The Tomb of the Diver and the frescoed tombs in Paestum (southern Italy): New insights from a comparative archaeometric study.

The Tomb of the Diver has been subject for many decades of fierce debate among archaeologists and classicists. Since its discovery in 1968, some scholars have considered it a unique example of the lost tradition of Greek painting, others have emphasized Etruscan or Italic parallels. More recently, a possible local production has been suggested. With the aim of trying to solve the archaeological question, an archaeometric comparison among this well-known artwork and several frescoed tombs coming from Hellenistic and Lucan necropolis was carried out. The multi-analytical study was focused on the identification of peculiar features of executive techniques and raw materials since the first period of the archaeological site. The analytical investigation has been preliminary based on a non-destructive approach, performed in-situ by portable equipment including imaging diagnostics and compositional spectroscopic techniques for identifying pigments and the conservation state of original painted surface; subsequently, a further deepening by using destructive techniques was performed in-lab for the mortar-based supports characterization. Archaeometric study suggested that technological choices slightly changed in a time span of about two centuries, highlighting important markers that allow clustering the contemporary artistic productions. Moreover, a comparison with mortars from temples decorations was provided to better understand the whole artistic context. The archaeometric data showed that the Tomb of the Diver could be traced back to a local artisanal tradition and therefore is neither Etruscan nor Greek, but the first and foremost an expression of the local elite culture of Paestum.

Compression of digital holograms via adaptive-sparse representation.

Efficient storage and transmission of digital holograms (DHs) requires the development of appropriate compression techniques for such a special class of images. In this Letter, we investigate a method to compress DHs using a sparse matrix representation. Using digital holography to numerically manage complex wave fields, we are able to apply an adaptive mask, based on a threshold filter, to the object wave field. From there, we store the result of this filtering by sparse representation. In this Letter, we demonstrate that using sparse representation allows for a high compression factor with minimal loss in the quality of the reconstructed image. This technique is efficient for storage and transmission of DHs.

Optical reconstruction of digital holograms recorded at 10.6 microm: route for 3D imaging at long infrared wavelengths.

We demonstrate the optical reconstruction in the visible range (0.532 microm) of digital holograms recorded at long IR wavelengths (10.6 microm) by means of a spatial light modulator. By using an integrated recording-reconstruction system, it is, in fact, feasible to achieve direct imaging of holograms acquired outside the visible range, i.e., in the IR spectrum. By choosing a Fourier recording configuration, the reconstructed image, obtained at about a 20 times shorter wavelength than the acquisition image, exhibits minor aberrations, which do not significantly affect the optical reconstruction. The high NA achievable at a long IR wavelength allows us to image large objects at reasonable distances.