Temporal prediction abilities are mediated by motor effector and rhythmic expertise.

Motor synchronization is a critical part of musical performance and listening. Recently, motor control research has described how movements that contain more available degrees of freedom are more accurately timed. Previously, we demonstrated that stick tapping improves perception in a timing detection task, where percussionists greatly outperformed non-percussionists only when tapping along. Since most synchronization studies implement finger tapping to examine simple motor synchronization, here we completed a similar task where percussionists and non-percussionists synchronized using finger tapping; movement with fewer degrees of freedom than stick tapping. Percussionists and non-percussionists listened to an isochronous beat sequence and identified the timing of a probe tone. On half of the trials, they tapped along with their index finger, and on the other half of the trials, they listened without moving prior to making timing judgments. We found that both groups benefited from tapping overall. Interestingly, percussionists performed only marginally better than did non-percussionists when finger tapping and no different when listening alone, differing from past studies reporting highly superior timing abilities in percussionists. Additionally, we found that percussionist finger tapping was less variable and less asynchronous than was non-percussionist tapping. Moreover, in both groups finger tapping was more variable and more asynchronous than stick tapping in our previous study. This study demonstrates that the motor effector implemented in tapping studies affects not only synchronization abilities, but also subsequent prediction abilities. We discuss these findings in light of effector-specific training and degrees of freedom in motor timing, both of which impact timing abilities to different extents.

Trained to keep a beat: movement-related enhancements to timing perception in percussionists and non-percussionists.

Many studies demonstrate that musicians exhibit superior timing abilities compared to nonmusicians. Here, we investigated how specific musical expertise can mediate the relationship between movement and timing perception. In the present study, a group of highly trained percussionists (n = 33) and a group of non-percussionists (n = 33) were tested on their ability to detect temporal deviations of a tone presented after an isochronous sequence. Participants either tapped along with the sequence using a drumstick (movement condition) or listened without tapping (no-movement condition). Although both groups performed significantly better when moving than when listening alone, percussionists gained a greater benefit from tapping when detecting the smallest probe tone delays compared to non-percussionists. This complements both the musical expertise and timing perception literature by demonstrating that percussionists with high levels of training may further capitalize on the benefits of sensorimotor interactions. Surprisingly, percussionists and non-percussionists performed no differently when listening alone, in contrast to other studies examining the role of training in timing abilities. This raises interesting questions about the degree to which percussionists' known expertise in timing may interact with their use of motion when judging rhythmic precision.

Beat-induced fluctuations in auditory cortical beta-band activity: using EEG to measure age-related changes.

People readily extract regularity in rhythmic auditory patterns, enabling prediction of the onset of the next beat. Recent magnetoencephalography (MEG) research suggests that such prediction is reflected by the entrainment of oscillatory networks in the brain to the tempo of the sequence. In particular, induced beta-band oscillatory activity from auditory cortex decreases after each beat onset and rebounds prior to the onset of the next beat across tempi in a predictive manner. The objective of the present study was to examine the development of such oscillatory activity by comparing electroencephalography (EEG) measures of beta-band fluctuations in 7-year-old children to adults. EEG was recorded while participants listened passively to isochronous tone sequences at three tempi (390, 585, and 780 ms for onset-to-onset interval). In adults, induced power in the high beta-band (20-25 Hz) decreased after each tone onset and rebounded prior to the onset of the next tone across tempo conditions, consistent with MEG findings. In children, a similar pattern was measured in the two slower tempo conditions, but was weaker in the fastest condition. The results indicate that the beta-band timing network works similarly in children, although there are age-related changes in consistency and the tempo range over which it operates.