with Freud.

This paper presents H. D.'s dialogue with Freud on the theme of time and timelessness. Freud presented a conception of time that varied in accordance with the various levels of consciousness. But while linear time is presented in Freud's writing as an essential part of development and mourning, timelessness has not been fully developed as such. A discussion of Freud's conception of time is followed by a reading of H. D.'s memoir Tribute to Freud. H. D. offers a series of reminiscences of different periods in her life, with an emphasis on her analysis and on Freud. The reading of the memoir presents an intense and stimulating narrative of the encounter with Freud at the time of analysis and in après-coup. This translation revolves around timelessness as a path into a realm of imagination and fantasy, not sufficiently acknowledged by Freud as such, yet crucial to H. D.'s quest for an innovative poetic voice. The significance and elusiveness of timelessness is discussed using ideas from André Green and Walter Benjamin.

The Wolf Man's Glückshaube: Rereading Sergei Pankejeff's Memoir.

A comparative reading of Freud's canonical case study "From the History of an Infantile Neurosis" (1918) and the memoir written by the protagonist of that study, Sergei Pankejeff, known as the Wolf Man (1971a), centers on the complex matrix of meanings embodied in the act of lifting the veil. The neurotic symptom of a veil seemingly in front of the analysand's eyes is interpreted by Freud as a repetition of his birth in a Glückshaube (German for "caul," literally a "lucky hood"). The veil is represented as an ambivalent object both for Freud and for Pankejeff, who are enticed by the sense of a final truth behind the veil yet constantly doubt the possibility of grasping it. For Freud, psychoanalysis is the very process of lifting the veil, yet his analysand remained for him an unsolved riddle. Pankejeff, in a volume dedicated to his identity as the Wolf Man (Gardiner 1971a), created an autobiographical text that deliberately avoids telling the story of the analysand, thus drawing a veil over his story. The paradox embodied in lifting the veil is discussed in relation to Walter Benjamin's distinction between materiality and truth and his notion of the inherent unity of the veil and the veiled (1925).

Memory, Mourning, and Writing: Abram Kardiner's Memoir of Freud.

This paper offers a reading of psychoanalyst Abram Kardiner's memoir, which tells the story of his analytic encounter with Freud in the early 1920s. The memoir describes Kardiner's dependence on caretakers, parents, and psychoanalysts, as well as painful separations that are understood in relation to his deprived childhood. These memories were revived in analysis and then reactivated in its abrupt termination. In retrospect, it can be seen that Kardiner's work of memory and mourning is tied in ambiguous ways to Freud's mourning over his daughter Sophie at the time. The present paper uses ideas on writing and translation by Derrida, Ricoeur, and Laplanche to suggest a comparative reading of the texts written by the analyst and the patient. This reading views the essence of autobiographical writing not only as a reconstruction of the past but also as a new translation, with an emphasis on the experience of loss.

'For our garden of remembrance is somewhere else': Narratives of separation through the eyes of Freud's patients.

This article presents a unique collection of narratives of separation - unique because the separation here is from psychoanalysis and from Freud as analyst. These narratives were published as part of memoirs written about Freud by three of his patients. Their narratives of separation give us an innovative point of view on the psychoanalytic process, in particular with respect to the importance they place on the termination phase of the analysis at a time when Freud himself had not given it much consideration. The three autobiographical texts are Abram Kardiner's memoir (1977); the memoir of Sergei Pankejeff, known as the Wolf Man (Gardiner, ); and 'Tribute to Freud', by the poet H.D. (). These three distinguished narratives are discussed here as works of translation, as understood by Walter Benjamin (1968 [1955]), Paul Ricoeur (2006 [2004]), and Jean Laplanche (1999 [1992]). They express translation under three aspects: reconstruction of the past (the work of memory), interpreting the conscious residues of the transference (the work of mourning), and, as a deferred action, deciphering the enigmatic messages received from Freud as the parental figure. This representation of the analysand's writing suggests that the separation from analysis is an endless work of translation within the endless process of deciphering the unconscious.