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2.
Soc Stud Sci ; 45(2): 161-86, 2015 Apr.
Artigo em Inglês | MEDLINE | ID: mdl-26477204

RESUMO

How much is a dinosaur worth? This essay offers an account of the way vertebrate fossils were priced in late 19th-century America to explore the process by which monetary values are established in science. Examining a long and drawn-out negotiation over the sale of an unusually rich dinosaur quarry in Wyoming, I argue that, on their own, abstract market principles did not suffice to mediate between supply and demand. Rather, people haggling over the price of dinosaur bones looked to social norms from the mineral industry for cues on how to value these rare and unusual objects, adopting a set of negotiation tactics that exploited asymmetries in the distribution of scarce information to secure the better end of the deal. On the mining frontier in America's Gilded Age, dinosaurs were thus valued in much the same way as any other scarce natural resource one could dig out of the ground, including gold, silver, and coal.


Assuntos
Dinossauros , Fósseis , Paleontologia/história , Animais , História do Século XIX , Mineração/economia , Paleontologia/economia , Wyoming
3.
Mol Phylogenet Evol ; 69(3): 469-78, 2013 Dec.
Artigo em Inglês | MEDLINE | ID: mdl-23954756

RESUMO

The phylogeny of the butterfly genus Lysandra (Lycaenidae, Polyommatinae) has been intractable using both molecular and morphological characters, which could be a result of speciation due to karyotype instability. Here we reconstruct the phylogeny of the group using multi-locus coalescent-based methods on seven independent genetic markers. While the genus is ca. 4.9 Mya old, the diversification of the extant lineages was extremely recent (ca. 1.5 Mya) and involved multiple chromosomal rearrangements. We find that relationships are uncertain due to both incomplete lineage sorting and hybridization. Minimizing the impact of reticulation in inferring the species tree by testing for mitochondrial introgression events yields a partially resolved tree with three main supported clades: L. punctifera+L. bellargus, the corydonius taxa, and L. coridon+the Iberian taxa, plus three independent lineages without apparently close relatives (L. ossmar, L. syriaca and L. dezina). Based on these results and new karyotypic data, we propose a rearrangement recognizing ten species within the genus. Finally, we hypothesize that chromosomal instability may have played a crucial role in the Lysandra recent diversification. New chromosome rearrangements might be fixed in populations after severe bottlenecks, which at the same time might promote rapid sorting of neutral molecular markers. We argue that population bottlenecks might be a prerequisite for chromosomal speciation in this group.


Assuntos
Borboletas/classificação , Instabilidade Cromossômica , Evolução Molecular , Filogenia , Animais , Teorema de Bayes , Borboletas/genética , Cromossomos , Marcadores Genéticos , Hibridização Genética , Cariótipo , Masculino , Mitocôndrias/genética , Modelos Genéticos , Análise de Sequência de DNA
4.
Isis ; 103(3): 460-90, 2012 Sep.
Artigo em Inglês | MEDLINE | ID: mdl-23286187

RESUMO

This essay examines the exhibition of dinosaurs at the American Museum of Natural History during the first two decades of the twentieth century. Dinosaurs provide an especially illuminating lens through which to view the history of museum display practices for two reasons: they made for remarkably spectacular exhibits; and they rested on contested theories about the anatomy, life history, and behavior of long-extinct animals to which curators had no direct observational access. The American Museum sought to capitalize on the popularity of dinosaurs while mitigating the risks of mounting an overtly speculative display by fashioning them into a kind of mixed-media installation made of several elements, including fossilized bone, shellac, iron, and plaster. The resulting sculptures provided visitors with a vivid and lifelike imaginative experience. At the same time, curators, who were anxious to downplay the speculative nature of mounted dinosaurs, drew systematic attention to the material connection that tied individual pieces of fossilized bone to the actual past. Freestanding dinosaurs can therefore be read to have functioned as iconic sculptures that self-consciously advertised their indexical content.


Assuntos
Dinossauros , Exposições como Assunto , Museus/história , História Natural/história , Animais , Osso e Ossos , Fósseis , História do Século XIX , Cidade de Nova Iorque , Pesquisa/história , Escultura/história
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