Bringing nature indoors: characterizing the unique contribution of fractal structure and the effects of Euclidean context on perception of fractal patterns.

Imbuing the benefits of natural design into humanmade spaces, installations of fractal patterns have been employed to shape occupant experience. Previous work has demonstrated consistent trends for fractal judgments in the presence of design elements. The current study identifies the extent to which underlying pattern structure and perceptions of pattern complexity drive viewer judgments, and how response trends are altered with the incorporation of Euclidean context reminiscent of indoor spaces. This series of studies first establishes that pattern appeal, interest, naturalness, and relaxation have a fundamentally inverse relationship with perceptions of pattern complexity and that the presence of fractal structure contributes uniquely and positively to pattern perception. Subsequently, the addition of Euclidean structure establishes a discrete pattern boundary that alters fractal perceptions of interest and excitement but not the remaining judgments. The presence of consistent subpopulations, particularly those that contradict overarching perceptual trends is supported across studies, and further emphasizes the importance of adjusting pattern selection to consider the greatest number of possible viewers. Through informed pattern selection, designs can be installed to maximize desired experience of a space while minimizing negative impressions bound to arise in a minority of occupants. This set of studies demonstrates that through control of perceived pattern complexity and whether an emphasis is placed on pattern boundaries, fractal patterns can serve to establish predictable experiences of humanmade spaces in order to inject the benefits of nature into manufactured environments.

Aesthetics and Psychological Effects of Fractal Based Design.

Highly prevalent in nature, fractal patterns possess self-similar components that repeat at varying size scales. The perceptual experience of human-made environments can be impacted with inclusion of these natural patterns. Previous work has demonstrated consistent trends in preference for and complexity estimates of fractal patterns. However, limited information has been gathered on the impact of other visual judgments. Here we examine the aesthetic and perceptual experience of fractal 'global-forest' designs already installed in humanmade spaces and demonstrate how fractal pattern components are associated with positive psychological experiences that can be utilized to promote occupant wellbeing. These designs are composite fractal patterns consisting of individual fractal 'tree-seeds' which combine to create a 'global fractal forest.' The local 'tree-seed' patterns, global configuration of tree-seed locations, and overall resulting 'global-forest' patterns have fractal qualities. These designs span multiple mediums yet are all intended to lower occupant stress without detracting from the function and overall design of the space. In this series of studies, we first establish divergent relationships between various visual attributes, with pattern complexity, preference, and engagement ratings increasing with fractal complexity compared to ratings of refreshment and relaxation which stay the same or decrease with complexity. Subsequently, we determine that the local constituent fractal ('tree-seed') patterns contribute to the perception of the overall fractal design, and address how to balance aesthetic and psychological effects (such as individual experiences of perceived engagement and relaxation) in fractal design installations. This set of studies demonstrates that fractal preference is driven by a balance between increased arousal (desire for engagement and complexity) and decreased tension (desire for relaxation or refreshment). Installations of these composite mid-high complexity 'global-forest' patterns consisting of 'tree-seed' components balance these contrasting needs, and can serve as a practical implementation of biophilic patterns in human-made environments to promote occupant wellbeing.

The Effects of Three-Dimensional Context on Shape Perception.

Humans have a unique ability to perceive shape in different ways. Although we naturally estimate objective (physical) shape in our daily interactions with the world, we are also capable of estimating projective (retinal) shape, especially when attempting to accurately draw objects and scenes. In four experiments, we demonstrated robust effects of 3D context on shape perception. Using a binocular stereo paradigm, we presented rectangular surfaces of varying widths alone or embedded in a polyhedron. We investigated how context, judgment type, and angle affected width estimates. We found that the presence of even a small amount of 3D context aids objective judgments but hinders projective judgments, whereas a lack of context had the opposite effect. Context facilitated objective shape assessments by improving estimates of surface orientation. These results demonstrate that the typical presence of 3D context aids shape perception (shape constancy) while simultaneously making the projective judgments necessary for realistic drawing more difficult.