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1.
Anal Chem ; 91(5): 3421-3428, 2019 Mar 05.
Artigo em Inglês | MEDLINE | ID: mdl-30706704

RESUMO

Paints based on cadmium sulfide (CdS) were popular among artists beginning in the mid-19th century. Some paint formulations are prone to degrade, discoloring and disfiguring paintings where they have been used. Pablo Picasso's Femme (Époque des "Demoiselles d'Avignon") (1907) includes two commercial formulations of CdS: one is visibly degraded and now appears brownish yellow, while the other appears relatively intact and is vibrant yellow. This observation inspired the study reported here of the photoluminescence emission from trap states of the two CdS paints, complemented by data from multispectral imaging, X-ray fluorescence spectroscopy, micro-FTIR, and SEM-EDS. The two paints exhibit trap state emissions that differ in terms of spectrum, intensity, and decay kinetics. In the now-brownish yellow paint, trap state emission is highly favored with respect to near band edge optical recombination. This observation suggests a higher density of surface defects in the now-brownish yellow paint that promotes the surface reactivity of CdS particles and their subsequent paint degradation. CdS is a semiconductor, and surface defects in semiconductors can trap free charge carriers; this interaction becomes stronger at reduced particle size or, equivalently, with increased surface to volume ratio. Here, we speculate that the strong trap state emission in the now-brownish cadmium yellow paint is linked to the presence of CdS particles with a nanocrystalline phase, possibly resulting from a low degree of calcination during pigment synthesis. Taken together, the results presented here demonstrate how photoluminescence studies can probe surface defects in CdS paints and lead to an improved understanding of their complex degradation mechanisms.

2.
Acc Chem Res ; 43(6): 888-96, 2010 Jun 15.
Artigo em Inglês | MEDLINE | ID: mdl-20455567

RESUMO

Cellulose acetate, developed about 100 years ago as a versatile, semisynthetic plastic material, is used in a variety of applications and is perhaps best known as the basis of photographic film stock. Objects made wholly or partly from cellulose acetate are an important part of modern and contemporary cultural heritage, particularly in museum collections. Given the potential instability of the material, however, it is imperative to understand the aging mechanisms and deterioration pathways of cellulose ester plastics to mitigate decomposition and formulate guidelines for storage, exhibition, and conservation. One important aspect of this process is the ability to fully characterize the plastic, because variations in composition affect its aging properties and ultimate stability. In this Account, we assess the potential of a range of analytical techniques for plastics made from cellulose acetate, cellulose propionate, and cellulose butyrate. Comprehensive characterization of cellulose ester plastics is best achieved by applying several complementary analytical techniques. Fourier-transform IR (FTIR) and Raman spectroscopy provide rapid means for basic characterization of plastic objects, which can be useful for quick, noninvasive screening of museum collections with portable instruments. Pyrolysis GC/MS is capable of differentiating the main types of cellulose ester polymers but also permits a richly detailed compositional analysis of additives. Thermal analysis techniques provide a wealth of compositional information and thermal behavior. Thermogravimetry (TG) allows for quantitative analysis of thermally stable volatile additives, and weight-difference curves offer a novel means for assessing oxidative stability. The mechanical response to temperature, such as the glass transition, can be measured with dynamic mechanical analysis (DMA), but results from other thermal analysis techniques such as TG, differential scanning calorimetry (DSC), and dynamic load thermomechanical analysis (DLTMA) are often required to more accurately interpret the results. The analytical results from this study form the basis for in-depth studies of works of art fabricated from cellulose acetate. These objects, which are particularly at risk when stored in tightly sealed containers (as is often the case with photographic film), warrant particular attention for conservation given their susceptibility toward sudden onset of deterioration.

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